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Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
Imperial cities explores the influence of imperialism in the landscapes of modern European cities including London, Paris, Rome, Vienna, Marseilles, Glasgow and Seville. Examines large-scale architectural schemes and monuments, including the Queen Victoria Memorial in London and the Vittoriano in Rome. Focuses on imperial display throughout the city, from spectacular exhibitions and ceremonies, to more private displays of empire in suburban gardens. Cconsiders the changing cultural and political identities in the imperial city, looking particularly at nationalism, masculinity and anti-imperialism.
A flavour of this book ... This small disk is called Carmichael’s Amulet and it commemorates the Diamond Jubilee of Queen Victoria by the dates 1837 and 1897. These are the dates of her 60 years reign. To the right can be seen a mould that is carved from wood. It seems to have been professionally made in a large block that is well finished and furnished with a hook for hanging up. The mould may have produced butter pats or terrines for a Victorian celebration. As well as the Diamond Jubilee dates it commemorates the Record Reign that Queen Victoria had achieved in 1896 after being monarch for longer than George III. These images were taken by the authors as this book was being written and so they do not appear in the text which summarises an enormous variety of Diamond Jubilee souvenirs. Inside you will find a unique view of Victoriana that was made to celebrate one event at the height of the powers of the British Empire. The souvenirs will give you a glimpse into Victorian creative ingenuity as well as the thinking and beliefs of people in 1897.
This is volume one in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned nineteenth-century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.
Contains "historical tales, historical and biographical sketches, antiquarian researches, poetry, and general miscellany."
Drawing on a wealth of primary and secondary sources, this book explores how far imperial culture penetrated antipodean city institutions. It argues that far from imperial saturation, the city 'Down Under' was remarkably untouched by the Empire.