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National Book Award winner: This story of a family torn apart by the Vietnam era is “a magnificent portrayal of two noble men who broke each other’s hearts” (Booklist). James Carroll grew up in a Catholic family that seemed blessed. His father, who had once dreamed of becoming a priest, instead began a career in J. Edgar Hoover’s FBI, rising through the ranks and eventually becoming one of the most powerful men in the Pentagon, the founder of the Defense Intelligence Agency. Young Jim lived a privileged life, dating the daughter of a vice president and meeting the pope—all in the shadow of nuclear war, waiting for the red telephone to ring in his parents’ house. James fulfilled the goal his father had abandoned, becoming a priest himself. His feelings toward his father leaned toward worship as well—until the tumult of the 1960s came between them. Their disagreements, over Martin Luther King, Jr. and the civil rights movement; turmoil in the Church; and finally, Vietnam—where the elder Carroll chose targets for US bombs—began to outweigh the bond between them. While one of James’s brothers fled to Canada, another was in law enforcement ferreting out draft dodgers. James, meanwhile, served as a chaplain at Boston University, protesting the war in the streets but ducking news cameras to avoid discovery. Their relationship would never be the same again. Only after Carroll left the priesthood to become a writer, and a husband with children of his own, did he begin to understand fully the struggles his father had faced. In An American Requiem, the New York Times bestselling author of Constantine’s Sword and Christ Actually offers a benediction, in “a moving memoir of the effect of the Vietnam War on his family that is at once personal and the story of a generation . . . at once heartbreaking and heroic, this is autobiography at its best” (Publishers Weekly).
It is 1982 and the British prime minister and the Argentine president are both clinging to power. Downing Street, having ignored alarm bells coming from the South Atlantic, finds itself in a full-blown crisis when Argentina invades the remote and forgotten British territory of the Falklands Islands. Catesby is dispatched urgently to prevent Argentina from obtaining more lethal Exocet missiles by fair means or foul. From Patagonia to Paris, from Chevening to the White House, Catesby plays a deadly game of diplomatic cat and mouse determined to avert the loss of life. The clock is ticking as diplomats and statesmen race for a last-minute settlement while the weapons of war are primed and aimed. Edward Wilson's stunning new spy thriller brilliantly evokes the intricate world of high-stakes espionage with a rare authenticity and deeply-felt sympathy for the human cost and tragedy of conflict.
A Washington Post Notable Book: A Japanese Canadian man is haunted by childhood memories of WWII internment camps in this “evocative and cinematic tale” (Maclean’s). In 1942, in retaliation for the attack on Pearl Harbor, the Canadian government removes young Bin Okuma and his family from their home at a British Columbia coastal fishing village and forces them into internment camps. Allowed to take only the possessions they can carry, Bin watches looters raid his home before the transport boats even undock. One hundred miles from the “Protected Zone,” abandoned by his father, Bin spends the next five years struggling to adapt in the makeshift shacks of the brutal mountain community. For Bin, it was never forgotten, nor forgiven. Fifty years later, after his wife’s death, Bin embarks on a road trip across Canada. Accompanied by his dog, his classical music tapes, and his memories, he intends to find his biological father whose fateful decision destroyed his family all those years ago. But Bin must ask himself: does he really want to confront the ghosts of the past, or is it time to finally let them go? A novel of grief, coming-of-age, and coming to terms with our own personal histories, “Requiem is a great work of literature from a determined author at the peak of her powers” (Ottawa Citizen).
A brilliant Cuban Missile Crisis spy thriller by a former special forces officer and 'the thinking person's John le Carré' 'The thinking person's John le Carré' Tribune 'Edward Wilson seems poised to inherit the mantle of John le Carré' Irish Independent 'More George Smiley than James Bond, Catesby will delight those readers looking for less blood and more intelligence in their spy thrillers' Publishers Weekly October, 1962. If the Cuban gamble goes wrong and war breaks out, Britain will no longer exist. London dispatches a secret envoy to defuse the confrontation. Spawned in the bleak poverty of an East Anglian fishing port, Catesby is a spy with a big anti-establishment chip on his shoulder. He loves his country, but despises the class who run it. Loathed by the Americans and trusted by the Russians, Catesby is sent to Havana and Washington to make clandestine contacts. London has authorised Catesby to offer Moscow a secret deal to break the Cuban Missile Crisis deadlock. But before that can happen, Catesby meets the Midnight Swimmer who has a chilling message for Washington. A triangle of love and death that began in Berlin ends in Cuba. On one corner is a war disabled KGB general, on another corner is his unfulfilled wife . . . This sophisticated novel is full of twists and turns that merge historical fact with fiction. Sleaze and high politics literally share the same beds. A white-knuckle superpower standoff is played out against a backdrop of honey trap blackmail, Mafia contracts, assassinations and Vatican scandal. 'An intellectually commanding thriller' Independent 'An excellent spy novel . . . belongs on the bookshelf alongside similarly unsettling works by le Carré, Alan Furst and Eric Ambler' Huffington Post Praise for Edward Wilson: 'Stylistically sophisticated . . . Wilson knows how to hold the reader's attention' W.G. Sebald 'A reader is really privileged to come across something like this' Alan Sillitoe 'All too often, amid the glitzy gadgetry of the spy thriller, all the fast cars and sexual adventures, we lose sight of the essential seriousness of what is at stake. John le Carré reminds us, often, and so does Edward Wilson' Independent
A gripping psychological period thriller, presenting a hotbed of vice and murderous entanglements against the atmospheric backdrop of deeply troubling historical events.
