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One-part lively oral history, one-part meticulously researched encyclopaedia, and one-part wild ride, Southern Hoofprints colorfully conveys the story of horse racing in Southern Alberta. And in so doing, it also becomes a fascinating history of the region itself, from the late 1880s through to the present day. From racing’s rough, Wild West beginnings to the vast grandstands of modern times, this regional history of the Sport of Kings has been deeply researched and is delivered in a unique and engaging fashion. With wry humour and occasional pulse-throbbing drama, the reader is treated to an intimate perspective on family traditions of husband and wife owners, the dynasties of multi-generational riders, the spectators, and even the horses themselves. The chronicle of the rise of women riders from the trivialized ‘powder puff’ races to becoming power players on the track, and that of the First Nations people from the early days through to today, make this a completely inclusive history. It tells a distinctly Canadian story and its focus on the Southern Alberta region allows it to paint the picture in vivid detail. With its historical data enriched and enlivened through the human dimension of the oral histories, Southern Hoofprints entertainingly recounts horse-racing’s triumphs, tragedies, and continual reinvention.
"Southern Footprints celebrates the more than fifty years of research projects carried out by University of South Alabama archaeologists and students as well as staff at the Center for Archaeological Studies in Mobile. Their dynamic work has been public facing through programs and exhibits curated at the University of South Alabama Archaeology Museum. Archaeologists Gregory A. Waselkov, former director of the Center, and Philip J. Carr, current director of the Center, present the "greatest hits" that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Of the hundreds of archaeological sites, premiere historic sites, such as Old Mobile and Holy Ground, are now archaeological preserves. Essays are arranged chronologically overall and survey the history and archaeology of a wide range of significant sites such as the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge. Waselkov and Carr take care to acknowledge in these stories populations who are typically underdocumented and recognize the contributions of Native Americans and African Americans as uncovered through archaeology. While documenting all material culture and places that have been saved and preserved, they also note the dire impacts of climate change, environmental disasters, development, and neglect and share their urgency to protect these areas of shared history. Copious color photographs showcase the archaeology as it unfolded, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf heritage for all to appreciate"--
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries. Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.
You are Geralt of Rivia, a professional monster-hunter known as a Witcher. You've fully regained your memories since your miraculous revival and escape from the Wild Hunt, and have cleared your name of the false accusations of regicide. In the wake of the assassination of Foltest, king of Temeria, the north have been rent by warfare as Nilfgaard launches its third major invasion, and the northlands have been united under the insane king Radovid. Overshadowing these petty politics is the mysterious return of Ciri - Geralt's adopted daughter, who is now being pursued by the Wild Hunt. The guide offers the following: - A full walkthrough that's more than just a listing of quests-it's an "ideal chronological order" that will get you through the whole game and allow you to see and do everything the game has to offer. - Side quests, including monster contracts and treasure hunts for obtaining powerful Witcher sets. - Descriptions of decisions, quests, and events that influence the various endings of the game. - Crafting and Alchemy information. - General strategies on how to take down foes large and small, monstrous and humanoid, boss or mundane. - Information on how to complete all the Gwent quests and obtain all the Gwent cards, including detailed Gwent strategies. - Trophy/Achievement information. MASSIVE UPDATE: (Check In-guide Version History for latest) - 7th September 2016 ongoing -Added DLC quests "Fool's Gold" and "Scavenger Hunt: Wolf School Gear". - Organisational changes in the Velen section of the walkthrough to reflect the increased level of Griffin School Gear. - Organisational changes throughout the walkthrough to provide a "no skulls" path through the game. - Added Death March difficulty tips and commentary throughout the guide. - More XP reward numbers included. - Walkthrough now includes additional information based on patch changes. - Various typo and grammar fixes. - Added DLC pages for Blood & Wine, Heart of Stone - Lots more quality of life improvements
Journey to the ancient past with cutting-edge science and new data to discover how horses forever altered the course of human history. From the Rockies to the Himalayas, the bond between horses and humans has spanned across time and civilizations. In this archaeological journey, William T. Taylor explores how momentous events in the story of humans and horses helped create the world we live in today. Tracing the horse's origins and spread from the western Eurasian steppes to the invention of horse-drawn transportation and the explosive shift to mounted riding, Taylor offers a revolutionary new account of how horses altered the course of human history. Drawing on Indigenous perspectives, ancient DNA, and new research from Mongolia to the Great Plains and beyond, Taylor guides readers through the major discoveries that have placed the horse at the origins of globalization, trade, biological exchange, and social inequality. Hoof Beats transforms our understanding of both horses and humanity's ancient past and asks us to consider what our relationship with horses means for the future of humanity and the world around us.
