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Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
For Her Thirty-Seventh Birthday, JeanAnn's Friends Place a Personal Ad For Her…. The Three Blind Dates: Bachelor #1: Nice enough—except for that little problem. Bachelor #2: Talked nonstop about his ex-wife. Bachelor #3: Gorgeous and a gentleman—until the big incident. Mr. Right? After all the perfume (which he doesn't respond to), all the small talk (which he doesn't make) and all the dry goodbye kisses (he's too passionate for that), JeanAnn finally falls in love. Hint: He's the only one who's not the least bit interested….
Hannah Bartlett is a budding journalist, dutiful doctor's wife, and soccer mom of two who's suddenly been handed a full plate. A new baby alone can overwhelm, but add a nine-year-old foster son, meddling neighbors, and Hannah's nagging self-doubt, and it's a recipe for disaster.
When Kisa and her mother move into Black Manor, her life takes a deadly turn. From living with a sex demon that only she can see, as well as having whatever goes bump in the night stalking her every move. Can Kisa, and her new friends help her, before she ends up with her heart ripped out, literally.
Sam is sorting through her grandmother’s letters and documents relating to her grandfather’s war record. For as long as she can remember, their story has fascinated her. Why did he leave his very young family to volunteer to go to war?