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Saints and Spectacle examines the origins and reception of the Middle Byzantine program of mosaic decoration. This complex and colorful system of images covers the walls and vaults of churches with figures and compositions seen against a dazzling gold ground. The surviving eleventh-century churches with their wall and vault mosaics largely intact, Hosios Loukas, Nea Moni and Daphni in Greece, pose the challenge of how, when and where this complex and gloriously conceived system was created. Using an interdisciplinary approach, Connor explores the urban culture and context of church-building in Constantinople, capital of the Byzantine Empire, during the century following the end of Iconoclasm, of around 843 to 950. The application of an innovative frame of reference, through ritual studies, helps recreate the likely scenario in which the medium of mosaics attained its highest potential, in the mosaiced Byzantine church. For mosaics were enlisted to convey a religious and political message that was too nuanced to be expressed in any other way. At a time of revival of learning and the arts, and development of ceremonial practices, the Byzantine emperor and patriarch were united in creating a solution to the problem of consolidating the Greek Orthodox Byzantine Empire. It was through promoting a vision of the unchallengeable authority residing in God and his earthly representative, the emperor. The beliefs and processional practices affirming the protective role of the saints in which the entire city participated, were critical to the reception of this vision by the populace as well as the court. Mosaics were a luxury medium that was ideally situated aesthetically to convey a message at a particularly important historical moment--a brilliant solution to a problem that was to subtly unite an empire for centuries to come. Supported by a wealth of testimony from literary sources, Saints and Spectacle brings the Middle Byzantine church to life as the witness to a compelling and fascinating drama.
Provides insight into a key issue of Christian history which still has a huge influence on ecclesiastical practice and politics.
“River Jordan’s Saints in Limbo is a compelling story of the mysteries of existence and, specially, the mysteries of the human heart.” –Ron Rash, author of Serena and Chemistry and Other Stories “I lose myself in River’s writing–transported to a different time and place– and in this case, to one that makes the ordinary mystical and magical. I give it FIVE diamonds in the Pulpwood Queen’s TIARA!” –Kathy L. Patrick, founder of the Pulpwood Queens Book Clubs and author of The Pulpwood Queens’ Tiara Wearing, Book Sharing Guide to Life Ever since her husband Joe died, Velma True’s world has been limited to what she can see while clinging to one of the multicolored threads tied to the porch railing of her home outside Echo, Florida. When a mysterious stranger appears at her door on her birthday and presents Velma with a special gift, she is rattled by the object’s ability to take her into her memories–a place where Joe still lives, her son Rudy is still young, unaffected by the world’s hardness, and the beginning is closer than the end. As secrets old and new come to light, Velma wonders if it’s possible to be unmoored from the past’s deep roots and find a reason to hope again. Praise for River Jordan “[River Jordan’s] literary spice rack has everything you need to put together a good book.” –Rick Bragg, author of All Over but the Shoutin’ and Ava’s Man “River Jordan writes so beautifully.” –Joshilyn Jackson, author of Gods in Alabama and The Girl Who Stopped Swimming
Theologies of justification are too numerous to count. In this book, Gordon Smith synthesizes a lifetime of writing on calling, conversion, discernment and spiritual formation in a comprehensive and compelling theology of sanctification. Smith presents holiness in its christological, sapiential, vocational, social and emotional dimensions.
This is volume 27 of Interpreter: A Journal of Mormon Scripture published by The Interpreter Foundation. It contains articles on a variety of topics including: The Book of Mormon Witnesses and Their Challenge to Secularism, Their Imperfect Best: Isaianic Authorship from an LDS Perspective, “I Kneeled Down Before My Maker”: Allusions to Esau in the Book of Enos, Two New Studies of Biblical Repentance A Modern Translation of Genesis 1–11 in the Traditional Sense, “How long can rolling waters remain impure?”: Literary Aspects of the Doctrine and Covenants, Gazelem the Jaredite, Should We Apologize for Apologetics?, Marjorie Newton on “The Mormons in Australia” — A Retrospective Review, The Divine Council in the Hebrew Bible and the Book of Mormon Miracles in the Book of Mormon, Barlow on Book of Mormon Language: An Examination of Some Strained Grammar, “He Did Go About Secretly”: Additional Thoughts on the Literary Use of Alma’s Name, Janus Parallelism in the Book of Job: A Review of Scott B. Noegel’s Work, An Important Year in History, Heralding a New Age of Book of Mormon Scholarship Jacob’s Protector, Christmastime: When Our Souls Can Sing.
From Jeff VanderMeer, the author of Borne and Annihilation, comes the paperback reissue of his cult classic City of Saints and Madmen. In this reinvention of the literature of the fantastic, you hold in your hands an invitation to a place unlike any you’ve ever visited—an invitation delivered by one of our most audacious and astonishing literary magicians. City of elegance and squalor. Of religious fervor and wanton lusts. And everywhere, on the walls of courtyards and churches, an incandescent fungus of mysterious and ominous origin. In Ambergris, a would-be suitor discovers that a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading—and finds himself enchanted. And a patient in a mental institution is convinced that he’s made up a city called Ambergris, imagined its every last detail, and that he’s really from a place called Chicago . . . By turns sensuous and terrifying, filled with exotica and eroticism, this interwoven collection of stories, histories, and “eyewitness” reports invokes a universe within a puzzle box where you can lose—and find—yourself again.
This collection of essays explores the significance of practice in understanding American Protestant life. The authors are historians of American religion, practical theologians, and pastors and were the twelve principal researchers in a three-year collaborative project sponsored by the Lilly Endowment. Profiling practices that range from Puritan devotional writing to twentieth-century prayer, from missionary tactics to African American ritual performance, these essays provide a unique historical perspective on how Protestants have lived their faith within and outside of the church and how practice has formed their identities and beliefs. Each chapter focuses on a different practice within a particular social and cultural context. The essays explore transformations in American religious culture from Puritan to Evangelical and Enlightenment sensibilities in New England, issues of mission, nationalism, and American empire in the nineteenth and twentieth centuries, devotional practices in the flux of modern intellectual predicaments, and the claims of late-twentieth-century liberal Protestant pluralism. Breaking new ground in ritual studies and cultural history, Practicing Protestants offers a distinctive history of American Protestant practice.
In 1894 a Muslim mystic named Muḥammad al-Kattānī abandoned his life of asceticism to preach Islamic revival and jihad against the French. Ten years later, he mobilized a Moroccan resistance against French colonization. This book narrates the story of al-Kattānī and his virtual disappearance from accounts of modern Moroccan history.
Catholicism has long been the dominant religion among ethnic Mexicans in the U.S. Recent shifts, however, have challenged the traditional association between Mexican ethnicity and Catholicism. Evangelical Protestantism has emerged as a notable alternative of ethnic identity expression for ethnic Mexicans. This book takes readers into the thriving Mexican-majority neighborhoods of Santa Ana, California, a city once dubbed the hardest place to live in the U.S. There, Jonathan E. Calvillo explores how religious practices permeate the fabric of everyday social interactions for Mexican immigrants. How does faith shape these immigrants' sense of ethnic identity? To answer this question, The Saints of Santa Ana compares the experiences of Catholic and Evangelical Mexican immigrants-the two largest religious groupings in the city. Drawing on five years of participant observation and in-depth interviews, this book argues that religious affiliations set Catholics and Evangelicals along diverging trajectories with regard to ethnic identity. In particular, Calvillo argues, Catholics and Evangelicals have differing perspectives on collective memory and ethnic community. The Saints of Santa Ana offers a rich portrait of a fascinating American community.