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Like Daughters of Darkness and Dark Angels, Pam Keesey's successful series of lesbian vampire stories from Cleis Press, Sons of Darkness gathers first-rate horror fiction that reveals the inherent homoeroticism of the vampire myth.
Alternating poems compare and contrast the conflicted feelings of Ishmael, son of the Biblical patriarch Abraham, and Sam, a teenager in New York City, as they try to come to terms with being abandoned by their fathers and with the love they feel for their younger stepbrothers.
Four guys living in Los Angeles: A rock star, a rebel, an artist, and a shaman. Like most students at Turney High School, they're just trying to survive. But for these four--Renegades on the run from the sinister world of Nefandus--survival means learning how to control their powers and fulfill their destiny as The Sons of the Dark
The Children of Light and the Children of Darkness, first published in 1944, is considered one of the most profound and relevant works by the influential theologian Reinhold Niebuhr, and certainly the fullest statement of his political philosophy. Written and first read during the prolonged, tragic world war between totalitarian and democratic forces, Niebuhr’s book took up the timely question of how democracy as a political system could best be defended. Most proponents of democracy, Niebuhr claimed, were “children of light,” who had optimistic but naïve ideas about how society could be rid of evil and governed by enlightened reason. They needed, he believed, to absorb some of the wisdom and strength of the “children of darkness,” whose ruthless cynicism and corrupt, anti-democratic politics should otherwise be repudiated. He argued for a prudent, liberal understanding of human society that took the measure of every group’s self-interest and was chastened by a realistic understanding of the limits of power. It is in the foreword to this book that he wrote, “Man’s capacity for justice makes democracy possible; but man’s inclination to injustice makes democracy necessary.” This edition includes a new introduction by the theologian and Niebuhr scholar Gary Dorrien in which he elucidates the work’s significance and places it firmly into the arc of Niebuhr’s career.
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Obie hates Los Angeles and all the junk that goes with it-especially trying to fit in at Thomas Turney High School. But with bounty hunters trying to capture him, his Renegade roommates urge him to lay low with his band and forget about ever getting back hoome. it's hard to blend in at school, though, when you've just made enemies with the football team. Obie can't keep away from Allison, the most popular girl in school and the girlfriend of the star quarterback, Sledge. And when his true love, Inna, shows up and pleads for his help, Obie must return to the one place he fears most.
Connor Major's summer break is turning into a nightmare. When he comes out to his religious zealot mother, she has him kidnapped and shipped off to a conversion therapy camp that will be his new home until he “changes.” Connor plans to escape, but first, he’s exposing the camp’s horrible truths for what they are—and taking the place down.
Forget knights on white horses, how about a hero riding a motorcycle with shining chrome? Phoebe’s spirit was forged into steel by a childhood split between foster care and the streets. Now grown, the simple act of accepting the wrong drink traps her in the underworld of human trafficking. On her way to be sold to a Mafia sociopath who’s obsessed with her innocent looks and unbreakable spirit, Phoebe desperately reaches out for help from an unlikely hero. Sharp, VP of the Dark Sons Motorcycle club and former Navy SEAL sniper, has long ago learned being right is not the same thing as being lawful. With his Brothers, he lives, fights, and loves hard, living every day by their code of honor. He never thought to take an Old Lady, especially not one who looks as delicate or has been as abused as Phoebe. But Sharp soon finds himself losing his heart to her, vowing to protect her no matter the cost. Far from a natural match, Sharp struggles with whether she can ever accept the man he is and not just the safety he represents. When Phoebe asked for help, she’d been willing to do anything to be safe. But she hadn’t expected to find a new home, an unconventional family, and a man who sets both her heart and body ablaze. Can she overcome her fear and trauma and convince Sharp she’s more than just someone to protect? This is book one in the Dark Sons Motorcycle Club series and can be enjoyed independently. Publisher’s Note: This dark contemporary romance has elements of danger, mystery, suspense, adult themes, possible triggers for some readers, adult content, sensual scenes and power exchange. If any of these offend you, please do not purchase.