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Books in general at an early age had a profound influence on me. In their expressions and images of every sort I discovered a vast landscape of truth and emotion. After studying advanced Philosophy in college I left home at age 20 and traveled around New England and settled on a little island south of Boston. My love of the written word grew as did my writings and collections of eastern writers and classical poets. After a decade and intent on getting back to a more organic lifestyle I moved east into an old beach house where I'd spent summers as a child. Over the next decade I would travel the coastline with nothing more than a backpack and live healthy of body, mind, spirit, and write. These excursions provided a setting for a compelling mix of natural and spiritual inquires that filled me with contexts of purpose. Now residing in the mountains of Hunterdon County with my wife and children my collections continue to grow and my home is crowded with works of art, music, poetry, and philosophy. Now as always I continue to sojourn outdoors in all weathers and write and live with the literary immortals as companions with an assimilation and appreciation of the years.
The book aims at providing a coherent guide to the entirety of Virgil's Aeneid, with analysis of every scene and, in some cases, every line of crucial passages. The book tries to provide a guide to the vast bibliography and scholarly apparatus that has grown around Virgil studies (especially over the past century), and to offer some critical study of what Virgil's purpose and intent may have been in crafting his response to Augustus' political ascendancy in Rome, Rome's history of near-constant civil strife, and the myths of Rome's origins and their conflicting Trojan, Greek, and native Italian origins.
Addressing the consequences of European slavery, colonialism, and neo-colonialism on African history, knowledge and its institutions, this innovative book applies autoethnography to the understanding of African knowledge systems. Considering the 'Self' and Yoruba Being (the individual and the collective) in the context of the African decolonial project, Falola strips away Eurocentric influences and interruptions from African epistemology. Avoiding colonial archival sources, it grounds itself in alternative archives created by memory, spoken words, images and photographs to look at the themes of politics, culture, nation, ethnicity, satire, poetics, magic, myth, metaphor, sculpture, textiles, hair and gender. Vividly illustrated in colour, it uses diverse and novel methods to access an African way of knowing. Exploring the different ways that a society understands and presents itself, this book highlights convergence, enmeshing private and public data to provide a comprehensive understanding of society, public consciousness, and cultural identity.
Set in an alternate Europe where bloody conflicts rage, the sixth book of the Crown of Stars epic fantasy series continues the world-shaking conflict for the survival of humanity The lost land of the Aoi has returned at last to the earth from which it was cast forth millennia ago. And as tsunamis, earthquakes, and firestorms reshape the very land and seas, darkness descends everywhere. With the war for empire disrupted, all sides must regroup. And though the battle for survival must be the primary focus of all concerned, there are always those eager to seize power, no matter at what cost. Though King Henry demanded with his last breath that Prince Sanglant accept his crown, many may refuse to honor the dying king’s wish. Liath, Sanglant’s wife, has been excommunicated and unless he agrees to put her aside, his own aunt, Mother Scholastica, is threatening to interdict Sanglant and all who follow him. And though he and Liath long to search for their missing daughter, Blessing, the demands of statecraft hold them hostage to Sanglant’s newly constituted court. Henry’s wife, Adelheid, is determined to regain control of their empire. But she has let Antonia proclaim herself the new skopos, the Holy Mother who rules over all of the church. And Antonia has already proved herself an extremely dangerous ally. The Aoi are divided between those who seek only to rebuild and warriors determined to claim revenge against the humans. Stronghand, too, is consolidating his gains for his combined Eika/Alban empire, bent on further conquests, drawn in part by the bond he still shares with Alain. And even as Liath seeks out the forbidden magic that could bring back the light of day, new alliances are forming and old ones being abandoned. Only time will tell who—if anyone—will emerge triumphant as cultures, religions, and races clash in the ultimate struggle for control of this strange new world….
V. 12 contains: The Archer...Christmas, 1877.
In Mourning Modernity, Seth Moglen offers a bold new map of American literary modernism as a psychologically and politically divided response to the injuries inflicted by modern capitalism.