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"A serpentine Her breath too sweet Succubus in seraphim skin Forbidden yet fateful Death trails along Tugging her tresses A stigma keen Infecting innocent eyes Hearts hear only her lies Forbidden yet fateful Succubus in mystic guise Her words too neat A serpentine O devil's descendent..." Haydn feels whenever he glances at his reflection that he doesn't see himself. He wants more out of his mundane life. When Haydn meets the Gaga Girls, four top-ranking girls in beauty, wealth, and popularity, his life gets inverted, reversed, and then divided by two. Dark secrets for every corner. A dark, haunting past for every actor in this world. No shortcuts, for you shape the image in the mirror.
Buffy meets Jane Austen in the first book of this wickedly funny NYT bestselling series about a young woman whose brush with the supernatural leads to a deadly investigation of London's high society. Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate. With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart? SOULLESS is the first book of the Parasol Protectorate series: a comedy of manners set in Victorian London, full of werewolves, vampires, dirigibles, and tea-drinking. The Parasol Protectorate Soulless Changeless Blameless Heartless Timeless For more from Gail Carriger, check out: The Custard Protocol Prudence ImprudenceCompetence Finishing School (YA) Etiquette & Espionage Curtsies & Conspiracies Waistcoats & Weaponry Manners & Mutiny
Good spelling is fundamental to making the right impression with any type of writing; reports, homework, CVs, and letters all require correct spelling in order to get the message across in clear and straightforward English. Adaptable or adaptible? Definite or definate? Delirious or delireous? What is the difference between assent and ascent, dual and duel, or forbear and forebear? How do you make the plural of halo? Is it halos or haloes? Actually it's both, but not so for potato, the plural of which is potatoes. Knowing the difference between easily confusable words, making plurals, and adding endings are just some of the aspects of spelling that confront us with endless pitfalls. This easy-to-use A-Z guide does what no spellchecker can do: it gives immediate access not only to individual word spellings but also to general rules that will help you develop good spelling. The book covers the topics in simple and helpful terms and also offers advice on how to use apostrophes and hyphens, and the differences between British and American spelling. The core of the book is a list of over 2,000 words laid out for quick and easy reference. Based on evidence of misspelling gathered from real situations, this guide is the most useful and comprehensive help on spelling available. This new edition makes the benefits of the material more explicit to the general reader: better organization of the supplementary features, simplified and more transparent design, additional and updated content, and more clearly written rules.
Women's Literary Portraits in the Victorian and Neo-Victorian Novel is a dialogical and intertextual journey through the pages of nineteenth-century novels and their modern, revisionary counterparts. It is the book not only dedicated to the readers associated with academia, but also to all literature enthusiasts, students of literature, and those readers who are fascinated by the Victorian novel, as well as by its current neo-Victorian revival. The focus of this work revolves around the literary portrayals of Victorian and neo-Victorian women who, as the authoress believes, are located in the centre of socio-cultural and historical narratives shaping both the past and the present. Nineteenth-century narratives concerning women's placement and status in the Victorian social landscape are currently revived on the pages of neo-Victorian novels, thus attesting to the unceasing interest in the bygone. While neo-Victorian revisionary fiction endows nineteenth-century women with a redemptive potential, it also exposes modern paradoxes and ambiguities connected with universal expectations towards women, what further approximates our contemporaneity to the Victorian past. While examining these socio-cultural ambivalences, the authoress celebrates Victorian and neo-Victorian women characters in their attempts to thrive as individuals. Consequently, the book studies Victorian and neo-Victorian women characters in relation to their identities, unique voices and textual garments.
The NexLord series is a traditional fantasy in the sense that it deals with strong good and evil. The focus of this epic fantasy story are four young people caught up in a deadly struggle started long ago. It explores the good and evil power of all emotions.The magic system is based on emotion and deals with the power of group beliefs and self fulfilling prophecy. The setting of the story is a unique planet where all normal human emotional tendencies are magnified. Humans are not alone there, and four other intelligent races inhabit the lands as well. Prejudice runs rampant and wars based on racial hatred have plagued the lands for hundreds of years.The emotions of hate and fear have coalesced into one place and continuously inhabit the body of a human, known as the Dreadmaster. This being continuously gathers and wields these evil powers. The ever growing power exists independently of the human vessel it inhabits, and when the body is destroyed it is only a matter of time until the power inhabits a new vessel.To combat the Dreadmaster's power all free humans gathered at one time and created a power fueled by their common belief and emotional need, a power that can be given to a NexLord. Using a check an balance system to keep this power from being abused a test was created. Those who pass this test become Knights of the Realm, known as NexLords. The NexLords and their Bondsmen are the one counter to the Dreadmaster's power.But with the ending of the Final War the last of the NexLords disappeared into the east, warning that the Dreadmaster's power was still out there, but no one listened or believed. For three hundred years now there has not been a new Dreadmaster and no one in the Human Realm has followed the difficult path to become a NexLord. However, there is a Prophecy spreading across the land, a prophecy that tells of the coming of a new NexLord who will bring a golden age. But what it predicts is about to go terribly wrong... for there is another prophecy, a Dark Prophecy, and the world is about to change to that path.Dark Prophecies is the first novel of a three book Fantasy Epic series. A mysterious old woman named Mara comes to teach four children who have been foretold in two dire prophecies. The kids have wild adventures while forming strong bonds. Mara teaches them to fight, and much more, for the mysterious old woman knows what the future holds for these children, and their coming will shake the world.
