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The definitive history of South Carolina's Confederate flag controversy and 2005 finalist for Popular Culture Book of the Year from ForeWord Magazine.
For this definitive volume, the author meticulously located, measured, and determined the significance of every South Carolina flag in existence today.
In recent years, the Confederate flag has become as much a news item as a Civil War relic. Intense public debates have erupted over Confederate flags flying atop state capitols, being incorporated into state flags, waving from dormitory windows, or adorning the T-shirts and jeans of public school children. To some, this piece of cloth is a symbol of white supremacy and enduring racial injustice; to others, it represents a rich Southern heritage and an essential link to a glorious past. Polarizing Americans, these flag wars reveal the profound--and still unhealed--schisms that have plagued the country since the Civil War. The Confederate Battle Flag is the first comprehensive history of this contested symbol. Transcending conventional partisanship, John Coski reveals the flag's origins as one of many banners unfurled on the battlefields of the Civil War. He shows how it emerged as the preeminent representation of the Confederacy and was transformed into a cultural icon from Reconstruction on, becoming an aggressively racist symbol only after World War II and during the Civil Rights movement. We gain unique insight into the fine line between the flag's use as a historical emblem and as an invocation of the Confederate nation and all it stood for. Pursuing the flag's conflicting meanings, Coski suggests how this provocative artifact, which has been viewed with pride, fear, anger, nostalgia, and disgust, might ultimately provide Americans with the common ground of a shared and complex history.
Near Appomattox, during a cease-fire in the final hours of the Civil War, Confederate general Martin R. Gary harangued his troops to stand fast and not lay down their arms. Stinging the soldiers' home-state pride, Gary reminded them that "South Carolinians never surrender." By focusing on a reactionary hotbed within a notably conservative state--South Carolina's hilly western "upcountry"--W. Scott Poole chronicles the rise of a post-Civil War southern culture of defiance whose vestiges are still among us. The society of the rustic antebellum upcountry, Poole writes, clung to a set of values that emphasized white supremacy, economic independence, masculine honor, evangelical religion, and a rejection of modernity. In response to the Civil War and its aftermath, this amorphous tradition cohered into the Lost Cause myth, by which southerners claimed moral victory despite military defeat. It was a force that would undermine Reconstruction and, as Poole shows in chapters on religion, gender, and politics, weave its way into nearly every dimension of white southern life. The Lost Cause's shadow still looms over the South, Poole argues, in contemporary controversies such as those over the display of the Confederate flag. Never Surrender brings new clarity to the intellectual history of southern conservatism and the South's collective memory of the Civil War.
A tribute to the valiant men who fought under these flags. The Flags of Civil War North Carolina is the history of secession of North Carolina told through the banners that flew over its government, cavalry, and navy. From the flags of the Guilford Greys to the Buncombe Riflemen, this collection is a fascinating portrait of the state's ill-fated battle for independence. Glenn Dedmondt is a member of the Sons of Confederate Veterans. He is the author of The Flags of Civil War Alabama and The Flags of Civil War South Carolina, also published by Pelican.
Recounts how the palmetto tree became a South Carolina state symbol following the Battle of Fort Moultrie fought off the South Carolina coast in 1776.
On June 17, 2015, a white supremacist entered Emanuel AME Church in Charleston, South Carolina, and sat with some of its parishioners during a Wednesday night Bible study session. An hour later, he began expressing his hatred for African Americans, and soon after, he shot nine church members dead, the church’s pastor and South Carolina state senator, Rev. Clementa C. Pinckney, among them. The ensuing manhunt for the shooter and investigation of his motives revealed his beliefs in white supremacy and reopened debates about racial conflict, southern identity,systemic racism, civil rights, and the African American church as an institution. In the aftermath of the massacre, Professors Chad Williams, Kidada Williams, and Keisha N. Blain sought a way to put the murder—and the subsequent debates about it in the media—in the context of America’s tumultuous history of race relations and racial violence on a global scale. They created the Charleston Syllabus on June 19, starting it as a hashtag on Twitter linking to scholarly works on the myriad of issues related to the murder. The syllabus’s popularity exploded and is already being used as a key resource in discussions of the event. Charleston Syllabus is a reader—a collection of new essays and columns published in the wake of the massacre, along with selected excerpts from key existing scholarly books and general-interest articles. The collection draws from a variety of disciplines—history, sociology, urban studies, law, critical race theory—and includes a selected and annotated bibliography for further reading, drawing from such texts as the Confederate constitution, South Carolina’s secession declaration, songs, poetry, slave narratives, and literacy texts. As timely as it is necessary, the book will be a valuable resource for understanding the roots of American systemic racism, white privilege, the uses and abuses of the Confederate flag and its ideals, the black church as a foundation for civil rights activity and state violence against such activity, and critical whiteness studies.
The American companion to A History of the World in 100 Objects, a fresh, visual perspective on the Civil War From a soldier’s diary with the pencil still attached to John Brown’s pike, the Emancipation Proclamation, and the leaves from Abraham Lincoln’s bier, here is a unique and surprisingly intimate look at the Civil War. Lincoln scholar Harold Holzer sheds new light on the war by examining fifty objects from the New-York Historical Society’s acclaimed collection. A daguerreotype of an elderly, dignified ex-slave; a soldier’s footlocker still packed with its contents; Grant’s handwritten terms of surrender at Appomattox—the stories these objects tell are rich, poignant, sometimes painful, and always fascinating. They illuminate the conflict from all perspectives—Union and Confederate, military and civilian, black and white, male and female—and give readers a deeply human sense of the war.