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Despite performances that mesmerized the world for close to fifty years, Soumitra Chatterjee won his first National Award for Best Actor only in 2006. The film: Podokkhep. The director: Suman Ghosh. It marked the beginning of a professional relationship that resulted in some of the best films of the legendary actor’s final phase. And a personal bonding whereby the veteran thespian went on to become a friend, philosopher and guide to the young film-maker. In Soumitra Chatterjee: A Film-maker Remembers, Suman Ghosh goes down memory lane to provide a fascinating insight into his interactions with the actor. From the time he first met Soumitra Chatterjee on the sets of Goutam Ghose’s Dekha, where Suman was an observer, to creating remarkable cinematic moments in their five films together, to engaging with the actor on numerous addas on myriad subjects, the author paints a remarkable portrait of a relationship. How did Soumitra Chatterjee prepare for his role of an old man who becomes childlike in Podokkhep? What were his inputs that elevated the climaxes of Peace Haven and Basu Poribar? How did Soumitra Chatterjee and Mithun Chakraborty collaborate in Nobel Chor to overcome the problem the director faced with impending rain threatening to upset the day’s schedule? What was a typical adda session with the legend like? What triggered the bizarre idea around a film on death that both wanted to work on but which never materialized? As much a perceptive account of the dynamics of an actor-director association as a story of the friendship between two creative individuals, this is a heart-warming tribute to a legend of Indian cinema.
One of India's Finest Actors Talks His Most Iconic Roles Soumitra Chatterjee became internationally famous with his debut in Satyajit Ray's Apur Sansar. In an era when Uttam Kumar ruled the minds and hearts of Bengali film audiences, Chatterjee carved a niche for himself, emerging as one of the finest actors, not only in India, but also in the world. Beyond Apu - 20 Favourite Film Roles of Soumitra Chatterjee looks at the cinematic life of this thespian through twenty of the most iconic characters he has essayed. Handpicked by the star himself, and brimming over with vintage anecdotes, this is a fascinating read on the art and craft of a master at work. Including insightful essays on his theatre and other artistic achievements, this book not only introduces the reader to an icon of Indian cinema but also offers a unique insight into the mind of a genius.
This book explores the making of Soumitra Chatterjee through his early years and his relationships with Sisir Kumar Bhaduri and Satyajit Ray. His 14 films with Ray are a testament to his versatility and virtuosity. As an actor he refused to settle in a comfortable groove and constantly looked out for fresh challenges.
A boy who can recall his past life. A hint of hidden treasure. An adventure in the desert of Rajasthan . . . In one of their most hair-raising escapades ever, Feluda and Topshe set out for Rajasthan on the trail of the parapsychologist Dr Hajra and Mukul, a boy who claims he remembers his previous life. On the way they meet Jatayu, an author of popular crime thrillers, who decides to accompany them. After numerous adventures, including an impromptu camel ride across the desert, they reach Mukul’s Golden Fortress, where Feluda unravels the many strands of a complex case.
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It is unusual to come across a life so rich in varied experiences as the one that Bijoya Ray, wife and constant companion to the renowned film-maker Satyajit Ray, has lived. Despite being closely related, Satyajit—‘Manik’ to his friends and family—and Bijoya fell in love and embarked on a life together years before Ray’s groundbreaking film Pather Panchali was made, and their long, happy married life lasted right until Ray’s death in 1992. Bijoya Ray never felt the urge to write her memoirs, but was finally persuaded to pick up the pen when she was well into her eighties. Manik and I brims over with hitherto unknown stories of her life with Satyajit Ray, told in candid, vivid detail.
In this highly acclaimed book of conversations with Nasreen Munni Kabir, Waheeda Rehman speaks about her life and work with refreshing honesty, humour and insight: from detailing her personal triumphs and tribulations to giving enthralling accounts of working with cinematic personalities like Guru Dutt, Satyajit Ray, Raj Kapoor and Dev Anand. Against all odds, she successfully made a life in cinema on her own terms. Filled with compelling anecdotes and astute observations, this is a riveting slice of film history that provides a rare view of a much-adored and award-winning screen legend.
Udayer Pathe, Bimal Roy’s first film, revolutionized Indian cinema. Hailed as a pioneer by Satyajit Ray, he was perhaps the first to bring shades of grey to the black-and-white screen. Roy’s spare storytelling and nuanced understanding of the human condition are reflected in classics like Devdas, Sujata and Madhumati. His ability to illuminate ordinary characters like Shambhu in Do Bigha Zamin and Kalyani in Bandini, is attested to by their being a part of popular memory even to this day. The Man Who Spoke in Pictures is not just a eulogy to this great director, but also an insight into Roy, the man, the director and his art. The auteur’s little-known Bengal phase is chronicled by Mahasweta Devi and Amit Chaudhuri, as well as Tapan Sinha, Amit Bose and other greats of cinema who trace his journey from cinematographer to director. His Bombay years are recorded through a collection of analyses and anecdotes from leading literary and cinematic luminaries, including Nayantara Sahgal, Gulzar, Naseeruddin Shah and Khalid Mohammed. The final section examines Roy from the outsider’s perspective, with articles by Meghnad Desai, Rachel Dwyer and Paula Mayhew.
In 1998, Satya opened to widespread critical acclaim. At a time when Bollywood was still rediscovering romance, Ram Gopal Varma's film dared to imagine the ordinary life of a Mumbai gangster. It kicked off a new wave of Hindi gangster films that depicted a vital, gritty side of Mumbai, rarely shown in mainstream cinema until then. More than two decades later, it has become an iconic film. When it was released, the regular moviegoer would have been hard-pressed to recognise more than a couple of names in the film's credits. Today, it reads like an honour roll - Anurag Kashyap, Manoj Bajpayee, Vishal Bhardwaj, Saurabh Shukla. Speaking to the people who made Satya a landmark film, Uday Bhatia tells the incredible story of how it all came together, how it drew from the gangster and street film traditions, and why it went on to become a modern classic.
'There is none like Uttam and there will be no one to ever replace him. He was and he is unparalleled in Bengali, even Indian cinema.'-Satyajit Ray, Oscar-winning Indian film-maker Actor and screen icon Uttam Kumar (1926–1980) is a talismanic figure in Bengali public life. Breaking away from established codes of onscreen performance, he came to anchor an entire industry and led the efforts to reimagine popular cinema in mid-20th-century Bengal. But there is pitifully less knowledge about Uttam Kumar in the learned circles-be it about his range of style and performance; the attractions and problems of his cinema; his roles as a producer and patriarch of the industry; or his persona, stardom and legacy. The first definitive cultural and critical biography of this larger-than-life figure engages meaningfully with his life and cinema, revealing the man, hero and actor from various, often competing, vantages. The conceptual aim is to locate a star figure within a larger historical and cultural context, and to enquire into how a towering image was mobilised for an ever-greater, wholesome, popular and even, at times, radical and progressive entertainment. A complimentary métier of this work is to explore why and how this star persona would go on to reconstitute the bhadrolok Bengali visual and cultural world in the post-Partition period. But above all, this is the story of a clerk who became an actor, an actor who became a star, a star who became an icon and an icon who became a legend.