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Sons of the Rumour is nothing short of a dazzling and genre-defying work of genius. Foster retells the tale of the legendary eighth-century King Shahrban of Persia who, furious at his wife's infidelity, has decided to marry and then behead a fresh virgin every day. But then the king meets Scheherazade, a beauty of such wiles and storytelling gifts she manages to entertain the him for 1001 nights, staving off death for both herself and her countrywomen. In the process, she also bears him three sons, wisely educates him in morality and kindness, and eventually convinces him to take her as his lawful wife. Intersecting with the historical tale is the story of Al Morrisey - a middle-aged, Anglo-Irish, former jazz-drumming everyman, on the run from a failed marriage, and cursed with Freudian daydreams of his mother and peculiar nightmares of all things Persian - as he vainly attempts to reconcile the past with the present and reclaim some of his youthful vigour. Ingeniously manipulating the frame tale of the Arabian Nights, and utilising all his narrative gifts of adventurous satire, David Foster has produced a work of fiction like no other. Sprawling, ambitious, explicit but frequently hilarious, Sons of the Rumour is a modern masterpiece, an utterly original novel by one of Australia's greatest living writers, a man who the Sydney Morning Herald critic Andrew Riemer has called Patrick White's worthy successor.
Rumours are perhaps as old as humanity itself, because human brain is hardwired for storytelling. With modern allegiance to speed and advance in social media, the need for objective truth is decomposing. Everyone today is at the mercy of taps and clicks on the gadgets. Public shaming and cyber bullying have even led to suicides. Amid devastating rumours, Father Ramadhani turned to the Bible for solace. The result is these fourteen stories of how God and God’s people deal with rumours. Half is taken from the Old Testament, with the struggles of the Israelites, Moses, Hannah, Naaman, Jonah, Job, Tobit, and Sarah. The other half is from the New Testament, with the experiences of Paul, Zacchaeus, the soldiers, the sinful woman, the prodigal son, the disciples, John the Baptist, and Jesus. This final sequel in his ‘Trilogy of Redemption’ is a message of hope for those who have become helpless victims of rumours. It is also an invitation to conversion for those who are addicted to spreading rumours.
The common perception of Britain's Victorian era as one of strict and strait-laced conformity has long been subject to rebuttal, and Robert Bernard Martin's Enter Rumour (1962) was an early and distinguished endeavour in this line. Herein Martin weighs the evidence of four scandalous incidents that aroused great public interest during the first dozen years of Victoria's reign, each of them emanating from 'what the Victorians might have called the higher orders of society.' Martin recounts the sorry tale of Lady Flora Hastings, victim of Court gossip; Lord Eglinton, who tried and failed to revive the medieval tournament; the strange case of the St Cross Hospital Charity; and George Hudson, 'Railway King', whose rise and fall remains a story for our times. Martin examines sources expertly and further explores how three of these scandals were transformed into fiction - by none less than Dickens, Disraeli and Trollope.
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