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Recent World War II veteran Bull Ingram is working as muscle when a Memphis DJ hires him to find Ramblin' John Hastur. The mysterious blues man's dark, driving music—broadcast at ever-shifting frequencies by a phantom radio station—is said to make living men insane and dead men rise. Disturbed and enraged by the bootleg recording the DJ plays for him, Ingram follows Hastur's trail into the strange, uncivilized backwoods of Arkansas, where he hears rumors the musician has sold his soul to the Devil. But as Ingram closes in on Hastur and those who have crossed his path, he'll learn there are forces much more malevolent than the Devil and reckonings more painful than Hell… In a masterful debut of Lovecraftian horror and Southern gothic menace, John Hornor Jacobs reveals the fragility of free will, the dangerous power of sacrifice, and the insidious strength of blood.
Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.
Southern Baptists had long considered themselves a missionary people, but when, after World War II, they embarked on a dramatic expansion of missionary efforts, they confronted headlong the problem of racism. Believing that racism hindered their evangelical efforts, the Convention's full-time missionaries and mission board leaders attacked racism as unchristian, thus finding themselves at odds with the pervasive racist and segregationist ideologies that dominated the South. This progressive view of race stressed the biblical unity of humanity, encompassing all races and transcending specific ethnic divisions. In All According to God's Plan, Alan Scot Willis explores these beliefs and the chasm they created within the Convention. He shows how, in the post-World War II era, the most respected members of the Southern Baptists Convention publicly challenged the most dearly held ideologies of the white South.
A Good Morning America Book Club Pick! • A bighearted novel with technicolor characters, plenty of Texas swagger, and a powder keg of a plot in which marriages struggle, rivalries flare, and secrets explode, all with a clever wink toward classical mythology. For fans of Madeline Miller's Circe: "The Iliad meets Friday Night Lights in this muscular, captivating debut" (Oprah Daily). The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down. An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?
In recent years, India's "sacred groves," small forests or stands of trees set aside for a deity's exclusive use, have attracted the attention of NGOs, botanists, specialists in traditional medicine, and anthropologists. Environmentalists disillusioned by the failures of massive state-sponsored solutions to ecological problems have hailed them as an exemplary form of traditional community resource management. For in spite of pressures to utilize their trees for fodder, housing, and firewood, the religious taboos surrounding sacred groves have led to the conservation of pockets of abundant flora in areas otherwise denuded by deforestation. Drawing on fieldwork conducted in the southern Indian state of Tamil Nadu over seven years, Eliza F. Kent offers a compelling examination of the religious and social context in which sacred groves take on meaning for the villagers who maintain them, and shows how they have become objects of fascination and hope for Indian environmentalists. Sacred Groves and Local Gods traces a journey through Tamil Nadu, exploring how the localized meanings attached to forested shrines are changing under the impact of globalization and economic liberalization. Confounding simplistic representations of sacred groves as sites of a primitive form of nature worship, the book shows how local practices and beliefs regarding sacred groves are at once more imaginative, dynamic, and pragmatic than previously thought. Kent argues that rather than being ancient in origin, as has been asserted by other scholars, the religious beliefs, practices, and iconography found in sacred groves suggest origins in the politically de-centered eighteenth century, when the Tamil country was effectively ruled by local chieftains. She analyzes two projects undertaken by environmentalists that seek to harness the traditions surrounding sacred groves in the service of forest restoration and environmental education.
Coralee Harper struggles for justice for her dead brother and her own sanity in Depression-era rural Arkansas. In 1926 in rural Green County, Arkansas, where cotton and poverty reign, young Coralee Harper hopes for a family and a place in her community, but when her brother Buddy is killed by a powerful sheriff, she can't recover from his death or the injustice of his loss. When she begins to spot her dead brother around town, she wonders--is she clairvoyant, mistaken, or is she losing her mind? What Coralee can't fathom is that there are forces at work that threaten her and the very fabric of the town: Leroy Harrison, a newly minted, ambitious lawyer who makes a horrible mistake, landing him a judgeship and a guilty conscience for life; an evangelical preacher and his flock of snake-handling parishioners; the women of the town who, along with Coralee's own mother, make up their own kind of jury for Coralee's behavior; Sheriff Wiley Slocum who rules the entire field, harboring dark secrets of his own; and finally, Coralee's husband Earl, who tries to balance his work at the cotton gin with his fight for family and Coralee's life. When Coralee ends up in a sanity hearing before Judge Leroy Harrison, the judge must decide both Coralee's fate and his own. The chain of events following his decision draws him more deeply into the sheriff's far-reaching sphere of influence, and reveals the destructive nature of power, even--and especially--his own.
Bootlegger Rory Docherty has returned home to the fabled mountain of his childhood - a misty wilderness that holds its secrets close and keeps the outside world at gunpoint. Slowed by a wooden leg and haunted by memories of the Korean War, Rory runs bootleg whiskey for a powerful mountain clan in a retro-fitted '40 Ford coupe. Between deliveries to roadhouses, brothels, and private clients, he lives with his formidable grandmother, evades federal agents, and stokes the wrath of a rival runner.
For 10 years Arlene has kept her promises, and God has kept His end of the bargain. Until now. When an old schoolmate from Possett turns up at Arlene's door in Chicago asking questions about Jim Beverly, former quarterback and god of Possett High, Arlene's break with her former hometown is forced to an end. At the same time, Burr, her long-time boyfriend, has raised an ultimatum: introduce him to her family or consider him gone. Arlene loves him dearly but knows her lily white (not to mention deeply racist)Southern Baptist family will not understand her relationship with an African American boyfriend. Reluctantly, Arlene bows to the pressure, and she and Burr embark on the long-avoided road trip back home. As Arlene digs through guilt and deception, her patched-together alibi begins to unravel, and she discovers how far she will go for love and a chance at redemption.
Akenson brings to light critical similarities among three politically troubled nations: South Africa, Israel, and Northern Ireland.