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This richly illustrated catalogue examines the power of photography and its mobilisation within systems of knowledge and representation across Southeast Asian societies. Rather than just thinking about what photographs show, Living Pictures explores what photographs do, acknowledging that photographs have lives—they move and they act—and in the process, they affect the world around them. This groundbreaking catalogue accompanies the world’s first-ever survey of the medium’s histories across Southeast Asia, from its earliest beginnings in the 19th century until its diverse contemporary manifestations. It traces the creation, circulation and consumption of photography and how these processes have shaped the visual regimes of the region, through essays by the Living Pictures curators, interviews with artists and photographers featured in the exhibition, comprehensive plates including never-before-published images, and new research by leading international scholars focusing on the interdisciplinary intersections between photography and art history, archaeology and cultural theory.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Illustrations used for story-telling and mirth-making have enlivened Asian walls, scrolls, books, public and private places, and artifacts for millennia. Often playful and humorous, Asian pictorial stories lent conspicuous elements to contemporary comic art, particularly with their use of narrative nuance, humor, satire, and dialogue. Illustrating Asia is a fascinating book on a subject that is of wide and topical interest. All of the articles consider cartoon and/or comic art in the historical and social setting of seven South, Southeast, and East Asian countries: India, Taiwan, Malaysia, Indonesia, Sri Lanka, China, and Japan. The contributors treat comic and narrative art—including comic books, comic strips, picture books, and humor and fan magazines—in both historical and socio-cultural perspectives, as well as portrayals of ancient Chinese philosophy, gender, and the enemy in cartoons and comics. Contributors: Laine Berman, John A. Lent, Fusami Ogi, Rei Okamoto, Ronald Provencher, Aruna Rao, Kuiyi Shen, Shimizu Isao, Shu-chu Wei, Yingjin Zhang.
Demystifying Southeast Asia's cuisine, this cookbook translates years of photography, culinary training, education, and resulting expertise into an adventure of recipes, stories, and practical advice on cooking. Regardless of exotic flavors, foreign ingredients, and unfamiliar techniques, the guide demonstrates how cooking remains universal and the science of food holds fast. Including more than 100 recipes, 700 photographs, and vivid anecdotes, this is the perfect book for anyone seeking to learn about the flavors of Southeast Asian cuisine or just looking for a unique, recreational read.
A sensitive and personal portrayal featuring 889 pictures of ten tribes from Thailand, Laos, Burma, Vietnam and the Philippines. This original and innovative book embodies traditions that have evolved over thousands of years and which are slowly vanishing. A lavish production and an invaluable historical record that combines anthropology and popular culture. "I chose to dedicate these pictures and stories to the tribes people themselves, in the hope that their way of life and works of art can be preserved through the protection afforded through public recognition. I offer this book as a testament to the resilience of the human spirit, recognizing in the lives of these tribes that essential strength resides, and the endurance of their culture is insured."--David Howard, in the Dedication
Photography in Southeast Asia: A Survey is a comprehensive attempt to map the emergence and trajectories of photographic practices in Southeast Asia. The narrative begins in the colonial era, at the point when the transfer of photographic technology occurred between visiting practitioners and local photographers. With individual chapters dedicated to the countries of Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Singapore, Thailand, Philippines and Vietnam, the bulk of the book spans the post-World War Two era to the contemporary, focusing on practitioners who operate with agency and autonomy. The relationship between art and photography, which has been defined very narrowly over the decades, is re-examined in the process. Photography also offers an entry point into the cultural and social practices of the region, and a prism into the personal desires and creative decisions of its practitioners.
This book reveals the mysterious world of the kris—the hilts of the traditional weapons of Indonesia and Malaysia, which have long been collector's items. Kris are objects of great beauty—daggers carved, chiseled, or incised by artist-craftsmen with deep knowledge of the symbolism and traditions of their lands. Java, Sumatra, Bali, Madura, Sulawesi, and Malaysia—each island has its own type of hilt, with its own symbolism and magic. Their images range from geometric abstractions to human, divine, plant and animal, and demon figures. They are made from wood, fossil, ivory, gold, and whalebone and serve as a gateway between the visible and invisible worlds.