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The May or June issue of 1885-1900 (July issue of 1899) includes the report of the institute's president for 1885-1900.
The May or June issue of 1885-1900 (July issue of 1899) includes the report of the institute's president for 1885-1900.
The defining feature of this work is the collection of official registrations, records of emancipations, orders of apprenticeship, tax lists and other local court records of free people of color residing in Lynchburg from 1805 through the Civil War. A remarkable primary source for genealogical and historical research. -- Publisher.
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--
The relationship between crime and the economy has received too little attention from researchers. This volume remedies that deficit, resurrecting several classic writings on this elusive topic by and about blacks, and presenting new contributions by researchers at the frontier of work on the subject. Among the landmark articles included are W.E.B. Dubois' famous examination of crime in Philadelphia, an analysis of black criminal behavior by Walter Willcox, who was chief statistician of the Census Bureau at the time he wrote this essay, and excerpts from the ninth Atlanta Conference on Negro Crime. The frontier articles use quality microdata to understand particular aspects of criminal justice processes. They address the relationship between employment and criminal behavior, trade-offs among education, employment, and crime, and the link between overall economic conditions and rates of incarceration. Among the authors represented in the landmark research articles are Harold Votey and Llad Phillips, Richard Freeman, David Good and Maureen Pirog-Good, Dario Melossi, and Samuel Meyers and William Sabol. Richard MaGahey concludes the volume with comments on the current status of research in the field. This volume captures the emerging tension within scholarship on race and crime, and provides both a reflective vision of work in this area as well as state-of-the-art research by leading scholars.