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An accessible overview of the most important environmental issues facing the United States, with new and updated material. Americans are concerned about the state of the environment, and yet polls show that many have lost faith in both scientists' and politicians' ability to solve environmental problems. In America's Environmental Report Card, Harvey Blatt sorts through the deluge of conflicting information about the environment and offers an accessible overview of the environmental issues that are most important to Americans today. Blatt has thoroughly updated this second edition, revising and adding new material. He looks at water supplies and new concerns about water purity; the dangers of floods (increased by widespread logging and abetted by glacial melting); infrastructure problems (in a new chapter devoted entirely to this subject); the leaching of garbage buried in landfills; soil, contaminated crops, and organic food; fossil fuels; alternative energy sources (in another new chapter); controversies over nuclear energy; the increasing pace of climate change; and air pollution. Along the way, he outlines ways to deal with these problems—workable and reasonable solutions that map the course to a sustainable future. America can lead the way to a better environment, Blatt argues. We are the richest nation in the world, and we can afford it—in fact, we can't afford not to.
One of the worldÕs leading urban and environmental economists tells us what our lives will be like when climate change arrives
The story of "the great thirst" is brought up to date in this revised edition of Norris Hundley's outstanding history, with additional photographs and incisive descriptions of the major water-policy issues facing California now: accelerating urbanization of farmland and open spaces, persisting despoliation of water supplies, and demands for equity in water allocation for an exploding population. People the world over confront these problems, and Hundley examines them with clarity and eloquence in the unruly laboratory of California. The obsession with water has shaped California to a remarkable extent, literally as well as politically and culturally. Hundley tells how aboriginal Americans and then early Spanish and Mexican immigrants contrived to use and share the available water and how American settlers, arriving in ever-increasing numbers after the Gold Rush, transformed California into the home of the nation's preeminent water seekers. The desire to use, profit from, manipulate, and control water drives the people and events in this fascinating narrative until, by the end of the twentieth century, a large, colorful cast of characters and communities has wheeled and dealed, built, diverted, and connived its way to an entirely different statewide waterscape. The story of "the great thirst" is brought up to date in this revised edition of Norris Hundley's outstanding history, with additional photographs and incisive descriptions of the major water-policy issues facing California now: accelerating urbanization
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
The book presents the recent advancements in the area of sensors and sensing technology, specifically in environmental monitoring, structural health monitoring, dielectric, magnetic, electrochemical, ultrasonic, microfluidic, flow, surface acoustic wave, gas, cloud computing and bio-medical. This book will be useful to a variety of readers, namely, Master and PhD degree students, researchers, practitioners, working on sensors and sensing technology. The book will provide an opportunity of a dedicated and a deep approach in order to improve their knowledge in this specific field.
Sustainable Media explores the many ways that media and environment are intertwined from the exploitation of natural and human resources during media production to the installation and disposal of media in the landscape; from people’s engagement with environmental issues in film, television, and digital media to the mediating properties of ecologies themselves. Edited by Nicole Starosielski and Janet Walker, the assembled chapters expose how the social and representational practices of media culture are necessarily caught up with technologies, infrastructures, and environments.Through in-depth analyses of media theories, practices, and objects including cell phone towers, ecologically-themed video games, Geiger counters for registering radiation, and sound waves traveling through the ocean, contributors question the sustainability of the media we build, exchange, and inhabit and chart emerging alternatives for media ecologies.
In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood’s Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences. Bringing together environmental humanities, science communication, and social ethics, Hollywood’s Dirtiest Secret is a pathbreaking consideration of the film industry’s environmental impact that examines how our cultural prioritization of spectacle has distracted us from its material consequences and natural-resource use. Vaughan examines the environmental effects of filmmaking from Hollywood classics to the digital era, considering how popular screen media shapes and reflects our understanding of the natural world. He recounts the production histories of major blockbusters—Gone with the Wind, Singin’ in the Rain, Twister, and Avatar—situating them in the contexts of the development of the film industry, popular environmentalism, and the proliferation of digital technologies. Emphasizing the materiality of media, Vaughan interweaves details of the hidden environmental consequences of specific filmmaking practices, from water use to server farms, within a larger critical portrait of social perceptions and valuations of the natural world.
Household Reusable Rainwater Technology for Developing and Under-Developed Countries provides insight into household techniques for collecting and treating harvested rainwater safely for both potable and nonpotable uses, as well as practices to improve its quality, with numerous realworld case studies and data. It gives a comprehensive, holistic account on the household scale for both developing and under-developed countries. Improvement mechanisms such as the impacts of first flush, household water treatment techniques, and sedimentation in the harvested water are described in depth together with the advantages and disadvantages of their common practices in developing and under-developed societies. Also discussed is a comprehensive survey illustrating the impact of rainwater sources on the daily life of a carefully selected community from the perspective of its residents. The book is ideal for students, researchers, academics, water policy providers, and bodies worldwide such as WHO and DFID.