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Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
154 contemporary poets offer their own startling and imaginative versions of Shakespeare's sonnets
The extent to which Shakespeare derived the inspiration for his plays and Sonnets from the Bible has sparked debate for centuries. Although much research has been done on Shakespeare's plays, a comprehensive analysis of his Sonnets has been absent, until now. This book gives a detailed examination of Shakespeare's Sonnets, identifying their underlying spiritual themes at the religious and scriptural levels of interpretation.
William Shakespeare pays tribute to our most beautiful emotion in this timeless collection. In addition to his plays Shakespeare was also well-known for love poetry, “his sugared sonnets among his private friends.” This faux leather bound mini includes introduction, biography, and Shakespeare’s best-known sonnets to read and share with the one you love.
'James Anthony has done something I would have confidently stated to be impossible. He has "translated" Shakespeare’s sonnets and he has done so with an insolent, loveable charm ... A dazzling success’ – Stephen Fry Rediscover the greatest love poetry ever written Shall I compare you to a summer’s day? You’re more delightful, always shining strong; High winds blow hard on flowering buds in May, And summer never seems to last that long... Shakespeare’s sonnets are some of the nation’s favourite lines of verse, but the Elizabethan language can make it difficult to really understand them. Many guides offer to clarify the meaning, but lose the magic of the words by explaining them away. James Anthony has done something boldly different. He has rewritten the whole series of poems as sonnets using modern language, while retaining the rhythm and rhyme patterns that gives them such power. In doing so he breathes new life into the original poems and opens them up for a modern readership, demystifying Shakespeare’s eternal poetry with provocative new translations and delightful new lines. Presented as an attractive book with the original sonnets facing their new translations, this is a stunning collection of beautiful love poems, made new.
A selection of sonnets from the works of William Shakespeare, Sir Thomas Wyatt, Sir Edmund Spenser, Sir Walter Raleigh, Sir Philip Sidney, Samuel Daniel, John Donne, John Milton.
This book is at once an edition of Shakespeare's Sonnets and a guide to how to read these exquisite and complex poems. It is designed both for readers new to the poems and for those who are familiar with the Sonnets but are ready to engage with them afresh. It is the only current edition whichprovides an original-spelling text of the poems: that is, it prints the poems as they appeared in the first edition, Shake-speares Sonnets (1609), preserving the spelling, punctuation, italics, and capitalization of the original, with only minor interventions where that edition manifestly needscorrection. The advantages (and occasional hazards) of reading an original-spelling text are explained, and detailed help is provided in order to assist readers who may be unfamiliar with the conventions of early-modern spelling and punctuation.
The Critical Survey of Shakespeare's Sonnets offers a collection of new essays on the Sonnets written by William Shakespeare, the most famous English playwright of all time. A basic part of the literature curriculum, Shakespeare's works-still being introduced to students, from high school through college, four centuries after their composition-have never lost their popularity.