Download Free South Amesburys Red Earthenware Stoneware Book in PDF and EPUB Free Download. You can read online South Amesburys Red Earthenware Stoneware and write the review.

"Red earthenware production in South Amesbury (Merrimacport), Massachusetts dates to the eighteenth century, supplying households in the small corner of northeastern Massachusetts, southern New Hampshire, and probably other spots in New England, with everyday utilitarian wares. This multi-generational family business lasted for more than 100 years, making it one of the longest standing potteries in New England. The most famous of those employed in South Amesbury was William Pecker, who operated a pottery during the circa 1791-1820 period. It is not widely known that Pecker was one of New England's earliest potters to product red earthenware and stoneware, perhaps only the second business to accomplish this feat in New England after the Parker Pottery in Charlestown, Mass. in the 1740s. This book is the first of its kind to explore South Amesbury's pottery production, the aesthetic appeal of these wares, and closely examine the stoneware manufactured by William Pecker." - Back cover.
This book is the result of more than fifteen years of research. The study has been carried on, partly in libraries and town records, partly by conferences with descendants of potters and others familiar with their history, and partly by actual digging on the sites of potteries. The excavation method has proved most successful in showing what our New England potters were making at an early period now almost unrepresented by surviving specimens.
Found a few kilometres from Stonehenge, the graves of the Amesbury Archer and the Boscombe Bowmen date to the 24th century BC and are two of the earliest Bell Beaker graves in Britain. The Boscombe Bowmen is a collective burial and the Amesbury Archer is a single burial but isotope analyses suggest that both were the graves of incomers to Wessex. The objects placed in both graves have strong continental connections and the metalworking tool found in the grave of the Amesbury Archer may explain why his mourners afforded him one of the most well-furnished burials yet found in Europe. This excavation report contains a series of wide-ranging studies and scientific analyses by an array of experts and a discussion of the graves within their British and continental European contexts.
This volume offers a baseline of information on what is known of earthenware across Southeast Asia and aims to provide new understandings of subjects including the origins of the prehistoric tripod vessels of the Malayan Peninsula and the role of earthenware from a kiln site in southern Thailand.
"Oceanian ceramic cultures making earthenware pottery spread during the past 3500 years through a dozen major island groups spanning 6000 km of the tropical Pacific Ocean from western Micronesia to western Polynesia. Island potters mixed sand as temper into clay bodies during ceramic manufacture. The nature of island sands is governed by the geotectonics of hotspot chains, island arcs, subduction zones, backarc basins, and remnant arcs as well as by sedimentology. Because small islands with bedrock exposures of restricted character are virtual point sources of sand, many tempers are diagnostic of specific islands. Petrographic study of temper sands in thin section allows distinction between indigenous pottery and exotic pottery transported from elsewhere. Study of 2223 prehistoric Oceanian potsherds from 130 islands and island clusters indicates the nature of Oceanian temper types and documents 105 cases of interisland transport of ceramics over distances typically
Presented by the Custom House Maritime Museum in Newburyport, Massachusetts, this exhibition focuses on early American pottery production in Merrimacport from 1790-1890, with a focus on William Pecker pottery (circa 1790-1820), and by the Daniel Bayley Pottery Company in Newburyport (circa 1764 to 1799). This will cover most of the local pottery production before and after the American Revolution.The curatorial team of the Custom House Maritime Museum, along with Guest Curator Justin Thomas, have assembled an exhibit focusing on aspects of the production of multiple potteries and potting families along the Merrimack River, primarily from the periods of the eighteenth-century prior to the Revolutionary War to the mid-nineteenth century, with outlying examples in both style and material, including examples from the early twentieth century. This exhibition will be of considerable interest to the residents of the Merrimack region, ceramics collectors, and historians and history enthusiasts with an interest in the role of domestic production at the dawn of the United States. This type of exhibition is a first for the Custom House, bringing together collections, archeological specimens, and other intact surviving objects for display and contextualization. Many of these pieces are returning to the Newburyport area after upwards of two centuries of absence from their place of creation on the banks of the Merrimack River.