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A product of twenty-five years of archival and primary research, Sounding Our Way Home: Japanese American Musicking and the Politics of Identity narrates the efforts of three generations of Japanese Americans to reach “home” through musicking. Using ethnomusicology as a lens, Susan Miyo Asai examines the musical choices of a population that, historically, is considered outside the racial and ethnic boundaries of American citizenship. Emphasizing the notion of national identity and belonging, the volume provokes a discussion about the challenges of nation-building in a democratic society. Asai addresses the politics of music, interrogating the ways musicking functions as a performance of social, cultural, and political identification for Japanese Americans in the United States. Musicking is an inherently political act at the intersection of music, identity, and politics, particularly if it involves expressing one’s ethnicity and/or race. Asai further investigates how Japanese American ethnic identification and cultural practices relate to national belonging. Musicking cultivates a narrative of a shared history and aesthetic between performers and listeners. The discourse situates not only Japanese Americans, but all Asians into the Black/white binary of race relations in the United States. Sounding Our Way Home contributes to the ongoing struggle for acceptance and equal representation for people of color in the US. A history of Japanese American musicking across three generations, the book unveils the social and political discrimination that nonwhite immigrants and their offspring continue to face when it comes to finding acceptance in US society and culture.
A little girl and her grandfather walk along the quieter paths which take them past a chopping hoe, the shirr of grasshoppers, and the shushing of a water sprinkler.
Stephanie Urdang was born in Cape Town, South Africa, into a white, Jewish family staunchly opposed to the apartheid regime. In 1967, at the age of twenty-three, no longer able to tolerate the grotesque iniquities and oppression of apartheid, she chose exile and emigrated to the United States. There she embraced feminism, met anti-apartheid and solidarity movement activists, and encountered a particularly American brand of racial injustice. Urdang also met African revolutionaries such as Amilcar Cabral, who would influence her return to Africa and her subsequent journalism. In 1974, she trekked through the liberation zones of Guinea-Bissau during its war of independence; in the 1980’s, she returned repeatedly to Mozambique and saw how South Africa was fomenting a civil war aimed to destroy the newly independent country. From the vantage point of her activism in the United States, and from her travels in Africa, Urdang tracked and wrote about the slow, inexorable demise of apartheid that led to South Africa’s first democratic elections, when she could finally return home. Urdang’s memoir maps out her quest for the meaning of home and for the lived reality of revolution with empathy, courage, and a keen eye for historical and geographic detail. This is a personal narrative, beautifully told, of a journey traveled by an indefatigable exile who, while yearning for home, continued to question where, as a citizen of both South Africa and the United States, she belongs. “My South Africa!” she writes, on her return in 1991, after the release of Nelson Mandela, “How could I have imagined for one instant that I could return to its beauty, and not its pain?”
Finding My Way Home is a historical fiction book. It details the lives of the two main characters, Bobbie James, and Allie Stephens. The book is set in the 1940s and describes what life was like during this era. This is a fictional work, but the story is based on actual people, places, and events. Travel with Allie as she is forced to move from her childhood home in Elizabeth to Elm Springs, Arkansas. Experience what it was like for her to work in the strawberry fields, begin a new school, and weather the storms of life. Journey with Bobbie through cotton fields, a haunted house, and an encounter on a train. You will laugh at the predicaments these two individuals find themselves and be brought to tears by their struggles. Above all, you will be entertained and inspired by this simple story of faith, family, and fun.
From the award-winning author of The Patron Saint of Butterflies and The World from Up Here comes a story about grieving hearts, broken families, and how speaking out can save them both. Saying goodbye is never easy.Everything changed after Pippa and Jack's mother died last spring. Pippa stopped speaking, Jack started picking fights, and their father's struggling business began to fail. Now, with school starting again, Pippa doesn't know how she'll manage a class presentation on Spartan warriors when she can't even find the words to tell her father that she wishes he were home more. And Jack is struggling to understand his feelings for the mysterious girl next door. But when Jack and Pippa realize that their dad is getting so desperate for cash to keep the family afloat that he might be going to extreme -- and illegal -- lengths to make ends meet, they are faced with the biggest decision of their lives. How far are they willing to go to keep their family together?Stealing Our Way Home is a poignant, deeply affecting novel about falling apart, finding your voice, and the power of letting go.
