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Bollywood actress Sunita Ashoka's reality show Swayamvara Live has ended in bloodshed and disaster. Vikram, Amanjit and Rasita are on the run, accused of the actress murder. Exiled like the heroes of the Ramayana, they are seemingly beset by the same perils, especially when Vikram encounters an unlikely temptress. Then another tragedy, also foretold in the Ramayana, forces Vikram into the open. But there is hope: Amanjit's skills as a warrior are returning, Rasita is beginning to remember her own past lives, and Deepika is awakening to powers undreamt. But the Enemy, Ravindra, has also found allies?the nightmarish Rakshasa army. Memories and legends are coming alive all over India, from the bloodied sands of Ullal and the fortress of Jhansi to secret places in Mumbai, Pushkar and Varanasi. The fight to the finish has begun . . .
Poet and essayist Fawaz Turki begins his search for answers in the hallways of the 1983 Palestine National Council meeting in Algiers. He then recalls his family's flight into Lebanon when he was eight, childhood in a refugee camp and the streets of Beirut, and years spent in Australia, France, and the United States in search of his identity, both personal and national. In describing this journey, Fawaz Turki also relates the stories of family, friends, and comrades, those who fought the battles and those who walked away from them. Together, these episodes comprise a panoramic history of a generation formed in exile, of a homeless people caught in the violent storm of Middle East politics.
The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?
The author, Um'Khonde Patrick Habamenshi, was appointed Minister of Agriculture in Rwanda in October 2003, two days after his thirty-fifth birthday. It started as a dream but rapidly became a nightmare marked by constant threats, insults, and unfounded accusations. He resigned in May 2005 and sought refuge in the Canadian Embassy in Kigali. The following year was a slow downward spiral to the same hell that decimated Rwanda in 1994, a hell of injustice and senseless persecution. The experience left him broken beyond words. He was left with the demons and ghosts of his broken country and with tortured experiences that would surely destroy him if he succumbed to them. Rwanda, Where Souls Turn to Dust is the remarkable story of his healing path to rebuilding his mind, body and spirit. He had to move away from the negative things that had been dominating his life, the loss of his loved ones, and the loss of his previous dreams. He rebuilt his life from the ashes of his old life in Rwanda, a life free of hatred, free of prejudice, and free of fears.
Based on exclusive, personal interviews with Alexander Solzhenitsyn, Joseph Pearce's biography of the renowned Russian dissident provides profound insight into a towering literary and political figure.
An absorbing novel of romance and revolution, loyalty and family, sacrifice and undying love We have three souls, or so I'd been told. But only in death could I confirm this.... So begins the haunting and captivating tale, set in 1935 China, of the ghost of a young woman named Leiyin, who watches her own funeral from above and wonders why she is being denied entry to the afterlife. Beside her are three souls—stern and scholarly yang; impulsive, romantic yin; and wise, shining hun—who will guide her toward understanding. She must, they tell her, make amends. As Leiyin delves back in time with the three souls to review her life, she sees the spoiled and privileged teenager she once was, a girl who is concerned with her own desires while China is fractured by civil war and social upheaval. At a party, she meets Hanchin, a captivating left-wing poet and translator, and instantly falls in love with him. When Leiyin defies her father to pursue Hanchin, she learns the harsh truth—that she is powerless over her fate. Her punishment for disobedience leads to exile, an unwanted marriage, a pregnancy, and, ultimately, her death. And when she discovers what she must do to be released from limbo into the afterlife, Leiyin realizes that the time for making amends is shorter than she thought. Suffused with history and literature, Three Souls is an epic tale of revenge and betrayal, forbidden love, and the price we are willing to pay for freedom.
In Brian Klingborg's Thief of Souls, the brutal murder of a young woman in a rural village in Northern China sends shockwaves all the way to Beijing—but seemingly only Inspector Lu Fei, living in exile in the small town, is interested in justice for the victim. Lu Fei is a graduate of China’s top police college but he’s been assigned to a sleepy backwater town in northern China, where almost nothing happens and the theft of a few chickens represents a major crime wave. That is until a young woman is found dead, her organs removed, and joss paper stuffed in her mouth. The CID in Beijing—headed by a rising political star—is on the case but in an increasingly authoritarian China, prosperity and political stability are far more important than solving the murder of an insignificant village girl. As such, the CID head is interested in pinning the crime on the first available suspect rather than wading into uncomfortable truths, leaving Lu Fei on his own. As Lu digs deeper into the gruesome murder, he finds himself facing old enemies and creating new ones in the form of local Communist Party bosses and corrupt business interests. Despite these rising obstacles, Lu remains determined to find the real killer, especially after he links the murder to other unsolved homicides. But the closer he gets to the heart of the mystery, the more he puts himself and his loved ones in danger.
Perfect for fans of Bernard Cornwell, Steve Berry, Naomi Novik, and Harry Turtledove, Alan Smale’s gripping alternate history series imagines a world in which the Roman Empire has survived long enough to invade North America in 1218. Now the stunning story carries hero Gaius Marcellinus deeper into the culture of an extraordinary people—whose humanity, bravery, love, and ingenuity forever change his life and destiny. In A.D. 1218, Praetor Gaius Marcellinus is ordered to conquer North America and turning it into a Roman province. But outside the walls of the great city of Cahokia, his legion is destroyed outright; Marcellinus is the only one spared. In the months and years that follow, Marcellinus comes to see North America as his home and the Cahokians as his kin. He vows to defend these proud people from any threat, Roman or native. After successfully repelling an invasion by the fearsome Iroqua tribes, Marcellinus realizes that a weak and fractured North America won’t stand a chance against the returning Roman army. Worse, rival factions from within threaten to tear Cahokia apart just when it needs to be most united and strong. Marcellinus is determined to save the civilization that has come to mean more to him than the empire he once served. But to survive the swords of Roma, he first must avert another Iroqua attack and bring Cahokia together. Only with the hearts and souls of a nation at his back can Marcellinus hope to know triumph. Praise for Alan Smale and Eagle in Exile “In Alan Smale, speculative fiction has been dealt a winning hand. Part historian, part anthropologist, part scientist, Smale is a Renaissance man with a storyteller’s gift for letting tireless research inform the narrative without overwhelming it. Smale entertains, educates, and enraptures.”—Myke Cole, author of Javelin Rain “[Eagle in Exile] has the pace and scope of a Michener or Uris epic. . . . Smale’s action scenes slash across page after page, intense and bloody. . . . Grab your dagger and sword, for the battle continues.”—Kirkus Reviews (starred review) “Warfare, political conflict, family strife—these are all presented in an epic scope where any decision or wrong move can forever change society.”—Tech Times “Thoroughly believable . . . Marcellinus is a complicated man, a hero we can all get behind.”—Historical Novels Review
Proposes a theoretically rich treatment of temporality within exile as “gerundive” time. This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates this present as a “gerundive” mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To explore this, she establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile, but presents a conversation with them in relation to this question that reflects new aspects in their work. Attempting to think and express this difficult sense of time from within exile, Time in Exile engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, Sá Cavalcante Schuback reveals new philosophical and theoretical modes to understand what it means to be present in times of exile. “It is very rare that one can find in philosophy a book that has been written neither as a commentary, nor as an exegesis of the authors in question, but rather as an original and thought-provoking reflection in which the author is the main philosophical voice in the book.” — María del Rosario Acosta López, coeditor of Aesthetic Reason and Imaginative Freedom: Fredrich Schiller and Philosophy