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"I look beyond solution; I look for an expression."--Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira. This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura's career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura's career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.
During the past three decades, Portuguese architect Eduardo Souta de Moura has produced a body of work that is of our time but also carries echoes of architectural traditions. His oeuvre is convincing proof of modern idiom's expressive potential and adaptability to distinct local situations. Always mindful of context, understood in the broadest sense, and grounded in place, time, and function, Souto de Moura's architecture reinforces a sense of history while expanding the range of contemporary expression Eduardo Souto de Moura's architecture is not obvious, frivolous, or picturesque. It is imbued with intelligence and seriousness. His work requires an intense encounter not a quick glance. And like poetry, it is able to communicate emotionally to those who take the time to listen. His buildings have a unique ability to convey seemingly conflicting characteristics power and modesty, bravado and subtlety, bold public authority and sense of intimacy at the same time. For architecture that appears effortless, serene, and simple, and for the care and poetry that permeates each project, Eduardo Souta de Moura receives the 2011 Pritzker Architecture Prize"
Sketchbook No. 76 focuses on concrete sketches, ... is a homage to the medium of drawing.
Issue four of Archives collects the most recent projects by acclaimed Portuguese architect and winner of the 2011 Pritzker Prize Eduardo Souto de Moura (born 1952), who was awarded the Golden Lion for the best project on show at the 16th Venice Architecture Biennale (2018), and who was commissioned by the Vatican City to built a temporary chapel.
Providing a source of vision for the revitalisation of ground and envelope as spatial elements that can inform the search for embedded locally specific architectures, this book collects essays and projects that each contributes a particular element to what might constitute an integrated and richly nuanced approach to spatial organisation. Projects include: Paulo Mendes da Rocha; Brazilian Pavilion, Osaka World Expo 1970, Osaka, Japan RCR Arquitectes: Marquee at Les Cols Restaurant, Olot, Girona, Spain Weiss / Manfredi; Seattle Art Museum: Olympic Sculpture Park, Seattle, Washington, USA Peter Eisenman; City of Culture of Galicia, Santiago de Compostela, Spain Plasma Studio and Groundlab; Xi’an Horticultural Expo, Longgang, China Foreign Office Architects; Yokohama International Ferry Terminal, Yokohama, Japan Nekton Design; Turf City, Reykjavik, Iceland Alvaro Siza; Swimming Pool, Leça da Palmeira, Portugal Eduardo Souto de Moura; Braga Municipal Stadium, Braga Portugal MVRDV; Villa VPRO, Hilversum, Netherlands Bernard Tschumi; Le Fresnoy Art Centre, Tourcoing, France OCEAN; World Centre for Human Concerns, New York City, USA R&Sie(n); Spidernethewood, Nîmes, France Toyo Ito; Serpentine Pavilion, London, England Enric Miralles and Carme Pinós; Olympic Archery Range, Barcelona, Spain Kengo Kuma; GC Prostho Museum Research Centre, Aichi Prefecture, Japan Cloud 9; MediaTic, Barcelona, Spain Diller, Scofidio and Renfro; Blur Building, Yverdon-les-Bains, Switzerland, Swiss National Expo With an abundance of built and un-built key projects available, it is now possible to outline the contours of a new discourse. This book initiates a new beginning in this direction so that architecture can partake in the creation of heterogeneous space and culturally, socially and environmentally sustainable built environments.
This book features 30 case studies of small houses efficiently designed to maximize their limited space, with thorough information on every aspect of the design process from the ground up. There is in-depth technical commentary on each project contributed by the architects themselves, including Ban, Siza, Gray Organschi, Godsell, MVRDV, and Souto de Moura.
Paulo Providencia occupies a special place in contemporary Portuguese architecture. He is recognised by many as one of the best of the generation following Eduardo Souto de Moura. His work is concerned about interpretation of programmatic needs, relating architecture to specific cultural contexts. His buildings the vast majority of them located in Portugal are based on sound theoretical background, rooted in philosophical and anthropological research. This new book features seven of Providencia's realised structures in striking duotone photographs taken by the Portuguese photographer Alberto Placido. Each is documented as well with selected plans and key information. Five topical essays by Providencia round out the first monograph in English on this eminent architect and theoretician.
Der Open Call in Flandern (dem flämischsprachigen, nördlichen Teil Belgiens) ist mehr als nur ein weiterer Architekturwettbewerb: Jede Behörde oder öffentliche Einrichtung kann sich bei jedem Bauprojekt für einen Open Call entscheiden. Seit seiner Einführung durch den ersten Vlaams Bouwmeester bOb van Reeth im Jahr 2000 wurden mehr als 700 Bauaufgaben auf diese Weise ausgeschrieben und davon knapp 350 öffentliche Architektur- und Infrastrukturprojekte realisiert. Es ist an der Zeit, das Verfahren, seine Funktionsweise und die Resonanz, die es erfährt, ausführlich zu betrachten. Darüber hinaus ist die Beschäftigung mit der außergewöhnlichen Architektur öffentlicher Bauten in Flandern längst überfällig, bedenkt man ihren Vorbildcharakter für andere Länder. Celebrating Public Architecture dokumentiert anhand von 70 Beispielen aus ganz Flandern die erstaunlich hohe Qualität dieser Projekte. Die gebauten Beispiele zeigen eindrucksvoll, dass öffentliche Architektur tatsächlich zum Nachdenken anzuregen vermag und gleichzeitig gewagt, gemeinnützig und gut gemacht sein kann. Mit Bauten von 51N4E, Bovenbouw Architectuur, Dierendonckblancke, Zaha Hadid, KAAN, Maxwan, Hideyuki Nakayama, Ney & Partner, noAarchitecten, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter und anderen
"The volume follows a dual track, represented by the written commentary of Dennis Sharp and of the author, which intersects with the dense sequence of images mounted in an arrangement that constantly moves on and around the theme of architecture lost in the contemporary metropolis." "The photographs cover the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent architectural inquiries, revealing a gradual evolution in his photographic vision and, more generally, the problematic course of contemporary photography."--BOOK JACKET.