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Bridgerton meets Fifty Shades in this spicy Victorian series by #1 New York Times bestselling author Helen Hardt! Lady Sophie MacIntyre has the voice of an angel, but due to her timid nature, no one ever hears it. After losing a bet to her conniving sister, Sophie auditions for the new musicale at the Regal Theatre run by handsome actor Zachary Newland. Though distracted by Zach's elegant masculinity and her own nerves, she sings well and earns a role in the production. Zach is a confirmed bachelor, and his taste in women leans toward the glamorous and uninhibited...until he meets the demure Sophie. Her delicate soprano and understated beauty captivate him. She responds to his inappropriate kiss, but quickly dismisses the heat between them. She's a lady of the peerage, after all, and not one to associate with a rake like him. Zach, however, is not so easily dissuaded. He gets what he wants, and he intends to help Sophie find her true voice...in more ways than one.
The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singing? Is it a mark of presence or of absence? Is it a kind of object? How is our sense of voice affected by the development of recording technology? The authors in this volume approach such questions primarily by turning away from a general idea of voice and instead investigating what can be learned by attending to the qualities and acts of particular voices. The range is wide: from Poe’s “Leigeia” to Woolf’s The Waves, from Jussi Björling to Waltraud Meier, from song to oratorio to opera and beyond. Throughout, consistent with the volume’s origin in papers delivered at the eighth biennial meeting of the International Association for Word and Music Studies, the role of voice in joining or separating words and music is paramount. These studies address key topics in musicology, literary criticism, philosophy, aesthetics, and performance studies, and will also appeal to practicing musicians.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.
"When people are committed to gender equality, what gets in their way of achieving it? Why do well-intentioned people reinforce sexist outcomes? Why does dissonance persist between organizational actors' good intentions of equality and sexist outcomes? This book provides answers to these questions by applying the critical lens of gendered organizations to moderate-liberal congregations that separated from their mainline denomination in support of women's equal leadership yet remain predominately male in positions of authority. This critical methodological study investigates congregations affiliated with the Cooperative Baptist Fellowship (CBF) with some dually aligned with The Alliance of Baptists. Although the CBF identifies the equal leadership of women as a core component of its collective identity and women are enrolling in Baptist seminaries at almost equal rates as men, only five percent of CBF congregations employ women as solo senior pastors. This book provides an organizational analysis investigating gendered congregational processes on the individual, interactional, and organizational levels including themes such as gendered hiring criteria, a perceived incongruence of women's bodies and leadership, unconscious biases of organizational actors, and how women pastors' experiences of discrimination influence their more risky approaches to leadership"--
A fabulous contemporary romance from the bestselling author Katie Flynn She can hardly believe it’s happening... Not so long ago Sophie had been the type of girl who could only make friends with people as lonely and friendless as herself. And yet now, here she is with a London flat, a job in television and the kind of figure that is beginning to get her noticed. Particularly by Stephen, one of the directors. But despite her newfound confidence, when things start to go wrong, Sophie can’t help wondering whether she’s lost a bit of herself along the way.
Sophie just wants a little bit of privacy. Willoughby’s got plenty of it—but she’s hanging out with a fast new crowd. And when her dad finds out, his harsh punishment shocks Sophie and her friends. What should they do? Whose rules are right?
When they met again, she had already become his wife, but he cruelly mocked her. "Lindsey Juhl, you’re not good enough!" After two years of contemplation, she finally saw through this man and left him. But why did this man suddenly chase after her when she was a thousand miles away?
Lori Wick's Timeless Classic Returns After the tragic death of his wife, Alec Riley struggles to put his life back together. He and his three children are lost in their grief...until Sophie walks unexpectedly into their lives. Having left her native Czechoslovakia, Sophie has discovered the land which seemed so bright with promise is far from her dream. A highly educated woman, Sophie now finds herself keeping house for Alec and his family. How can Sophie find peace in her new job? Will God use her gentle spirit to help heal Alec's broken heart? 25 years after its initial release comes this exquisite silver anniversary edition of Lori Wick's bestselling classic, Sophie's Heart (over 350,000 copies sold worldwide). Get swept up anew in Sophie and Alec's love story with this beautifully designed keepsake version of one of the most beloved Christian romance novels of all time.
Three-time International Horror Guild and Shirley Jackson Award Winner Glen Hirshberg brings his flair for the grim, grisly, and emotionally harrowing to Good Girls, the standalone sequel to Motherless Child. Still in college, Rebecca is the “responsible one.” She keeps her friends from getting too crazy—though Human Curling is kind of out there. She’s a safety valve for Joel, her foster father, and helps out at Halfmoon House, which he runs with his wife, Amanda—Rebecca’s foster mother, who makes sure her children able to protect themselves. To take care of themselves. Mostly Rebecca takes care of everyone else. She works at the university’s crisis center, doing whatever she can to help the troubled souls who call the hotline. Until the night he calls. Jess has lost so much: her job, her home...her daughter Natalie, no longer human thanks to the creature who called himself the Whistler. She tried desperately to save Natalie, but in the end, Jess herself pulled the trigger and killed her child. Deep in mourning, Jess flees, with the remnants of her family: the man she loved, seriously injured; her infant grandson, somehow still innocent and pure. And Sophie. Natalie’s best friend, Jess’s almost-daughter, and a mother herself, though her son is dead. Sophie’s alive but not alive—half-mad, half vampire, half a person...and Jess’s responsibility. The Whistler is hunting Jess. She killed his Mother...and Natalie, who was his “destiny.” But he’s not so single-minded that he can’t have a little fun along the way, take what he needs from Rebecca’s friends and family...take Rebecca for his own.... Fates collide in a small town where fear and love are two sides of the same coin and life and death lie far too close together. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.