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The Devil's Doughboys want me dead. There's only one person who can protect me. Gabriele Antonelli. He’s haunted. He’s violent. And he won’t let me out of his sight. He says it’s for my own good. He’s probably right. Staying with him might be the best thing for me. But there’s one problem. He’s wanted for murder. If I get caught with him, I might end up in prison. But if I turn him in… I'm terrified. But also tingling with excitement.
Love. Passion. Betrayal and Bloodshed. These are the Antonellis. 100 years ago, Joseph Antonelli left Sicily in search of a better life. Months later, he set foot on the shores of Manhattan. Prohibition was the law of the land. Alcohol was illegal and jobs were scarce. He didn’t speak a word of English. And didn’t have a penny to his name. But he burned with desire to make a life for himself in his new country. And that’s exactly what he did. The Underworld was his only option. ​​​​​​​He recruited other immigrants and began providing protection for the illegal bars in the city. 100 years later, the Antonellis control the New York Mafia Underworld. This is their story. Book 1: Leonardo Antonelli Leonardo Antonelli is a Mafia Don with a thirst for revenge. He blames my father for the death of his parents. He's going to make me suffer for the pain he's endured. Book 2: Gianluigi Antonelli My Bratva ex wants me dead. There’s only one person who can protect me. Gianluigi Antonelli. But I don’t want to trust him. Or any other man. That’s never worked out well for me. Book 3: Vincenzo Antonelli Vincenzo Antonelli is a Mafia Don with a thirst for revenge. He's the son of Leonardo and Caroline Antonelli. He's going to make me suffer for the pain he's endured. Book 4: Michelle Antonelli Philippe Fiorentino is a mafia hitman. As long as the price is right, he’ll kill anyone. I’m his next target. Book 5: Gabriele Antonelli I'm going to kill Michelle. It's the only way to cleanse my soul. Book 6: Sophie Antonelli There's only one person who can protect me. Gabriele Antonelli. He’s haunted. He’s violent. And he won’t let me out of his sight.
This book presents the best garden designs of the last ten years from more than 50 top garden designers. It offers design solutions for every situation, every area, all tastes and budgets, and any size of garden. It draws on the talents of celebrated designers such as Tom Stuart Smith, Luciano Giubbilei, Charlotte Rowe, Ian Kitson, John Brookes, Cleve West, Dan Pearson and Andy Sturgeon. It also showcases the work of lesser-known designers whose innovating designs deserve wider recognition. The process of garden design requires many thousands of small decisions in the pursuit of the most appealing solutions for outdoor spaces. But this book makes the complex process simpler by offering ample choices of contemporary design for you to explore what’s possible, what’s practical and what’s affordable. Comprising garden rooms, ornamental details, styles and planting ideas, this book will appeal to every garden owner, whether they manage a small or medium sized garden, a roof terrace, balcony or courtyard space. It offers cutting edge solutions for those seeking an entirely new look as well as key details that can make all the difference.
Taking a biographical approach, the book explores the causes and consequences of moving or staying put in the context of class inequality and racisms, and looks for commonalities between people often seen as irredeemably divided.
The chapters in this volume examine the racial and ethnic landscape of Britain in a contemporary era of neoliberalism and financial crisis. A key aspect of neoliberal thought is the belief that we live in a ‘post-racial’ in which the problems of racism and xenophobia have been overcome. However, cultural retrenchment and coded xenophobia have been sweeping the political terrain, accompanied by ‘new racisms’ and ‘new racial subjects’ that only close contextual analysis can unpick. The scholarship contained in this collection challenges those who suggest that we live in a post-racial time. By focusing on particular locations in Britain at a particular moment, the volume explores local stories of ‘race’ and racism across changing sociopolitical ground. This book is essential reading for scholars and students of race, racism, diaspora, multiculturalism, post-colonialism, transnationalism and post-race. This book was originally published as a special issue of Ethnic and Racial Studies.
Creative Garden Design: Patterns is a unique and practical reference for creating mood, proportion and scale in the garden. Its more than 500 photographs reveal the hidden patterns in plants, gardens and the wider landscape to inspire plans for gardens of all sizes and illustrate how to appreciate the styles of design in larger gardens andparks. Explore the influences of pattern in design and thepeople who made them and gain a greater understanding of the roles of color, texture, shape and perspective in the garden. Each chapter explores a different theme of garden pattern, including: • Plants with Pattern: Leaf Shape and Texture • Patterns within Layouts: Symmetrical and Formal • Patterns with Plants: Borders and Bedding • Patterns in Landscape: Paving and Walls • Water Patterns: Pools and Streams Additional features include profiles of patterns ingarden design history from abstract to Islamic gardens. A complete visual delight, Creative Garden Design:Patterns is a classic work that deserves pride of place on every garden designer’s bookshelf.
I'm going to kill Michelle. It's the only way. To avenge my parents. And to cleanse my soul. My name is Gabriele Antonelli. I'm the son of Lucy and Gianluigi. They were both killed. My father by bullets. My mother by grief. The blood is on the hands of my cousins. Vincenzo pulled the trigger. Unfortunately, he's already dead. But Michelle is still alive. She won't be for long.
Includes the Reports of the Institution, which, prior to the establishment of the Journal, were issued separately.
THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent