Download Free Souvenir Program Us 1949 Book in PDF and EPUB Free Download. You can read online Souvenir Program Us 1949 and write the review.

This book argues that US theatre in the 20th century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour.
Geopolitical Shakespeare: Western Entanglements from Internationalism to Cold War examines the entanglement of Shakespearean culture in the geopolitical dynamics of the post-war West. Taking its cue from a speech given by Albert Einstein in London in 1933, in which Shakespeare is cited as an example of the Western value of personal and intellectual freedom, this book explores a series of events between 1945 and 1955 featuring key historical figures--scientists, international lawyers, diplomats and politicians, writers, actors, and filmmakers--who experienced the tensions of the early Cold War through Shakespeare, or called on him to articulate this new post-war world. Erica Sheen examines political, diplomatic, cultural, and economic interactions within 'core' Western power relations--the USA, UK, and Europe, with particular reference to Germany--in which Shakespeare, or the idea of Shakespeare, was entangled in the struggle for new ideas and social structures. The subjects of this book include John Humphrey and the drafting of the Universal Declaration of Human Rights; the Nuremberg Trials and the foundation of West Germany; Noel Annan and the Berlin Elizabethan Festival; an American production of Hamlet in Elsinore; Laurence Olivier, David Selznick, and the Shakespeare film in post-war Hollywood; Graham Greene and The Third Man; and Carl Schmitt and Salvador de Madariaga on Hamlet in post-war Europe. In each of these case studies, Sheen discovers a Shakespeare for our time: engaged in contestations of territoriality in cultures of international law and human rights, theatre, film, and literature.
Reveries of Home considers understandings of home in the world today and the means by which feelings of homeliness are secured. In particular, the volume explores the relationship between the phenomenon of globalisation and the ways in which home-making entails acts of practical and symbolic emplacement in landscapes felt to be meaningful and authentic. A series of case-studies, from Norway and West Africa, the mid-western USA, Egypt, Scotland and elsewhere, offer an illustrative array of homes made in rural communities and urban worksites, in personal life-histories and the policies of diasporic groups, in ceremonial revivals and mundane routines: in postcards, house furnishings, dreams, clothes and smells. Home-making appears as a kind of work; and it is ongoing, for ‘place’ and being ‘emplaced’ are not givens. Instead, home-making exists in time: in moments of individual and collective performance which are both mundane and memorial. Reveries of Home offers a set of cases and a set of arguments that reveal the close connections that remain between home and identity, even in a world of movement.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands dressed up in historical costumes and performed scenes from the history of the places where they lived, and hundreds of thousands more watched them. These pageants were one of the most significant aspects of popular engagement with the past between the 1900s and the 1970s: they took place in large cities, small towns and tiny villages, and engaged a whole range of different organised groups, including Women’s Institutes, political parties, schools, churches and youth organisations. Pageants were community events, bringing large numbers of people together in a shared celebration and performance of the past; they also involved many prominent novelists, professional historians and other writers, as well as featuring repeatedly in popular and highbrow literature. Although the pageant tradition has largely died out, it deserves to be acknowledged as a key aspect of community history during a period of great social and political change. Indeed, as this book shows, some traces of ‘pageant fever’ remain in evidence today.