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After Pamela Barnes discovers her department's star researcher strangled to death in the computer lab, she is determined to find the killer. Unfortunately, her aggressive attempts to solve the crime lead her into danger, and she ultimately finds herself in a face-to-face confrontation with the killer.
Finalist for the 2022 Cheiron Book Prize​ An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
Series numbering inferred from series title page.
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.
A die-hard fan of Jane Austen novels and the traditional English mystery, Tracy Kiely has combined elements of both for this truly delightful and witty debut. Planning New Year's resolutions to rid her life of all things unhealthy, Elizabeth Parker has dumped fatty foods, processed sugar, and her two-timing boyfriend. Indeed, the invitation to join her Aunt Winnie for a How to Host a Murder Party on New Year's Eve at Winnie's new Cape Cod B & B comes just in time. But when the local wealthy miser ends up the unscripted victim, Elizabeth must unearth old secrets and new motives in order to clear her beloved aunt of suspicion. The suspects include the town gossip, a haughty rich woman, and an antiques business owner much enamored of his benefactress, a Mrs. Kristell Dubois. If that isn't bad enough, Elizabeth must also contend with her childhood nemesis, Peter McGowan---a man she suspects has only matured in chronological years---and her suspicions about his family's interest in Winnie's inn. Yesterday, her only worry was of ever finding her Mr. Darcy. Now she has a murder to solve. Is it any wonder her resolution to achieve inner poise is in tatters? By reimagining characters and themes lifted from the treasured classic Pride and Prejudice, and crafting an expert, intricate mystery, Tracy Kiely has brought to life something very special: a new cozy series that is clever, vibrant, and utterly disarming.
Jonas Upton is the son of a wealthy New York family. Devastated by the death of his wife Valerie to cancer after only five years of marriage, he moves to the small town of Clearwater, Wisconsin where he poses as Jonas Cabot. His apartment building, Charing Cross, is a renovated old tire company plant. He immediately is plagued by a voice during the night repeating "S.A.M." and "S.A.M. murdered me". He investigates the history of murders in the old building and finds only one that has remained unsolved: Jim Henderson, brother of Clearwater police detective Robert Henderson, who continues after twenty years to look for a resolution to the unsolved mystery. Jonas suggests a possible connection to his voices and the Henderson murder. In doing so, he is forced to reveal his true identity, first to the police and eventually to his employer and new girlfriend and later wife, Libby Harding. When his father becomes terminally ill, the couple returns to New York. He is followed there by "S.A.M.". After his father's death, he is forced to confront his mother in court for control of his father's company. Though he wins, his plans change dramatically after her murder. Jonas and Libby, now married, return to Clearwater as partners in the computer software business, CompuWild, where the mystery unfolds and is eventually resolved with a shocking and unexpected conclusion.
* National Bestseller and winner of the 2014 International IMPAC Dublin Literary Award * Hailed by Edmund White as "a brilliant new novel" on the cover of the New York Times Book Review * Lauded by Jonathan Franzen, E. L. Doctorow and many others From a global literary star comes a prize-winning tour de force – an intimate portrayal of the drug wars in Colombia. Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia. In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare. Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and will take his literary star—even higher.
"Sace Elder has exhaustively researched both newspaper and other popular and professional treatments of murder cases and archival sources of police investigations and trials in Berlin between 1919 and 1931. Murder Scenes is an innovative and insightful exploration of the ways in which these investigations and trials, and the publicity surrounding them, reflected and shaped changing notions of normality and deviance in Weimar-era Berlin." ---Kenneth Ledford, Case Western Reserve University Using police reports, witness statements, newspaper accounts, and professional publications, Murder Scenes examines public and private responses to homicidal violence in Berlin during the tumultuous years of the Weimar era. Criminology and police science, both of which became increasingly professionalized over the period, sought to control and contain the blurring of these boundaries but could only do so by relying on a public that was willing to participate in the project. These Weimar developments in police practice in Berlin had important implications for what Elder identifies as an emerging culture of mutual surveillance that was successful both because and in spite of the incompleteness of the system police sought to construct, a culture that in many ways anticipated the culture of denunciation in the Nazi period. In addition to historians of Weimar, modern Germany, and modern Europe, German studies and criminal justice scholars will find this book of interest. Sace Elder is Associate Professor of History at Eastern Illinois University.