Download Free Sosaku Hanga Book in PDF and EPUB Free Download. You can read online Sosaku Hanga and write the review.

This exhibition investigates the theme of Western inspiration in the arts of Japan and also raises the notion of individuality in a culture known for its conformity. The examples shown here encompass five decades (1900-1950) representing a panorama in Japanese creative prints (sosaku hanga).
Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.
"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.
Made in Japan examines the artistic dialogue between East and West as it played out between 1945 and 1970. During this post-World War II period, Japanese printmakers effectively acted as ambassadors, bringing their aesthetic traditions into fruitful interaction with contemporary American trends and forging ties with artists, scholars, museums, and collectors. This volume presents for the first time an integrated history of innovative visual experimentation and pioneering cultural patronage. The creative print (sosaku hanga) movement originated in the early twentieth century, when Japanese artists sought to modernize their practice by embracing Euro-American concepts of originality and autonomy. The movement matured in the decades following World War II, when second- and third-generation sosaku hanga printmakers continued to experiment in stylistic, technical, and thematic terms. From the early 1950s, Japanese printmakers participated in a newly global art scene, achieving great success at international art exhibitions sponsored by the American and Japanese governments. The prints in this book range widely in treatment and medium, embracing woodcut, stencil, lithography, etching, mezzotint, aquatint, and screenprint. Made in Japan includes essays by Alicia Volk and Helen Nagata and biographies of the artists.
Joel Stewart's watercolors and etchings depict the ageless beauty of a traditional Japan that is slowly disappearing, while one of Carol Jessen's prints depicts a modern scene in the style of a Hiroshige print.
V.1. Historical perspectives. The Edo period, 1603-1868 / Harold Bolitho ; The Meiji to Taisho ; eras, 1868-1926 / Ann Waswo -- The history of Japanese prints -- The Edo period, 1603-1868. The roots of ukiyo-e: its beginnings to the mid-eighteenth century / Donald Jenkins ; Ukiyo-e book illustration / Yu-Ying Brown ; Shunga in the Edo period / Timon Screech ; The Kanbun Bijin: setting the stage for ukiyo-e bijinga / Kobayashi Tadashi ; Chinese woodblock prints and their influence on Japanese ukiyo-e / Hans Bjarne Thomsen ; The birth of the full-color print: Suzuki Harunobu and his age, early 1740s to early 1780s / David Waterhouse ; The Yoshiwara and ukiyo-e / Cecilia Segawa Seigle ; Mitate in ukiyo-e prints / Ellis Tinios ; Kabuki: its history as seen in ukiyo-e / Samuel L. Leiter ; Kitagawa Utamaro and his contemporaries, 1780-1804 / Julie Nelson Davis ; Sumo prints / Lawrence Bickford ; Kyōka and ukiyo-e print designers / John T. Carpenter ; The publisher Tsutaya Jūzaburō and ukiyo-e publishing / Suzuki Toshiyuki ; Ukiyo-e meisho-e / Gary Hickey ; Diversification and further popularization of the full-colour woodblock print, c. 1804-68 / Ellis Tinios ; Surimono / Roger S. Keyes ; Nagasaki-e / Martha Chaiklin ; Kamigata-e: the prints of Osaka and Kyoto / Kitagawa Hiroko ; Shini-e / Melinda Takeuchi ; Warrior prints of the first half of the nineteenth century and the Suikoden / B.W. Robinson -- The Meiji era, 1868-1912. Woodblock prints of the Meiji era / Helen Merritt ; The maintenance of tradition in the face of contemporary demands: a reassessment of Meiji prints / Oikawa Shigeru ; Yokahama-e / Helen Merritt, Oikawa Shigeru ; Photography and ukiyo-e prints / Margarita Winkel ; Woodblock prints as a medium of reportage: the Sino-Japanese and Russo-Japanese Wars / Louise Virgin -- The late Meiji to Taishō eras, 1900s to 1926. Prints and modernity: developments in the early twentieth century / Kendall Brown ; The publisher Watanabe Shozoburo and the Shin-hanga movement: its beginnings until the 1930s / Abe Setsuko ; Creative print (Sosaku-hanga) magazines / Chiaki Ajioka -- Commerce and constraint in the world of publishing. The publishing trade / P.F. Kornicki ; Censorship and ukiyo-e prints / Sarah E. Thompson -- Materials and techniques: issues of conservation and collecting. Materials and techniques / Shiho Sasaki ; The care of Japanese prints / Pauline Webber ; Collecting ukiyo-e prints: issues of quality, condition and rarity / Chris Uhlenbeck ; The original versus the genuine / Chris Uhlenbeck -- The history of collecting Japanese prints. Ukiyo-e collecting in Japan / Oikawa Shigeru ; Japanese prints in Europe, 1860-1930 / Max Put ; Postwar ukiyo-e collecting in Europe / Robert Schaap ; Ukiyo-e print collecting in America / Julia Meech.V.2. Reference section -- Artist index -- Lineage charts -- Chronological/historical tables -- Map of former Japanese provinces and the Gokaido -- Signature facsimiles -- Censor seals -- Publisher seals -- Appendices. List of works released by Shin-hanga publisher Watanabe Shozaburo ; Pre-nishiki-e and Nishiki-e formats ; Elements of a print -- Concordance of artists' names (with Japanese characters).505.
Tradition confronts modernity in early-twentieth-century Japanese woodblock print depictions of women
An inspirational how-to course on Japanese woodblock printing's history and techniques, with guidance on materials and studio practices, step-by-step demonstrations, and examples of finished works by modern masters of the medium as well as historic pieces. A Modern Guide to the Ancient Art of mokuhanga An increasingly popular yet age-old art form, Japanese woodblock printing (mokuhanga) is embraced for its non-toxic character, use of handmade materials, and easy integration with other printmaking techniques. In this comprehensive guide, artist and printmaker April Vollmer—one of the best known mokuhanga practitioners and instructors in the West—combines her deep knowledge of this historic printmaking practice with expert step-by-step instruction, guidance on materials and studio practices, and a diverse collection of prints by leading contemporary artists. At once practical and inspirational, this handbook is as useful to serious printmakers and artists as it is to creative people drawn to Japanese history and aesthetics.