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This book surveys South African history from the discovery of gold in the Witwatersrand in the late nineteenth century to the first democratic elections in 1994. Written by many of the leading historians of the country, it pulls together four decades of scholarship to present a detailed overview of South Africa during the twentieth century. It covers political, economic, social, and intellectual developments and their interconnections in a clear and objective manner. This book, the second of two volumes, represents an important reassessment of all the major historical events, developments, and records of South Africa and will be an important new tool for students and professors of African history worldwide, as well as the basis for further development and research.
New edition includes the sentencing and identifies Don Steenkamp as the murderer for the first time ... Just after dusk on Good Friday, 6 April 2012, the peace and quiet permeating the small Northern Cape town of Griekwastad was disrupted when a young teenage boy sped into town in his father’s Isuzu bakkie and screeched to a halt in front of the town’s nearly deserted police station to announce that his parents and sister had been brutally shot and killed on the family farm, Naauwhoek Based on interviews with all the role-players, including the investigating officers on the case, the forensic and ballistic experts, and family and friends of the deceased, this is the riveting account of what really happened on Naauwhoek farm on that fateful day, as told by the reporter who first broke the story ...
Reflecting on South Africa's achievement of majority rule, this book takes a critical and searching look at the country's past. It presents South Africa's past in an objective, clear, and refreshing manner. With chapters contributed by ten of the best historians of the country, the book elaborately weaves together new data, interpretations, and perspectives on the South African past, from the Early Iron Age to the eve of the mineral revolution on the Rand. Its findings incorporate new sources, methods, and concepts, for example providing new data on the relations between Africans and colonial invaders and rethinking crucial issues of identity and consciousness. This book represents an important reassessment of all the major historical events, developments, and records of South Africa - written, oral, and archaeological - and will be an important new tool for students and professors of African history worldwide.
"This book, better than any I have seen, provides an understanding of the politics and ideology of orthodox African nationalism, or Black Power, in South Africa since World War II. . . . from the Youth League of the African Student National Congress (ANC) of the late 1940s to the South African Student Organization (SASO) and the Black Consciousness Movement of the 1970s."—Perspective "Clarifies some of the main issues that have divided the black leadership and rescues the work of some pioneering nationalist theorists. . . . It's an absorbing piece of history."—New York Times "Informative and well-researched. . . . She ably explores the nuances of the two main movements until 1960 and explains why blacks were so receptive to black consciousness in the late Sixties."—New York Review
"This volume covers the period from the end of the Neolithic era to the beginning of the seventh century of our era. This lengthy period includes the civilization of Ancient Egypt, the history of Nubia, Ethiopia, North Africa and the Sahara, as well as of the other regions of the continent and its islands."--Publisher's description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1878 edition. Excerpt: ... CHAPTER XIII. Thaba 'Ncho. The name written above is to be pronounced Tabaancho and belongs to one of the most interesting places in South Africa. Thaba 'Ncho is a native town in which live about 6,000 persons of the Baralong tribe under a Chief of their own and in accordance with their own laws. There is nothing like this elsewhere on the continent of South Africa, or, as I believe, approaching it. Elsewhere it is not the custom of the South African Natives to live in towns. They congregate in kraals, more or less large, --which kraals are villages surrounded generally by a fence, and containing from three or fou1 huts up to perhaps a couple of hundred. Each hut has been found to contain an average of something less than four persons. But Thaba 'Ncho is a town, not fenced in, with irregular streets, composed indeed of huts, but constructed with some idea of municipal regularity. There has been no counting of these people, but from what information I could get I think I am safe in saying that as many as 6,000 of them live at Thaba 'Ncho. There are not above half-a-dozen European towns in South Africa which have a greater number of inhabitants, and in the vicinity of Thaba 'Ncho there are other Baralong towns or villages, --within the distance of a few miles, --containing from five hundred to a thousand inhabitants each. They possess altogether a territory extending about 35 miles across each way, and within this area fifteen thousand Natives are located, living altogether after their own fashion and governed in accordance with their own native laws. Their position is the more remarkable because their territory is absolutely surrounded by that of the Orange Free State, --as the territory of the Orange Free State is surrounded by th
The visual arts exhibition, Personal Affects: Power and Poetics in Contemporary South African Art, presents newly commissioned and recently produced works by seventeen South African artists. The artworks represent the artists' responses to a weeklong stay in New York and their visits with the international team of curators. The exhibition features various media including sculpture, drawing, photography, painting, installation, video, performance, and dance. The common thread throughout the exhibition is the higly personal point of departure of the artists' working methods that are informed by their varied experiences as South Africans. Volume I features an introduction by the exhibition curators, texts by David Brodie, Okwui Enwezor, Laurie Ann Farrell, Churchill Madikida, Tracy Murinik, Sophie Perryer, and theoretical essays by Liese van der Watt and Okwui Enwezor. Participating artists: Jane Alexander, Wim Botha, Steven Cohen, Churchill Madikida, Mustafa Maluka, Thando Mama, Sams
Anthony Trollope's personal account of his travels through South Africa in the late 1800s. Immersed in the beauty and wonder of the region's flora, fauna, and people, Trollope's vivid descriptions bring the landscape to life. Perfect for armchair travelers and South African enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book examines five hundred years of South African economic history.