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An American phenomenon, Gone with the Wind is one of the most popular American novels of all time, winning a Pulitzer Prize and amazingly returning to the New York Times bestseller list 50 years after its first appearance. Now comes an absorbing biography of its author, Margaret Mitchell, revealing how elements of her life made their way into this classic. 25 halftones.
The first unabridged publication of the memoirs of Cornelia Jones Pond, a privileged child of a slaveholding family in Georgia, follws her life from her birth into the antebellum world of 1834, through the apocalyptic Civil War, and beyond. UP.
Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
Hagar’s Daughter is Pauline Elizabeth Hopkins’s first serial novel, published in the Boston-based Colored American Magazine (1901-02). The novel features concealed and mistaken identities, dramatic revelations, and extraordinary plot twists, including a high-profile murder trial, an abduction plot, and a steady succession of surprises as the young black maid Venus Johnson assumes male clothing to solve a series of mysteries. Because Hagar’s Daughter demonstrates Hopkins’s keen sense of history, use of multiple literary genres, emphasis on gender roles, and political engagement, it provides the perfect introduction to the author and her era. In the appendices to this Broadview Edition, advertising, other writing by Hopkins and her contemporaries, and reviews situate the work within the popular literature and political culture of its time.
A telling memoir by an exciting new voice, Multicolored Memories of a Black Southern Girl explores journalist Kitty Oliver's coming of age as she makes the crossing from an all-black to a predominantly white world. Born and raised in an all-black area of Jacksonville, Florida, Oliver was one of the first African American freshmen to enter the University of Florida. Though she chronicles the strains of her transition from Jim Crow to desegregation, this book is much more than a memoir of the turbulent sixties. It is an upbeat journal of self-discovery in the aftermath of that decade, a look at one woman's coming to terms with living an integrated life in America. With humor, poignancy, and lyrical language (reminiscent at times of another Florida writer, Zora Neale Hurston), Oliver shares her passage from the "old world" to the new—an immigrant's journey indicative of the American experience. Blending past and present, she searches for roots from the Gullah or "Geechee" culture of South Carolina to the urban streets of northern Florida to the multicultural mix of South Florida's diverse ethnic cultures, serving up family stories with large helpings of southern "folktalk," food, and music along the way.
McCray shares the true and touching journey of a southern child who later encountered many tragedies when she moved to New York. Readers will laugh, cry, and be truly inspired. (Practical Life)
Bell came running down the street because she seen that I was about to fight, she told me get back because I was pregnant. So she ran to keep Hattie and Debra from Hazel I felt like it all was my fault because they were trying to protect my dumb ass. When will I get a backbone to stand up for myself, that’s when you know love is truly blind. Being a teenager really sucked back then to me, you did and allowed and thing for your so call boyfriend. During the time Marcus worked for in the coco cola company in their warehouse. Everything just keeps getting worst. Marcus was in the army before he meets me; he had a grant from the military to use.
ABOUT THIS PREVIEW These are the opening pages of A Southern Girl, John Warley’s novel of international adoption and of families lost, then found anew through revelations, courage, and the perseverance of a love without bounds. A Southern Girl: Beginnings introduces readers to the harrowing plight of Soo Yun, a newborn Korean girl, through the perspectives of her birth mother, her orphanage nurse, and her prospective adoptive parents. The complete story unfolds in A Southern Girl: A Novel, the first publication of Pat Conroy’s Story River Books imprint of the University of South Carolina Press. Set against the exquisite, historical backdrop of Charleston's insular South of Broad neighborhood, A Southern Girl is a tale of international adoption and of families lost, then found anew through revelations, courage, and the perseverance of a love without bounds. With two biological sons and a promising career, Coleman Carter seems set to fulfill his promise as a resourceful trial lawyer, devoted husband, and dutiful father until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman's conservative parents and demands that he now embrace the unknown as fully as he has always entrenched himself in the familiar. Elizabeth, a self-proclaimed liberal with a global sense of duty, is eager for the adoption, while Coleman, a scion of the Old South, is at best a reluctant participant. But the arrival of Soo Yun (later called Allie) into the Carter household and the challenging reactions of Coleman's peers and parents awakens in him a broadening sense of responsibility and dedication to his new family that opens his eyes to the subtle racism and exclusionary activities that had dominated his sheltered life. To garner Allie's entrance into Charleston society, Coleman must come to terms with his past and guide Allie toward finding her own origins as the Carters forge a new family identity and confront generations-old fears inherent in Southern traditions of purity and prestige. Deftly told through the distinctive voices of Allie's birth mother, her orphanage nurse, her adoptive mother Elizabeth, and finally Coleman himself, A Southern Girl brings us deeply into Allie's plights—first for her very survival and then for her sense of identity, belonging, and love in her new and not always welcoming culture. In this truly international tale, John Warley guides us through the enclaves of southern privilege in New Hampton, Virginia, and Charleston, the poverty-stricken back alleys of Seoul, South Korea, the jungles of Vietnam, and the stone sidewalks of San Miguel de Allende, Mexico, as the bonds between father and daughter become strong enough to confront the trials of their pasts and present alike. The first release from Pat Conroy's Story River Books, A Southern Girl includes a foreword by New York Times bestselling novelist Therese Anne Fowler.