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Archer M. Huntington (1870-1955), son of one of the wealthiest men in America, decided that his passion for Spain had to be reflected by creating a museum and a library that would make his knowledge of Spanish art and culture available to his compatriots and that is how he founded in 1904 The Hispanic Society of America in New York. A section of more than two hundred of these treasures is being presented at important museums, such as the Museo del Prado (Madrid), el Palacio de Bellas Artes (Mexico City), and the Albuquerque, Cincinnati and Houston museums in the United States. This volume gathers the content of this great exhibition including a detailed file of each piece and an introductory essay telling the story of the Hispanic Society's creation and the scope of its collections.
Joaqu n Sorolla y Bastida (1863-1923) first achieved major international success with his painting Otra Margarita (Another Marguerite ) (1892), for which he received first prize at the World's Columbian Exposition of 1893 in Chicago. This painting was also the first work by the Spanish artist to enter an American institution when it was donated to the Museum of Fine Arts (today the Mildred Lane Kemper Art Museum) at Washington University in St. Louis in 1894. Sorolla's fame in America grew; in 1909, more than 150,000 visitors attended an exhibition of Sorolla's art at The Hispanic Society of America in New York in 1909. Furthermore, the artist was invited to the White House to paint the portrait of President William Howard Taft. The landmark exhibition of 1909 was followed two years later by another major show of more than 150 of his paintings held at the Art Institute of Chicago and the St. Louis Art Museum. Sorolla and America explores the artist's relationship with early twentieth century America through the lens of those who commissioned him, those who collected his works, and those artists, such as John Singer Sargent and William Merritt Chase, with whom Sorolla closely associated. Particular attention is dedicated to the artist's association with The Hispanic Society of America and with key figures like Archer Milton Huntington and Thomas Fortune Ryan
Joaquín Sorolla y Bastida (1863-1923) studied painting from the age of 15 in his native Valencia, then in Madrid and eventually Rome. On his return to Spain, he became the major portraitist of his time, and worked with subjects including King Alphonso and Queen Victoria Eugénie. Like John Singer Sargent (1856-1925), whose career was unfolding on American shores, Sorolla remained firmly outside of the Impressionist vanguard and was all but indifferent to other popular artistic movements of the day, but nevertheless achieved international renown in the late 1800s and early 1900s. Both artists focused on society portraits but also undertook independent work and commissions for cultural institutions. They encountered one another occasionally, and held one another in very special regard. Sargent & Sorolla highlights the affinities between not just their personal and professional lives but their work itself: the expressive use of color and light, the development of a Modernist sensibility from Naturalist techniques, and the tremendous renown and commercial success each man reached independently. An essential exploration of how the careers of the two great artists ran parallel to each other, intersected, and also diverged.
The present work is a summary of Spanish poetry, offered as a spontaneous tribute of affectionate admiration to the contemporaneous Spanish poet--both Peninsular and American--from his English-speaking brethren of the north. This anthology is also offered in the belief that it will greatly facilitate the work of the writer or lecturer on Spanish poetry who has been handicapped by the great difficulty in obtaining English versions adequate to illustrate his theme. For this person, or the student or general reader, the selections are arranged in chronological order, with extensively researched bibliographical notes. The translators have presented in English some of the greatest poets writing in Spanish, while preserving the beauties of this literature.
Beautifully illustrated, comprehensive study of women's painted furniture, a long-lost art that sheds light on women's lives in the early republic
The bravura Impressionist works of the premier Spanish painter of a century ago, showcased and explored in detail by an international team of renowned scholars Joaquín Sorolla y Bastida (1863-1923) was the leading Spanish painter of his day, world-famous when Picasso was still struggling to establish a name. This sumptuously illustrated book traces Sorolla's career at home and abroad, focusing on more than 60 canvases. These include portraits, landscapes, the bathers and seascapes for which he is most famous, and genre scenes of Spanish life. His monumental early works established the artist's reputation as an unflinching social realist. Sending pictures strategically to major exhibitions across Europe, Sorolla depicted peasants, fishermen, and sail-makers eking out meager existences; young women forced into prostitution; and naked, disabled orphans. Rarely had Impressionist technique been turned to such provocative ends. As Sorolla found a wealthy clientele toward the turn of the century, his focus turned to sun-drenched scenes of leisure and elegant sociability: beautiful women stroll in fashionable resorts and children gambol on the seashore. Here, leading scholars offer a contemporary assessment of his career and explore Sorolla's relations with the most famous bravura painters of the day, including John Singer Sargent and the Swedish artist Anders Zorn. An illustrated chronology by Blanca Pons Sorolla, the artist's great-granddaughter, provides additional information. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (03/18/19-07/07/19) National Gallery of Ireland, Dublin (08/10/19-11/03/19)
“An illuminating treat! . . . it retraces the neighborhood’s fascinating arc from remote woodland estate to the enduring Beaux Arts streetscape.” —Eric K. Washington, award-winning author of Boss of the Grips This fully illustrated history peels back the many layers of a rural society evolving into an urban community, enlivened by the people who propelled it forward: property owners, tenants, laborers, and servants. It tells the intricate tale of how individual choices in the face of family dysfunction, economic crises, technological developments, and the myriad daily occurrences that elicit personal reflection and change of course pushed Audubon Park forward to the cityscape that distinguishes the neighborhood today. A longtime evangelist for Manhattan’s Audubon Park neighborhood, author Matthew Spady delves deep into the lives of the two families most responsible over time for the anomalous arrangement of today’s streetscape: the Audubons and the Grinnells. Beginning with the Audubons’ return to America in 1839 and John James Audubon’s purchase of fourteen acres of farmland, The Neighborhood Manhattan Forgot follows the many twists and turns of the area’s path from forest to city, ending in the twenty-first century with the Audubon name re-purposed in today’s historic district, a multiethnic, multi-racial urban neighborhood far removed from the homogeneous, Eurocentric Audubon Park suburb. “This well-documented saga of demographics chronicles a dazzling cast of characters and a plot fraught with idealism, speculation, and expansion, as well as religious, political, and real estate machinations.” —Roberta J.M. Olson, PhD, Curator of Drawings, New-York Historical Society The story of the area’s evolution from hinterland to suburb to city is comprehensively told in Matthew Spady’s fluidly written new history.” —The New York Times