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Deals with issue of sound in audio-visual images
The first significant collection of new and classic texts on video, bringing together some of the leading international cultural and music critics writing today.
Love music? Love illustration? Want to know more about some of the best musicians ever to record—from Bowie and the Beastie Boys to The Smiths and St. Vincent? Then Sound and Vision is for you. Love music? Love illustration? Want to know more about some of the best musicians ever to record—from Bowie and the Beastie Boys to The Smiths and St. Vincent? Then�Sound and Vision�is for you. Featuring 100 of the coolest artists from the last five decades, Sound and Vision reveals the influencers and tastemakers who have helped to shape the contemporary music scene. Award-winning illustrator and comic artist John Riordan profiles cult musicians from genres including punk, indie, alternative, hip-hop, and electronic music. Not only does John create amazing illustrations, he also outlines key works from the artists and provides engaging trivia to accompany each entry. Enlightening, often amusing, and always stunning to look at,�Sound and Vision is a unique blend of the aesthetic and the acoustic and is an essential addition to any music fan’s collection.
Sound & Vision~ISBN 88-89431-55-5 U.S. $35.00 / Paperback, 8.5 x 11 in. / 256 pgs / 150 color and 80 b&w. ~Item / August / Art
80s Sound and Vision captures the raw energy, creativity and flamboyance of the 1980s through its fashion and music.
Humans receive the vast majority of sensory perception through the eyes and ears. This non-technical book examines the everyday physics behind hearing and vision to help readers understand more about themselves and their physical environment. It begins wit
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Love music? Love illustration? Want to know more about some of the best musicians ever to record – from Bowie and the Beastie Boys to The Smiths and St. Vincent? Then A Guide to Music's Cult Artists is for you.
Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema. This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.
Until recently, glam rock has been a mere footnote in popular music history: a style-over-substance lark in an otherwise serious industry. Glam Rock: Music in Sound and Vision reveals the true story of how glam carved out a place as a diverse musical style and how it related to the artistic, political, economic, emotional, sexual, and commercial scenes of the late twentieth century. Committed to spectacle but also to musical ingenuity, glam delivered an exhilarating burst of color that offered a joyful reboot for pop culture—“a total blam blam!” Glam swept through Britain to North America in the early 1970s with the foundational stardom of T Rex and David Bowie, offering an alternative to the established rock and pop styles that had started to bore a segment of young listeners. As Alice Cooper and KISS filled concert arenas, British acts as diverse as the Rolling Stones, Elton John, and Queen consciously adopted glam’s flair for drama. Refreshing and reinvigorating, glam influenced later musical movements and moments from glitterfunk to punk, from new wave to new romanticism, and from hair metal to the synth-pop of self-conscious changelings like Marilyn Manson and Lady Gaga. In Simon Philo’s engaging history, glam finally gets the spotlight it deserves. As an essential force in the history of popular music, glam offers a prism through which to explore ’70s pop culture in all its glitter and charm.