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Beautiful full color litho cover, stagecoach under attack from Indians, cameo portrait of W.F. Cody.
Recounts the history of the souvenir spoon craze in the West, which ran roughly from the 1890s up to World War II. Includes illustrations of both commercially produced and native designs.
"Written in a clear, accessible, and lively style, Souvenirs of the Old South will be the foundational work for subsequent scholars and readers interested in tourism in the New South."--W. Fitzhugh Brundage, author of The Southern Past: A Clash of Race and Memory "This study of southern images offers readers a glimpse of how history, culture, race, and class came together in the tourist imagination. If the South emerged from the Civil War a distinctive place, Rebecca McIntyre would remind us that’s because distinctiveness sells."--Richard Starnes, author of Creating the Land of the Sky: Tourism and Society in Western North Carolina Less than a decade after the conclusion of the Civil War, northern promoters began pushing images of a mythic South to boost tourism. By creating a hierarchical relationship based on region and race in which northerners were always superior, promoters saw tourist dollars begin flowing southward, but this cultural construction was damaging to southerners, particularly African Americans. Rebecca McIntyre focuses on the years between 1870 and 1920, a period framed by the war and the growth of automobile tourism. These years were critical in the creation of the South’s modern identity, and she reveals that tourism images created by northerners for northerners had as much effect on making the South "southern" as did the most ardent proponents of the Lost Cause. She also demonstrates how northern tourism contributed to the worsening of race relations in the late nineteenth and early twentieth centuries.
The Wild West: a term that conjures up pictures of wagon trains, unspoiled prairies, Indians, rough 'n' ready cowboys, roundups, and buffalo herds. Where did this collection of images come from? Paul Reddin exposes the mythology of the American frontier as a carefully crafted product of the Wild West show. Focusing on such pivotal figures as George Catlin, Buffalo Bill Cody, and Tom Mix, Reddin traces the rise and fall of a popular entertainment shaped out of the "raw material of America." Buffalo Bill and other entertainers capitalized on public fascination with the danger, heroism, and courage associated with the frontier by continually modifying their presentation of the West to suit their audiences. Thus the Wild West show, contrary to its own claims of accuracy and authenticity, was highly selective in its representations of the West as well as widely influential in shaping the public image of life on the Great Plains. A uniquely American entertainment--colorful, energetic, unabashed, and, as Reddin demonstrates, self-made--the Wild West show exerted an appeal that was all but irresistible to a public hovering uncertainly between industrial progress and nostalgia for a romanticized past.
They say Bethany Hamilton has saltwater in her veins. How else could one explain the tremendous passion that drives her to surf? How else could one explain that nothing - not even the loss of her arm in a horrific shark attack - could come between her and the waves? That Halloween morning in Kauai, Hawaii Bethany responded to the shark's stealth with a calmness beyond belief. Pushing pain and panic aside, she immediately thought: 'Get to the beach...' Rushed to the hospital, where her father, Ted Hamilton, was about to undergo knee surgery, Bethany found herself taking his spot in the operating theatre. When the first thing Bethany wanted to know after surgery was 'When can I surf again?' it became clear that her unfaltering spirit and determination were part of a greater story - a tale of courage and faith that this modest and soft-spoken girl would come to share with the world.
155 pristine negatives recently turned up in some forgotten storage. They were taken while the Wild West show was on tour between 1900 and 1905 by cowboy/amateur photographer Harry Bock. This is a photo documentary without parallel and offers western, historical, and tent show buffs a visual look back in time with exceptional detail and clarity.
Much has been written about the west—most of it clouded by exaggeration and fabrication. Since 1953, True West magazine has been devoted to celebrating the West’s true colors, giving the men and women who settled there accurate voices, exploring every triumph and tragedy of their time—and exposing every vice and virtue. True Tales and Amazing Legends of the Old West commemorates these unforgettable cowboys, Indians, and city slickers through a mix of classic histories and brand-new narratives, all illustrated with photographs—many reproduced here for the first time—of the people and places that gave rise to America’s Western mythology. With twenty-six stories that blend fact with folklore, this collection abounds with accounts of the famous and the infamous, including Sacagawea, Wild Bill Hickok, Pancho Villa, Butch Cassidy and the Sundance Kid, Davy Crockett, and Wyatt Earp. Also here are lesser-known figures whose stories were pivotal to shaping the culture of the era, such as European conquistador Francisco Coronado, rancher “Black Billy” Hill, and fearless lawman Orlando “Rube” Robbins. Other tales recount the wide open plains, lawlessness, drama, mayhem, and promise embodied in the Old West. Whether you’re a history buff, an Old West devotee, or simply someone who is fascinated by the characters of America’s early years, these timeless tales and photographs epitomize the legendary spirit of what it meant to settle the West.
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
From a James Beard award winner, “part memoir, part cookbook . . . fresh takes on traditional French cuisine, with small anecdotes that introduce each dish.”(Booklist) Souvenirs is a memoir cookbook written by the multitalented Hubert Keller: celebrity chef, restaurateur, and Frenchman. Through personal stories and 120 recipes, the book explores his classical training and traces his development as a creative superstar chef. Keller apprentices in a Michelin three star–rated restaurant at the age of sixteen. He moves from his native Alsace, to southern France, and is inspired by the cuisine of the sun while working with the great French chefs of his time, Roger Vergé, Paul Bocuse, and Gaston Lenôtre. He learns to adapt to challenging new environments in South America, and the United States, and charts his own path into the newest frontiers of the restaurant business. The book is organized by seminal themes in Keller’s life, starting with his family in France, and ending back there again in the ”Holiday” chapter. The myriad recipes, which have been adapted for the home cook, are intertwined with 125 photographs by award-winning photographer Eric Wolfinger; images of family and friends, food and cuisine, and the places and landscapes of France, Las Vegas, and San Francisco, which all make up chef Keller’s life.
'One of my favourite writers' Nick Hornby One of the most acclaimed writers of our day, award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to date. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children's game-show villainess ushers in the New Year with her deadbeat half-brother. And on a trip to a water park with their son, two fathers each confront a deep-rooted personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken shows how the mysterious bonds of family are tested, transformed, fractured, and fortified. 'McCracken has a gift for spotting the comic potential in situations many of us have endured... Her prose is stippled with just-so observations' Observer 'McCracken is a totally assured performer- even seemingly throwaway perceptions are often memorably poetic, and there is a hint of melancholy under the comedy' Sunday Times 'This incisive, warm-blooded collection of stories is populated by outsiders... McCracken illuminates qualities of human nature through fragments of her characters' lives' New Yorker