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This large and magnificent work of art is both an interpretive history of Soviet chess from the Bolshevik Revolution to the collapse of the U.S.S.R. in 1991 and a record of the most interesting games played. The text traces the phenomenal growth of chess from the Revolutionary days to the devastations of World War II, and then from the Golden Age of Soviet-dominated chess in the 1950s to the challenge of Bobby Fischer and the quest to find his Soviet match. Included are 249 games, each with a diagram; most are annotated and many have never before been published outside the Soviet Union. The text is augmented by photographs and includes 63 tournament and match scoretables. Also included are a bibliography, an appendix of records achieved in Soviet national championships, two indexes of openings, and an index of players and opponents.
Perceptive coverage of all 210 games from the legendary tournament, which featured Smyslov, Keres, Reshevsky, Petrosian, and 11 others, including the author. Suitable for players at all levels. Algebraic notation. 352 diagrams.
This book describes the intense rivalry--and collaboration--of the four players who created the golden era when USSR chess players dominated the world. More than 200 annotated games are included, along with personal details--many for the first time in English. Mikhail Tal, the roguish, doomed Latvian who changed the way chess players think about attack and sacrifice; Tigran Petrosian, the brilliant, henpecked Armenian whose wife drove him to become the world's best player; Boris Spassky, the prodigy who survived near-starvation and later bouts of melancholia to succeed Petrosian--but is best remembered for losing to Bobby Fischer; and "Evil" Viktor Korchnoi, whose mixture of genius and jealousy helped him eventually surpass his three rivals (but fate denied him the title they achieved: world champion).
How does one determine the "best" chess games? What one may see as brilliant, another may see as simply necessary. Like some art lovers, chess fans claim that they know a good game when they see it, and that they know better from good. But "best"? How is this articulated? This book, itself a work of art, is brought together by the use of five criteria: the overall aesthetics (clever and relentless are insufficient qualities); the originality (e.g., not yet another white knight sacrifice in a Sicilian); the level of opposition (the loser played very well); the soundness (i.e., are the moves refutable with perfect play?), accuracy (few of the moves are second-best), and difficulty (the winner overcame major obstacles) of the game; and finally the overall breadth and depth (one wants a series of sparkling ideas, with no dry patches). The 100 best games were taken from an initial field of about 7,000 played from 1900 through 1999 that had already gained some attention in magazines, books and periodicals. Three hundred games were then selected that appeared to have features consistent with the criteria. The 300 games were evaluated with scores--points given for each category of criteria. The games were then ranked, one to 100, by the score they received. No attempt was made to balance the selection according to period, nationality of players or opening. Also included is a chapter on the most overrated games of the twentieth century and one on games that would have made the list if... Includes 335 diagrams, an index of players and an index of openings by ECO codes.
Reads like a true crime investigation. Hard-hitting anti-communist slant by dissident critic of the communist regime.
International Grandmaster analyzes key games in 65 of the most important matches of the last 100 years. Extensive diagrams and indices.
In this exciting new book, a US Champion provides solutions to the real-life problem of improving one's chess. Grandmaster Alex Yermolinsky, one of the strongest players in the US, passes on many of the insights he has gained over years of playing and teaching, steering the reader away from 'quick-fix' approaches, and focussing on the critical areas of chess understanding and over-the-board decision-making. A large part of this book discusses a variety of important opening set-ups, including methods for opposing off-beat but dangerous lines, such as the Grand Prix Attack. This entertainingly written book breaks new ground in many areas of chess understanding.
Bestselling author and eminent foreign policy scholar Zbigniew Brzezinski's classic book on American's strategic mission in the modern world. In The Grand Chessboard, renowned geostrategist Zbigniew Brzezinski delivers a brutally honest and provocative vision for American preeminence in the twenty-first century. The task facing the United States, he argues, is to become the sole political arbiter in Eurasian lands and to prevent the emergence of any rival power threatening our material and diplomatic interests. The Eurasian landmass, home to the greatest part of the globe's population, natural resources, and economic activity, is the "grand chessboard" on which America's supremacy will be ratified and challenged in the years to come. In this landmark work of public policy and political science, Brzezinski outlines a groundbreaking and powerful blueprint for America's vital interests in the modern world. In this revised edition, Brzezinski addresses recent global developments including the war in Ukraine, the re-emergence of Russia, and the rise of China.
From Tolstoy to Lenin, from Diaghilev to Stalin, The Empire Must Die is a tragedy of operatic proportions with a cast of characters that ranges from the exotic to utterly villainous, the glamorous to the depraved. In 1912, Russia experienced a flowering of liberalism and tolerance that placed it at the forefront of the modern world: women were fighting for the right to vote in the elections for the newly empowered parliament, Russian art and culture was the envy of Europe and America, there was a vibrant free press and intellectual life. But a fatal flaw was left uncorrected: Russia's exuberant experimental moment took place atop a rotten foundation. The old imperial order, in place for three hundred years, still held the nation in thrall. Its princes, archdukes, and generals bled the country dry during the First World War and by 1917 the only consensus was that the Empire must die. Mikhail Zygar's dazzling, in-the-moment retelling of the two decades that prefigured the death of the Tsar, his family, and the entire imperial edifice is a captivating drama of what might have been versus what was subsequently seen as inevitable. A monumental piece of political theater that only Russia was capable of enacting, the fall of the Russian Empire changed the course of the twentieth century and eerily anticipated the mood of the twenty-first.
The Life & Games of the Seventh World Chess Champion Vasily Smyslov, the seventh world champion, had a long and illustrious chess career. He played close to 3,000 tournament games over seven decades, from the time of Lasker and Capablanca to the days of Anand and Carlsen. From 1948 to 1958, Smyslov participated in four world championships, becoming world champion in 1957. Smyslov continued playing at the highest level for many years and made a stunning comeback in the early 1980s, making it to the finals of the candidates’ cycle. Only the indomitable energy of 20-year-old Garry Kasparov stopped Smyslov from qualifying for another world championship match at the ripe old age of 63! In this first volume of a multi-volume set, Russian FIDE master Andrey Terekhov traces the development of young Vasily from his formative years and becoming the youngest grandmaster in the Soviet Union to finishing second in the world championship match tournament. With access to rare Soviet-era archival material and invaluable family archives, the author complements his account of Smyslov’s growth into an elite player with dozens of fascinating photographs, many never seen before, as well as 49 deeply annotated games. German grandmaster Karsten Müller’s special look at Smyslov’s endgames rounds out this fascinating first volume. [This book] is an extremely well-researched look at his life and games, a very welcome addition to the body of work about Smyslov... – from the Foreword by Peter Svidler