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Southwest DC

Paul K. Williams and Gregory J. Alexander with the Southwest Neighborhood Assembly

Published: 2017

Total Pages: 96


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Southwest DC is a unique quadrant in the nation's capital. After a massive 1950s and 1960s urban renewal project demolished much of the area's buildings, Southwest DC began anew with a clean slate. Capitalizing on the waterfront location and utilizing modern architecture, large high-rise buildings were constructed to house thousands of new residents, who would later fight to preserve the architecture in this new planned community located close to the US Capitol. This tight-knit community would once again witness a large-scale construction boom after the turn of the 21st century, as upscale hotels, most noticeably the Mandarin-Oriental, and high-end condominiums were built, complemented by new restaurants, shops, and services. The waterfront area--home to a community of live-aboard houseboats and sailboats--would also later completely transform, anchored by The Wharf project. Biking and walking trails also introduced Washingtonians to this hidden jewel in the capital. Southwest DC remains a community-minded neighborhood with a thriving arts scene, important religious institutions, and nonprofit organizations, as well as government offices.
The Old Southwest flourished between 1830 and 1860, but its brand of humor lives on in the writings of Mark Twain, the novels of William Faulkner, the television series The Beverly Hillbillies, the material of comedian Jeff Foxworthy, and even cyberspace, where nonsoutherners can come up to speed on subjects like hickphonics. The first book on its subject, The Enduring Legacy of Old Southwest Humor engages topics ranging from folklore to feminism to the Internet as it pays tribute to a distinctly American comic style that has continued to reinvent itself. The book begins by examining frontier southern humor as manifested in works of Faulkner, Erskine Caldwell, Flannery O’Connor, Eudora Welty, Woody Guthrie, Harry Crews, William Price Fox, Fred Chappell, Barry Hannah, Cormac McCarthy, and African American writers Zora Neale Hurston, Ralph Ellison, Alice Walker, Ishmael Reed, and Yusef Komunyakaa. It then explores southwestern humor’s legacy in popular culture—including comic strips, comedians, and sitcoms—and on the Internet. Many of the trademark themes of modern and contemporary southern wit appeared in stories that circulated in the antebellum Southwest. Often taking the form of tall tales, those stories have served and continue to serve as rich, reusable material for southern writers and entertainers in the twentieth century and beyond. The Enduring Legacy of Old Southwest Humor is an innovative collaboration that delves into jokes about hunting, drinking, boasting, and gambling as it studies, among other things, the styles of comedians Andy Griffith, Dave Gardner, and Justin Wilson. It gives splendid demonstration that through the centuries southern humor has continued to be a powerful tool for disarming hypocrites and opening up sensitive issues for discussion.
First written in 1925, this work presents a historical account of one of the oldest Native American settlements in the United States, the Taos Pueblo in New Mexico.
Austin writes about the high plateau country lying between the Colorado and Rio Grande rivers, the traditional homeland of many Indian peoples--the Pueblo, the Zuni, the Hopi, and the Navajo.
When Lincoln County Sheriff Pat Garrett ended Billy the Kids life on the night of July 14, 1881, with a shot in the dark, he was catapulted at once into stardom in the annals of Western history. This edition is a facsimile of the 1927 text that Garrett wrote to counteract the negative image he gained after the shooting.