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Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.
In City Indian, Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indian men and women who migrated to Chicago from across America. From the 1893 World’s Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago who were doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era, more than at any other time in the city’s history, they could be found in the company of politicians and society leaders, at Chicago’s major cultural venues and events, and in the press, speaking out. When Mayor “Big Bill” Thompson declared that Chicago public schools teach “America First,” American Indian leaders publicly challenged him to include the true story of “First Americans.” As they struggled to reshape nostalgic perceptions of American Indians, these men and women developed new associations and organizations to help each other and to ultimately create a new place to call home in a modern American city.
As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
"Collection of incunabula and early medical prints in the library of the Surgeon-general's office, U.S. Army": Ser. 3, v. 10, p. 1415-1436.
This collection of essays analyzes ‛tradition’ as a category in the historical and comparative study of religion. The book questions the common assumption that tradition is simply the “passing down” or imitation of prior practices and discourses. It begins from the premise that many traditions are, at least in part, social fabrications, often deliberately serving particular ideological ends. Individual chapters examine a wide variety of historical periods and religions (Congolese, Buddhist, Christian, Confucian, Cree, Esoteric, Hawaiian, Hindu, Islamic, Jewish, New Religious Movement, and Shinto). Different sections of the book consider tradition's relation to three sets of issues: legitimation and authority; agency and identity; modernity and the West.
The Prairie Provinces cover Alberta, Saskatchewan and Manitoba.
The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English MONTH & YEAR OF PUBLICATION: 22/12/1935 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 71 VOLUME NUMBER: Vol. I.No. 1. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS):24-27, 29-31, 33, 35-38, 40-41, 43-44, 46-47, 49-52, 54, 56, 58, 60-65 ARTICLES: 1. The Delhi Transmitter 2. Short, Medium Or Long? 3. The Distribution Of Programmes Author of Article: 1. P.J. EDMUNDS 2. E. Duncan Smith 3. Peter Goss Keywords: 1. Delhi Broadcasting Transmitter, Frequency, Long Wave, Short Wave 2. Primary Rediations, Short-Wave Drawbacks, Intereference, Wavelengths 3. Daily Broadcast, Transmission, News Bulletin , British Empire, Transmission Document ID:INL-1935-36 (D-D) Vol-I (01)
In 1939, a troupe of eight rodeo riders, accompanied by an RCMP officer, travelled to Sydney, Australia to compete in the Royal Easter Show. The men were expected to compete in various rodeo events, as well as to sell handicrafts at the fair's "Indian village," where they also camped. International competition in rodeo was very rare at the time, and the team proved to be a popular draw for Australian audiences. This little-known moment in Canadian history is explored in Canadian Indian Cowboys in Australia.