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For part of each of the last twenty years, much-loved essayist and fiction writer William Kittredge has ventured to the storied desert landscape of the American Southwest and immersed himself in the region's wide-ranging wonders and idiosyncrasies. Here Kittredge brings all this experience to bear as he takes us on a rewarding tour of the territory that runs from Santa Fe to Yuma, and from the Grand Canyon on south through Phoenix and Tucson to Nogales. It is a region where urban sprawl abuts desert expanse, where Native American pueblos compete for space with agribusiness cotton plantations, and where semi-defunct mining towns slowly give way to new-age hippie gardening and crafts enclaves. As part-time resident and full-time observer, William Kittredge acquaints us with one of the country's most vital and perpetually evolving regions. Populated with die-hard desert rats on the banks of the Colorado, theoretical physicists in Albuquerque, Hopi mothers and their daughters, and renegade punk-rock kids sleeping in the streets, Southwestern Homelands is a book as much about the legacies of a territory's colorful past as it is about the alternately exciting and daunting complexities of its immediate future.
Monograph examining the political development and economic development of the Black homelands regions of Bophuthatswana and Kwazulu. Covers legal aspects of apartheid, political and economic administration, sources of income and public finance, leadership development and homeland public administration, etc., and comments on relevant legislation and future development planning.
What does it mean to be from somewhere? If most people in the United States are "from some place else" what is an American homeland? In answering these questions, the contributors to Homelands: A Geography of Culture and Place across America offer a geographical vision of territory and the formation of discrete communities in the U.S. today. Homelands discusses groups such as the Yankees in New England, Old Order Amish in Ohio, African Americans in the plantation South, Navajos in the Southwest, Russians in California, and several other peoples and places. Homelands explores the connection of people and place by showing how aspects of several different North American groups found their niche and created a homeland. A collection of fifteen essays, Homelands is an innovative look at geographical concepts in community settings. It is also an exploration of the academic work taking place about homelands and their people, of how factors such as culture, settlement, and cartographic concepts come together in American sociology. There is much not only to study but also to celebrate about American homelands. As the editors state, "Underlying today's pluralistic society are homelands—large and small, strong and weak—that endure in some way. The mosaic of homelands to which people bonded in greater or lesser degrees, affirms in a holistic way America's diversity, its pluralistic society." The authors depict the cultural effects of immigrant settlement. The conviction that people need to participate in the life of the homeland to achieve their own self realization, within the traditions and comforts of that community. Homelands gives us a new map of the United States, a map drawn with people's lives and the land that is their home.
Before the 1930s, landscapes of the American Southwest represented the migrantÕs dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly became integrated into a much larger economic and cultural system. Audrey Goodman examines howÑsince that timeÑthese southwestern landscapes have come to reveal the resulting fragmentation of identity and community. Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration, and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and decimation that has remained as a shadow on the regionÕs psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland. Lost Homelands reminds us of the adversity and dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.
Before the 1930s, landscapes of the American Southwest represented the migrant’s dream of a stable and bountiful homeland. Around the time of the Great Depression, however, the Southwest suddenly became integrated into a much larger economic and cultural system. Audrey Goodman examines how—since that time—these southwestern landscapes have come to reveal the resulting fragmentation of identity and community. Through analyzing a variety of texts and images, Goodman illuminates the ways that modern forces such as militarization, environmental degradation, internal migration, and an increased border patrol presence have shattered the perception of a secure homeland in the Southwest. The deceptive natural beauty of the Southwest deserts shields a dark history of trauma and decimation that has remained as a shadow on the region’s psyche. The first to really synthesize such wide-ranging material about the effects of the atomic age in the Southwest, Goodman realizes the value of combined visual and verbal art and uses it to put forth her own original ideas about reconstructing a new sense of homeland. Lost Homelands reminds us of the adversity and dislocation suffered by people of the Southwest by looking at the ways that artists, photographers, filmmakers, and writers have grappled with these problems for decades. In assessing the ruination of the region, however, Goodman argues that those same artists and writers have begun to reassemble a new sense of homeland from these fragments.
Something about the Southwest draws people who are independent. From the Apaches who migrated south six hundred years ago to the Spanish exploring north Mexico not much later to the Anglo American who ventured west, these were people who wanted to live, as one Comanche leader said, "where the wind blows free and there is nothing to break the light of the sun." A History of the Southwest explores these people, their clashes with each other, with the environment, and finally with the forces of an increasingly complex economy. Thomas Sheridan takes the behavior of individuals--Geronimo, Wyatt Earp, Theodore Roosevelt--and local cultural groups--Pueblo Indians, southern European miners, ranchers--and shows how it was acted out on the lager stage of the environment, economics, and politics.
The Human Mosaic has always been built around five themes. In the new edition, these themes, modified to reflect changes both in the discipline and in the world, are: Region; Mobility; Globalization; Nature-culture; and Cultural landscape. These five themes are introduced and explained in the first chapter and serve as the framework for the 11 topical chapters that follow. Each theme is applied to a variety of geographical topics: demography, language, ethnicity, politics, religion, agriculture, industry, the city, and types of culture.
This volume provides a comprehensive catalog of how various ethnic groups in the United States of America have differently shaped their cultural landscape. Author John Cross links an overview of the spatial distributions of many of the ethnic populations of the United States with highly detailed discussions of specific local cultural landscapes associated with various ethnic groups. This book provides coverage of several ethnic groups that were omitted from previous literature, including Italian-Americans, Chinese-Americans, Japanese-Americans, and Arab-Americans, plus several smaller European ethnic populations. The book is organized to provide an overview of each of the substantive ethnic landscapes in the United States. Between its introduction and conclusion, which looks towards the future, the chapters on the various ethnic landscapes are arranged roughly in chronological order, such that the timing of the earliest significant surviving landscape contribution determines the order the groups will be viewed. Within each chapter the contemporary and historical spatial distribution of the ethnic groups are described, the historical geography of the group’s settlement is reviewed, and the salient aspects of material culture that characterize or distinguish the group’s ethnic landscape are discussed. Ethnics Landscapes of America is designed for use in the classroom as a textbook or as a reader in a North American regional course or a cultural geography course. This volume also can function as a detailed summary reference that should be of interest to geographers, historians, ethnic scholars, other social scientists, and the educated public who wish to understand the visible elements of material culture that various ethnic populations have created on the landscape.
Displaying her "real talent for conjuring far-flung times and places," Kathryn Harrison tells the mesmerizing story of her 200-mile pilgrimage to Santiago de Compostela in Spain. In the spring of 1999, Kathryn Harrison set out to walk the centuries-old pilgrim route to Santiago de Compostela. "Not a vacation, " she calls it, "but a time out of time." With a heavy pack, no hotel reservations, and little Spanish, she wanted an experience that would be both physically and psychically demanding. No pain, no gain, she thought, and she had some important things to contemplate. But the pilgrim road was spattered with violets and punctuated by medieval churches and alpine views, and, despite the exhaustion, aching knees, and brutal sun, she was unexpectedly flooded with joy and gratitude for life's gifts. "Why do I like this road?" she writes. "Why do I love it? What can be the comfort of understanding my footprint as just one among the millions? ... While I'm walking I feel myself alive, feel my small life burning brightly." Throughout this deeply personal and revealing memoir of her journey, first made alone and later in the company of her daughter, Harrison blends striking images of the route and her fellow pilgrims with reflections on the redemptive power of pilgrimages, mortality, family, the nature of endurance, the past and future, the mystery of friendship. The Road to Santiago is an exquisitely written, courageous, and irresistible portrait of a personal pilgrimage in search of a broader understanding of life and self.