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This book is an intellectual history that uses Amílcar Cabral’s theory of the “return to the source,” to examine Sol Plaatje’s Mhudi, B.W. Vilakazi’s poetry, and A.C. Jordan’s The Wrath of the Ancestors within the broader context of African cultural nationalisms in the early twentieth century African Atlantic World. It shows the development of the idea of African equality with Whites in the face of prevailing ideas of White supremacy during Union-era South Africa. These authors were part of the New African Movement, which was one of eight literary movements among Africans and peoples of African descent in the Americas between 1915 and 1945, including the Harlem Renaissance, Négritude, Claridade in Cape Verde, and similar movements in Cuba, Haiti, Brazil, and Belize. The text presents new models for interpreting Union-era African literature, and recasts understanding of the nature of interactions between Africans and Europeans, including Western Syphilization, Chiral Interdiscursivity, and the relationship between history and memory informed by a neurobiological analysis of memory.
In Resistance: Sol Plaatje and South Africa, Shane Moran studies Sol Plaatje, the founding secretary of what was to become the African National Congress (ANC), and his work within the context of colonial politics and resistance. Arguing for a return to the study of one of the founders of anti-racism, Moran explores issues of land reform, human rights, and the legacy of colonialism. Through an in-depth analysis of Plaatje’s resistance to racial domination, Moran examines the nature of the struggles that continue within and beyond South Africa today. In particular, Moran analyzes events from the beginning of the previous century that shaped post-1994 South Africa, such as the resolution of the ANC to expropriate land without compensation.
The African desert flower Mponeng is optimised to enhance her survival experience regardless of the magnitude of adverse conditions in the terrestrial space that continuously poses an impressive threat to her survival experience. This time-tested mystical strategy holds great promise for humanity with respect to the need to upgrade our coping and transcending skills and resources to enhance our survival experience so that we remain undefined by the adverse conditions.
Decades after independence for most African states, the struggle for decolonization is still incomplete, as demonstrated by the fact that Africa remains associated in many Western minds with chaos, illness, and disorder. African and non-African scholars alike still struggle to establish the idea of African humanity, in all its diversity, and to move Africa beyond its historical role as the foil to the West. As this book shows, Africa’s decolonization is an ongoing process across a range of fronts, and intellectuals—both African and non-African—have significant roles to play in that process. The essays collected here examine issues such as representation and retrospection; the roles of intellectuals in the public sphere; and the fundamental question of how to decolonize African knowledges. African Intellectuals and Decolonization outlines ways in which intellectual practice can serve to de-link Africa from its global representation as a debased, subordinated, deviant, and inferior entity. Contributors Lesley Cowling, University of the Witwatersrand Nicholas M. Creary, University at Albany Marlene De La Cruz, Ohio University Carolyn Hamilton, University of Cape Town George Hartley, Ohio University Janet Hess, Sonoma State University T. Spreelin McDonald, Ohio University Ebenezer Adebisi Olawuyi, University of Ibadan Steve Odero Ouma, University of Nairobi Oyeronke Oyewumi, State University of New York at Stony Brook Tsenay Serequeberhan, Morgan State University
Catholic theologians have developed the relatively new term "inculturation" to discuss the old problem of adapting the church universal to specific local cultures. Europeans needed a thousand years to inculturate Christianity from its Judaic roots. Africans' efforts to make the church their own followed a similar process but in less than a century. Until now, there has been no book-length examination of the Catholic church's pastoral mission in Zimbabwe or of African Christians' efforts to inculturate the church. Ranging over the century after Jesuit missionaries first settled in what is now Zimbabwe, this enlightening book reveals two simultaneous and intersecting processes: the Africanization of the Catholic Church by African Christians and the discourse of inculturation promulgated by the Church. With great attention to detail, it places the history of African Christianity within the broader context of the history of religion in Africa. This illuminating work will contribute to current debates about the Catholic Church in Zimbabwe and throughout Africa.
This book provides unique "insider" critical insights into the ever-growing field of Postcolonial Studies, from one of the field's original architects.
Brooding Clouds is a posthumous collection of short stories and poems that were written as a prequel to Phaswane Mpe's acclaimed bestseller, Welcome to Our Hillbrow. In these thematically linked stories, we meet the organic roots of the emblematic characters and concerns of the later novel. Written with an expressive simplicity that evokes the rural soul of tiny Tiragalong and its neighboring village of Nobody, Mpe's stories speak out strongly on issues close to his heart. The poems form a tandem narrative that is gritty, topical, observant, and which articulates the dilemmas of inner city living, along with the broader conundrums of Tiragalong, Hillbrow, and South Africa. The Brooding Clouds collection is a gem of creative achievement that stands as a poignant tribute to the tremendous talent of a writer cut down much too soon.
The Dead Will Arise tells the story of Nongqawuse, the young Xhosa girl whose prophecy of the resurrection of the dead lured an entire people to death by starvation. The Great Cattle-Killing of 1856-57, which she initiated, is one of the most extraordinary and misunderstood events in South Africa's history. Jeff Peires was the first historian to draw on all available sources, from oral tradition and obscure Xhosa texts to the private letters and secret reports of police informers and colonial officials, and the original edition of The Dead Will Arise won the 1989 Alan Paton Sunday Times award for non-fiction.
Explores the instrumentalization of various aspects of popular culture in Africa.