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This book, first published in 1975, is a comprehensive list of all the books on India, written in English before 1900. It is an invaluable reference source on India of the eighteenth and nineteenth centuries. Apart from the work of professional writers, there are the writings of a cross-section of society from soldiers to scientists. We find dictionaries of obscure dialects written by government officials, descriptions of their travels by visiting clerics, homely details of everyday life by housewives, as well as technical and scientific works written by scholars.
Although Hudson died without completing 'The Body of God', the work has been edited and brought to fruition by Margaret Case. The book is a detailed study of a renowned Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 CE). Hudson uses this temple as an illustration of a major current and historical stage in South Indian Vaisnava religion.
This is a heritage book which takes readers on a spiritual voyage of legends, mythology, saints, temples and dynasties. It presents vignettes of India’s rich cultural background. As one of the seven mokshapuris (centers of salvation) and the nerve-centre of vedic schools, Kanchipuram has always been a role model. Adi Sankaracharya, brought religious renaissance in the country by providing a new meaning to sanatana dharma. He established the KanchiKamakotipeetham which continues to be a center of learning and devotion. The town is credited with having around one thousand temples at one time. While Pallava rulers built most of these temples, these were extensively renovated later by Cholan and Vijayanagara kings. Exhaustive Annexures about the various rules and dynasties are also provided. The book is amply illustrated with maps and photographs, which will be of great interest to general readers and to tourists and pilgrims in particular.
This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension (palaeography, layout, decoration) and the complicated interactions of manuscripts with printing in late medieval Tibet and in modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of religious, literary and intellectual traditions, to the creation of collections in medieval India and Cambodia (one major centre of the so-called Sanskrit cosmopolis), and the formation of the Cambridge collections in the colonial period. The contributions reflect the variety of idioms, literary genres, religious movements, and social actors (intellectuals, scribes, patrons) of ancient South Asia, as well as the variety of approaches, interests and specialisms of the authors, and their impassionate engagement with manuscripts.