A gripping World War II murder mystery—and a beautifully drawn portrait of Paris under Nazi occupation—with compelling and conflicted hero Detective Eddie Giral at its heart. Paris, 1940. As the city adjusts to life under Nazi occupation, Detective Eddie Giral struggles to reconcile his job as a policeman with his new role enforcing a regime he cannot believe in, but must work under. He's sacrificed so much in order to survive in this new world, but the past is not so easily forgotten. When an old friend—and an old flame—reappear, begging for his help, Eddie must decide how far he will go to help those he loves. The notion of justice itself quickly becomes as dangerous, blurred, and confused as the war itself. And Eddie’s morale compass, ever on unreliable foundations, will be questioned again and again as the ravages of the German occupation steadily attempt to grind him—and the city he loves—into submission. Negotiating a path between resistance and collaboration, he can remain a good man and do nothing—or risk everything he has achieved in a desperate act of resistance.
A thrilling SOE spy novel by a former special forces officer who is 'poised to inherit the mantle of John le Carré' 'Edward Wilson seems poised to inherit the mantle of John le Carré' Irish Independent 'More George Smiley than James Bond, Catesby will delight those readers looking for less blood and more intelligence in their spy thrillers' Publishers Weekly Cambridge, 1941. A teenage William Catesby leaves his studies to join the war effort. Parachuted into Occupied France as an SOE officer, he witnesses remarkable feats of bravery during the French Resistance. Yet he is also privy to infighting and betrayal - some of the Maquisards are more concerned with controlling the peace than fighting the war. Double agents and informers abound, and with torture a certainty if he is taken, Catesby knows there is no one he can trust. Passed from safe house to safe house, with the Abwehr on his tail, he is drawn towards Lyon, a city of backstreets and blind alleys. His mission is simple: thwart an act of treachery that could shape the future of France. 'Edward Wilson's excellent Portrait of the Spy as a Young Man draws on his own special forces training' Independent 'Engaging . . . Dynamic . . . Wilson's fascination is as much with how the spy betrays himself as with how he manipulates others' The Times Praise for Edward Wilson: 'Stylistically sophisticated . . . Wilson knows how to hold the reader's attention' W.G. Sebald 'A reader is really privileged to come across something like this' Alan Sillitoe 'All too often, amid the glitzy gadgetry of the spy thriller, all the fast cars and sexual adventures, we lose sight of the essential seriousness of what is at stake. John le Carré reminds us, often, and so does Edward Wilson' Independent
From Bernhard Schlink, the internationally best-selling author of The Reader, come seven provocative and masterfully calibrated stories. A keen dissection of the ways in which we play with truth and less-than-truth in our lives. Summer Lies brims with the delusions, the passions, the outbursts, and the sometimes irrational justifications people make within a mélange of beautifully rendered relationships. In ”After the Season,” a man falls quickly in love with a woman he meets on the beach but wrestles with his incongruous feelings of betrayal after he learns she’s rich. In “Johann Sebastian Bach on Ruegen,” a son tries to put his resentment toward his emotionally distant father behind him by proposing a trip to a Back festival but soon realizes, during his efforts to reconnect, that it wasn’t his father who was the distant one. A philandering playwright is accused to infidelity by his wife in “The Night in Baden-Baden,” but he sees her accusations as nothing more than a means to exculpate himself of his guilt as he carries on with his ways. And in “Stranger in the Night,” an obliging professor becomes an accomplice—not entirely unwittingly—to the temporary escape of a charismatic fugitive on a delayed flight from New York to Frankfurt. The truth, as once character puts it, is “passionate, beautiful sometimes, and sometimes hideous, it can make you happy and it can torture you, and it always sets you free.” Tantalizingly, so is the act of telling a lie—to others and to ourselves.