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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
For decades before and after African independence, the London weekly West Africa was a well-known source of news, analysis and comment on the region, especially the (former) British territories. Jonathan Derrick, who worked on the magazine's staff in the 1960s and again in its final years before closure in 2003, here studies the earlier history of West Africa through the story of its largely forgotten editor, Albert Cartwright, from the magazine's founding in 1917 to Cartwright's retirement in 1947. Before editing West Africa, Cartwright spent twenty years in South Africa, making the headlines in 1901 when, as editor of Cape Town's South African News during the Boer War, he was jailed for a year for a war crimes allegation against Lord Kitchener. Exploring Cartwright family papers and memories, Derrick reveals the complex nature of a man who, for three decades, ran a colonial magazine but was appreciated by Africans as someone who genuinely understood them. Derrick places the story of colonial-era West Africa, which would reach its greatest heights during the independence period, within the wider landscape of British periodicals dealing with Africa in the nineteenth and twentieth centuries.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.