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"The 134 illustrations in Flying Leaves and One-Sheets demonstrate the typographical skills of German-language printers in North America from the mid 1750s to 1876. Selected for graphic appeal, range of subject matter, and historic interest, these broadsides show the attitudes and literary appetites of Pennsylvania Germans as expressed in printed matter. Known for their love of color and decoration, Pennsylvania Germans often hand-illuminated broadsides so that many are classified as fraktur. Flying Leaves and One-Sheets will appeal to readers in Pennsylvania German visual arts, culture, and history."--BOOK JACKET.
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
Searching for your Alabama ancestors? Looking for historical facts? Dates? Events? This book will lead you to the places where you'll find answers. Here are hundreds of direct sources--governmental, archival, agency, online--that will help you access information vital to your investigation. Tracing Your Alabama Past sets out to identify the means and the methods for finding information on people, places, subjects, and events in the long and colorful history of this state known as the crossroads of Dixie. It takes researchers directly to the sources that deliver answers and information. This comprehensive reference book leads to the wide array of essential facts and data--public records, census figures, military statistics, geography, studies of African American and Native American communities, local and biographical history, internet sites, archives, and more. For the first time Alabama researchers are offered a how-to book that is not just a bibliography. Such complex sources as Alabama's biographical/genealogical materials, federal land records, Civil WarÂ-era resources, and Native American sources are discussed in detail, along with many other topics of interest to researchers seeking information on this diverse Deep South state. Much of the book focuses on national sources that are covered elsewhere only in passing, if at all. Other books only touch on one subject area, but here, for the first time, are directions to the Who, What, When, Where, and Why.
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.