"The heroes are as rugged and wild as the landscape."—MAISEY YATES, New York Times bestselling author, for Come Home to Deep River Small town romance heads to the wilds of New Zealand in the first installment of a brand-new contemporary series by Jackie Ashenden. He's hell-bent on telling her what to do. She's determined to make it on her own. They're both going to learn a thing or two about first impressions. Brightwater Valley, New Zealand, is beautiful, rugged, and home to those who love adventure. But it's also isolated and on the verge of becoming a ghost town. When the town puts out a call to its sister city of Deep River, Alaska, hoping to entice people to build homes and businesses in Brightwater, ex paratrooper Chase Kelly is all for it. He sees the benefits of building the economy, but only if those who come to Brightwater are ready for its challenges. Former oil executive Isabella Montgomery and her plan to open an art gallery don't seem up to the test. Now Chase is determined to help her learn the ways of his formidable hometown.
In this time of ecological crisis, all that is holy calls us into a more intimate partnership with the diverse and beautiful beings of this earth. In Finding Our Way Home, Myke Johnson reflects on her personal journey into such a partnership and offers a guide for others to begin this path. Lyrically expressed, it weaves together lessons from a chamomile flower, a small bird, a copper beech tree, a garden slug, and a forest fern, along with insights from Indigenous philosophy, environmental science, fractal geometry, childhood Catholic mysticism, the prophet Elijah, fairy tales, and permaculture design. This eco-spiritual journey also wrestles with the history of our society's destruction of the natural world, and its roots in the original theft of the land from Indigenous peoples. Exploring the spiritual dimensions of our brokenness, it offers tools to create healing. Finding Our Way Home is a ceremony to remember our essential unity with all of life.
Maxwell couldn't believe his eyes. He was in an entirely different world full of fairies, elemental powers, but the most important detail was he forgot his own family. It was like they were complete strangers to him, and the only thing he knew about them were their names. He is forced to accept that he is a part of their family, but he realizes there is a devil hiding under the surface. Will he uncover and expose the secrets the family holds, or will Maxwell fail to cope in his new reality. Meanwhile, his older sister Alyssa was fighting her own fight, but in the music scene. Once she returned to her old home she was shocked by the state of music. There were no drums, guitars, or even a lead singer in every song she heard on the radio. It was all ruckus to her ears! She goes on her own musical adventure to bring the real music back to Greenspan. She knows it will be a difficult endeavor, but she will do anything to bring the music back to her home. Both siblings have to accomplish their own goals, but in the end a looming disaster unites them together. Will Maxwell remember his family, and will Alyssa find her rhythm... It will all unfold in Maxwell's forgotten past.
After ballet dancer Sasha Davis suffers a severe injury and returns home to Minnesota to recover and deal with her mother's death, she forms an unexpected bond with her live-in aide, Evelyn, who helps Sasha face life with a renewed purpose.
One night, when Ethan reaches under his bed for a toy truck, he finds this note instead: "Monsters! Meet here for final test." Ethan is sure his parents are trying to trick him into staying under the covers, until he sees five colorful sets of eyes blinking at him from beneath the bed. Soon, a colorful parade of quirky, squeaky little monsters compete to become Ethan's monster. But only the little green monster, Gabe, has the perfect blend of stomach-rumbling and snorting needed to get Ethan into bed and keep him there so he falls asleep—which as everyone knows, is the real reason for monsters under beds. With its perfect balance of giggles and shivers, this silly-spooky prequel to the award-winning I Need My Monster and Hey, That's MY Monster! will keep young readers entertained.