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Isabel MacCaffrey contends that, in allegory, the mind makes a model of itself, and she shows that The Faerie Queene, mirroring as it does the mind's structure, is both a treatise on and an example of the central role that imagination plays in human life. Viewing the poem as a model of Spenser's universe, the author investigates the poet's theory of knowledge and the role of imagination in the construction of cosmic models. She begins with a survey of theories of the imagination and the creation of fictions, establishing a context in which allegorical images may be understood throughout the European allegorical tradition to which The Faerie Queene belongs. Isabel MacCaffrey's new readings show that insofar as Spenser's poem concerns modes of knowledge, it offers the reader an anatomy of its own composition, an analysis of imagination in its varied relations to the world. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The longstanding debate over how God-talk is intelligible gravitates around how we should understand the putative answer, “by analogy.” For some contemporary Christian theologians, analogy involves an ontological claim about creaturely and divine being (i.e., an analogy of being). For others, it involves a semantic or syntactical structure that legitimates the linguistic performances associated with analogy (i.e., a grammatical analogy). Still others appeal to faith in God’s self-disclosure in Jesus Christ (i.e., an analogy of faith). Rory Misiewicz argues that all of these approaches fall flat in their explanatory efforts. He draws upon the work of American philosopher Charles Sanders Peirce to rethink the relation between God and human beings. He argues that Christian theologians may view that relation as being established by an “analogy of signs”: both God and human beings are univocally involved in semiosis, or sign-process, and the confirmation of God’s semiotic identity is found in the revelation of God in the person of Jesus, the incarnate Son of God. Therefore, ordinary analogical language is intelligible, for divine signs are commensurate with human signs.
Fouke examines the anti-enthusiastical crusade of the Cambridge Platonist, Henry More, while exploring connections between Hermeticism, Cartesianism, and religious radicalism. More is shown to offer, through the dialectical employment of speech genres, a consistent ideal of the spiritual life.