Henry is a simple man who loves his wife Anna and his son Aryus. They just want to live a peaceful life but all that changes though when unexpected guests arrive at their doorstep one night. On that night Henry and his wife begin to hear whispers. They grow louder and louder until Henry with his hammer in hand steps outside. Standing in front of Henry is a man with a pale horse. His name is Lucifer. He gives an order for Henry to be taken down and a man with a white bag over his head comes out of nowhere and tries to take Henry out. It’s a member of the Ku Klux Klan. Henry tries to fight off the Klan but is eventually overwhelmed and his family is killed. Henry is then chosen to stop the Klan and their leader Apophis from destroying the world and remaking it in his image. Along the way Henry gets some help from a woman know as Harriet. They clash against the Klan, and they even have to fight their own people along the way to accomplish their ultimate goal. But when it is all said and done Henry along with Harriet and those that joined them no matter their skin color come together and show unity and love. And with that power they finally topple Apophis and his army to bring peace to the world.
After the supposed death of the Dark Queen and the capturing of the Underworld, the Sentinels believe they’ve won the war. When a strange ally of the Dark Queen named Doctor Zero emerges, he announces that he’s discovered how to turn everyone soulless. With him, he brings a fearless army, a dangerous serum, and the powerful Dark Queen by his side. To have a fighting chance against him, Riley Stark frees King Bane and the Renegades from prison. The Dark Queen’s old husband—King Lucius, who resurfaces with a bloodthirsty army of his own—disagrees with Doctor Zero’s plan to turn the world soulless and seeks revenge. When Caleb is injured in the battle, Riley is forced to trust strangers and neglect her own people to save him. As the government crumbles, new monsters come out of hiding, and dangerous groups take to the streets, Riley must protect Caleb, prevent her people from becoming soulless, and ask herself if she can continue to serve the Sentinels when they’ve hidden so much from her.
This book contributes to the work of elucidating the new forms of fascism and authoritarianism that arise today in intimate relation with new mediatic and information technologies. It presents elements of the connection between capitalism and fascism and makes clear how fascism today uses the ambiguity of senses and meanings as its most efficient way of infiltrating our reality and thereby becoming unequivocal. The fascism of ambiguity is a fascism that grows the more the ambiguities and paradoxical dimensions of the contemporary situation become explicit. It departs from some lessons of history regarding both historical fascism and some of the main critical lines and thoughts produced in the beginning of the 20th Century. It shows what is new in today's form of fascism, discussing its connection to techno-mediatic capitalism, to the dynamics of emptying meanings and senses through a technique of rendering them ambiguous and exacerbated. It outlines some guiding thoughts regarding the question of ambiguity and metapolitics today and concludes by proposing two exercises of precision, through the lenses of poetry and music, as a way to resist and counter-act the fascist metapolitics of the ambiguity of meanings and senses.
Newly reissued, the rollicking, action-packed zombie story from one of the genre’s hottest writers! Times Square, New York City. The first ever mass séance is broadcasting live on the Sunrise morning show. If it works, the spirits of the departed on the other side will have a brief window—just a few minutes—to send a final message to their grieving loved ones. Clasping hands in an impenetrable grip, three mediums call to their spirit guides as the audience looks on in breathless anticipation. The mediums slump over, slackjawed—catatonic. And in cemeteries surrounding Manhattan, fragments of old corpses dig themselves out of the ground.... The spirits have returned. The dead are walking. They will seek out those who loved them in life, those they left behind...but they are savage and they are hungry. The horror spreads quickly, droves of the ravenous dead seeking out the living—shredding flesh from bone, feeding . But a disparate group of unlikely heroes—two headstrong college rivals, a troubled gang member, a teenage pop star and her bodyguard—is making its way to the center of the nightmare, fighting to protect their loved ones, fighting for their lives, and fighting to end the madness.