For centuries, on prairie grasslands, dusty streets and racing ovals, everyday Montanans participated in the sport of kings. More than a century after horses arrived in the region, Lewis and Clark's Nez Perce guides staged horse races at Traveler's Rest in 1806. In response to hazardous street races, the Montana legislature granted communities authority to ban "immoderate riding or driving." Helena led the way to respectable racing, with Madam Coady's fashion course hosting the first territorial fair in 1868. Soon, leading citizens like Marcus Daly built oval tracks and glitzy grandstands. By 1890, a horse named Bob Wade set a world record for a quarter mile in Butte, a mark that stood until 1958. Horsewoman and historian Brenda Wahler highlights the Big Sky's patrons of the turf and courageous equine champions, including Kentucky Derby winner Spokane.
Perfect for fans of English Pastoral and Wilding, Hoofprints on the Land shows that herding cultures are not a thing of the past but a regenerative model for our future. Hoofprints on the Land is a fascinating and lyrical book exploring the deep and ancient working partnerships between people and animals. UN advocate and camel conservationist Ilse Köhler-Rollefson writes a passionate rallying cry for those invisible and forgotten herding cultures that exist all over the world, and how by embracing these traditional nomadic practices, we can help restore and regenerate the Earth. Ilse has spent the last 30 years living with and studying the Raika camel herders in Rajasthan, India, and she shows how pastoralists can address many of the problems humanity faces. Whether it be sheep, cattle, reindeer, camels, alpacas, goats, or yaks—this ancient and natural means of keeping livestock challenges the myth that animal-free agriculture is the only way forward for a healthy planet. From the need to produce food more sustainably and equitably to the consequences of climate change, land degradation and loss of biodiversity, we can learn from pastoralists to help repair the human relationship with livestock to return to a model of intelligent cooperation rather than dominance. As Ilse writes: “Herding is therapy, not just for the planet, but also for our souls.”
The world-famous Chincoteague Ponies, stars of the silver screen and main attractionat the annual Pony Penning, are essential to the local economy and local identity. But they run free only on the neighboring island of Assateague under thewatch of an ambivalent federal agency, and they bear little resemblance to their colonial forbears. What does the future hold for them?
This first of two volumes presents the archaeological evidence of a long sequence of settlement and funerary activity from the Beaker period (Early Bronze Age c. 2000 BC) to the Early Iron Age (c. 500 BC) at the unusually long-occupied site of Cladh Hallan on South Uist in the Western Isles of Scotland. Particular highlights of its sequence are a cremation burial ground and pyre site of the 18th–16th centuries BC and a row of three Late Bronze Age sunken-floored roundhouses constructed in the 10th century BC. Beneath these roundhouses, four inhumation graves contained skeletons, two of which were remains of composite collections of body parts with evidence for post-mortem soft tissue preservation prior to burial. They have proved to be the first evidence for mummification in Bronze Age Britain. Cladh Hallan’s remarkable stratigraphic sequence, preserved in the machair sand of South Uist, includes a unique 500-year sequence of roundhouse life in Late Bronze Age and Iron Age Britain. One of the most important results of the excavation has come from intensive environmental and micro-debris sampling of house floors and outdoor areas to recover patterns of discard and to interpret the spatial use of 15 domestic interiors from the Late Bronze Age to the Early Iron Age. From Cladh Hallan’s roundhouse floors we gain intimate insights into how daily life was organized within the house – where people cooked, ate, worked and slept. Such evidence rarely survives from prehistoric houses in Britain or Europe, and the results make a profound contribution to long-running debates about the sunwise organisation of roundhouse activities. Activity at Cladh Hallan ended with the construction and abandonment of two unusual double-roundhouses in the Early Iron Age. One appears to have been a smokery and steam room, and the other was used for metalworking.
Hoofprints on the Canadian is a book that is made up of several short stories about the life and times of African Americans in the West. Each story has its own hero and villain. The thing that ties them together is the attempt to showcase African Americans in a different light. The stories prove that the color of a man’s skin will not tell you if he is good or bad. It also will not tell you if he is brave or heroic or if he is a sniffling coward. Several of the stories depict Black outlaws who take on the character of Robin Hood. These are men who strike a blow against society on behalf of the downtrodden. Several stories deal with love and expose it to be what it really is—something that drives men to the brink of insanity and yet they cry out for more. It also deals with the common man who is forced into the limelight simply because he is at the wrong place at the right time. Most of these stories are set in the Indian Territory, now the state of Oklahoma. They help to showcase the rich racial makeup of the state. The fact that all of these men are basically the same—some good and some bad. Hoofprints on the Canadian is a title that was conceived by the author at the tender age of twelve. It has traveled around the world, sometimes in print and other times in the dark recesses of his mind. At last, these stories will be brought to light for the world to share. To truly access these stories, all you have to do is simply follow the hoofprints left in the soft sand on the banks of the Canadian.