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Many troops passed through Southampton on their way to the Western Front and it played a vital role as a staging post for departing troops and those returning badly injured.??Many of men from Southampton also joined up and the enormity of human sacrifice that the families of Southampton were committed to as the war stretched out over the next four years was immense. ??The Great War affected everyone. At home there were wounded soldiers in military hospitals, refugees from Belgium and later on German prisoners of war. There were food and fuel shortages and disruption to schooling. The role of women changed dramatically and they undertook a variety of work undreamed of in peacetime. Meanwhile, men serving in the armed forces were scattered far and wide. Extracts from contemporary letters reveal their heroism and give insights into what it was like under battle conditions.
The British architect Sir Edwin Lutyens (1869-1944) designed 140 cemeteries in the countryside of Flanders and Northern France for soldiers killed in the First World War. The cemeteries can be regarded as an imprint, as it were, of the former battlefront on the map of Europe. All are designed to principles established beforehand, including uniform gravestones, a large Stone of Remembrance and a large cross. Yet the difference in size, alignment and provenance make them all unique variations on the themes in question. The most memorable aspects are their meticulously chosen position in the landscape, the varied selection of trees and other greenery and the architecture of the entrance and shelter buildings. This illustrated book charts the history of the designs and exposes the underlying principle of order and variation in the architecture in an exhaustive landscape-architectural analysis. All 140 cemeteries are fully documented with references to the places where they are to be found.
Following the career of one relatively unknown First World War general, Lord Horne, this book adds to the growing literature that challenges long-held assumptions that the First World War was a senseless bloodbath conducted by unimaginative and incompetent generals. Instead it demonstrates that men like Horne developed new tactics and techniques to deal with the novel problems of trench warfare and in so doing seeks to re-establish the image of the British generals and explain the reasons for the failures of 1915-16 and the successes of 1917-18 and how this remarkable change in performance was achieved by a much maligned group of senior officers. Horne's important career and remarkable character sheds light not only on the major battles in which he was involved; the progress of the war; his relationships with his staff and other senior officers; the novel problems of trench warfare; the assimilation of new weapons, tactics and training methods; and the difficulties posed by the German defences, but also on the attitudes and professionalism of a senior British commander serving on the Western Front. Horne's career thus provides a vehicle for studying the performance of the British Army in the first quarter of the Twentieth Century. It also gives an important insight into the attitudes, ethos and professionalism of the officer corps which led that army to victory on the Western Front, exposing not only its flaws but also its many strengths. This study consequently provides a judgment not only on Horne as a personality, innovator and general of great importance but also on his contemporaries who served with the British Armies in South Africa and France during an era which saw a revolution in military affairs giving birth to a Modern Style of Warfare which still prevails to this day.
The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. In doing so, the book addresses topics ranging from how carefully selected images projected a positive portrayal of ambulance trains, through film’s instructional role promoting self-sufficiency on the home front, to the vital role of makeshift YMCA cinemas both sides of the Channel. With editors and contributors who are authorities on cinema in wartime Britain and on the British response to the challenge of ‘total war’, the volume highlights the power that the moving image had during the Great War. In the introduction, the editors consider why the First World War can be seen as the first uniquely cinematic conflict. Later, historians from Britain, Australia, and America go on to explore film’s pioneering role as a powerful vehicle for propaganda at home and abroad, and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home.
This is the story of the twenty five men from Orpington who died in the Great War in 1915.
Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. *** We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of Remembrance Day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children. It shows how both British life and identity were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. *** "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times
This book takes a fresh look at the undersea war as a whole and all the complex factors bearing on the campaign, only one of which was convoy. Its analysis is original, and its conclusions thought-provoking – an important contribution to the naval history of the Great War.