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At the 1852 Christmas party hosted by Tsar Nicholas I, the plucky half-Chinese, half-Russian poet Sonja Sankova decks Peter "Colonel Cut" Koslov, who is infamous for his necklace of ears taken from serfs and Jews. In London that same night, American Jack Sandt, the Matthew Brady of Asia, conspires with Karl Marx to con the tsar into letting him take daguerreotype images inside Russia. So begins this immaculately researched, wildest of romantic wild rides, an odyssey of two lovers fleeing for their lives through the vast reaches of the Russian empire. The period details are splendid: a supper with Ivan Turgenev; a visit with the craftsmen who designed and cut gems for the Romanov tsars, a ball in a frontier town in the Urals, a glimpse of life inside the yurts of nomadic herdsmen. With Koslov and his special unit, the Wolfpack, in hot pursuit, Sonja and Jack flee St. Petersburg, cross European Russia, and go down the Urals, there risking their lives on a turbulent mountain river. Sonja and Jack take turns telling their story, as they fall in love and marry in a Siberian chapel. In a narrow escape, Jack shoots Koslov in the ankle. A sadistic Kyrghyz nomad grabs Sonja and spirits her away. Jack and a Cossack pursue the nomad and his men across the Asian steppe, but Koslov gets to him first. Koslov takes Sonja to a fabled mountain near Lake Baikal, where he is to retrieve rubies destined for a new Romanov throne. He waits, vowing revenge for his stiff ankle. Jack rescues his wife, and with their lives and a fortune of rubies at stake---and real wolves howling in a blizzard---Sonja and Jack face down Colonel Cut and the Wolfpack.
"Know also, 'o prince, that in the self-same days that the Cimmerian did stalk the Hyborian Kingdoms, one of the few swords worthy to cross with his was that of Red Sonja, warrior-woman out of majestic Hyrkania. Forced to flee her homeland because she spurned the advances of a king and slew him instead, she rode west across the Turanian Steppes and into the shadows mists of legendary." - The Nemedian Chronicles This sixth volume in Dynamite's hit series is an all-star Red Sonja event featuring the She-Devil's descent into purgatory, with each issue (#30-34) featuring a unique creative team!
The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.
FBI Agent Carina Rivera's life is about to change dramatically when she apprehends Chad Lowry a triple murder suspect. Less than thirty minute after catching him, Rivera watches in horror as her SUV is blown up before her eyes by heavily armed men in a helicopter. She and Lowry barely escape the encounter only to run into another band of men trying to kill them. Now she is racing down a dark mountain road in Lowry's beat up truck which is powered an energy source called---SONJA. Now Rivera is in a quandary. What does she do next? Rivera knows SONJA can eliminate the world's energy problems and that Lowry holds the secret to SONJA's power. But what happens to SONJA when she brings Lowry in? And who is it---that wants them both dead?
Her father was a wealthy Polish farmer. She has nearly completed all the steps to becoming a Catholic Nun when the Nazi’s came to Poland. Everyone in the convent was taken to Auschwitz. This is her life story including what happened in the camps and afterwards on the long journey back home thru the Black Forest.
Red Sonja has been untamed for 35 years, and along the way there have been some great artists who have helped make her one of the most successful heroines. Dynamite has created this very special book featuring Red Sonja and a selection of the exceptional artists who have depicted the She-Devil! Features the "sexy" art of Alex Ross, Michael Turner, Frank Cho, Jim Lee, Steve McNiven, George Perez, John Cassaday, Michael Turner, JG Jones, Mel Rubi, Neal Adams, and so many others, including unseen sketches and illustrations.
My name is Sonja Skillingstad, and I have been inspired to write about myself during my early years and the beautiful angel lady sent to assist me during the serious abuse I was receiving from my mother. 29
A diabolical murder weapon created for SAPO, Swedens Secret Service, to kill Russian agents. a desperate, blackmailing, former bisexual lover.betrayal for fashion cover fame and five million dollars in a Cayman bank.cutthroat financial wheeling and dealing for ownership of a failing international cosmetics company.just a few reasons why SONJA is a must read for murder mystery lovers and any reader seeking an enthralling page turner novel. Swedish by birth and graced with the beauty and voluptuous body of famed Swedish actress Anita Eckberg, Sonja is a natural for the world of fashion modeling. Drilled by her parents to stay a virgin till she marries, Sonja remains true to their values till she is tested while doing a nude photo shoot with Raj, the drop dead gorgeous, famed international movie star. Her values showed not to be their values, especially when it came to her virginity. La Dolce Vita, the Italian movie classic movie, the title means the sweet life. Sonja lives La Dolce Vita to the fullness, even at the fatal expense of others. She leaned back in her chair and took a sip of her drink. Fame is a bitch. Maybe I was a bitch on the runway, pushing myself to outshine the other models, but being admired like that is exhilarating.
This book re-examines the dichotomy between the everyday and the disciplinary in mathematics and science education, and explores alternatives to this opposition from points of view grounded in the close examination of complex classroom events. It makes the case that students' everyday experience and knowledge in their entire manifold forms matter crucially in learning sciences and mathematics. The contributions of 13 research teams are organized around three themes: 1) the experiences of students in encounters with everyday matters of a discipline; 2) the concerns of curriculum designers, including teachers, as they design activities intended to focus on everyday matters of a discipline; and 3) the actions of teachers as they create classroom encounters with everyday matters of a discipline. As a whole the volume reflects the shift in the field of educational research in recent years away from formal, structural models of learning toward emphasizing its situated nature and the sociocultural bases of teaching and learning. At least two trends--increasing awareness that formal theories can be useful guides but are always partial and provisional in how they disclose classroom experiences, and the widespread availability of video and audio equipment that enables effortless recording of classroom interactions--have reoriented the field by allowing researchers and teachers to look at learning starting with complex classroom events rather than formal theories of learning. Such examinations are not meant to replace the work on general theoretical frameworks, but to ground them in actual complex events. This reorientation means that researchers and teachers can now encounter the complexity of learning and teaching as lived, human meaning-making experiences. Immersion in this complexity compels rethinking assumptions about the dichotomies that have traditionally organized the field's thinking about learning. Further, it has important implications for how the relationship between theory and practice in understanding teaching and learning is viewed. Everyday Matters in Science and Mathematics: Studies of Complex Classroom Events is an important resource for researchers, teacher educators, and graduate students in mathematics and science education, and a strong supplemental text for courses in these areas and also in cognition and instruction and instructional design.
October in Seattle—a dreary, drizzly time of year, and it doesn't help that private eye John Denson’s favorite hangout, the Pig’s Alley, is being converted into a fey French restaurant. Things are worse for Denson’s good friend and darts partner Willie Prettybird. A salmon fisherman by trade, in business with his brother Rodney, Willie is nervous about a lawsuit they've brought to gain treaty fishing rights for the Cowlitz Indian tribe, an action that has made the Prettybirds a few powerful enemies among the sport and commercial fishing interests, notably Foxx Jensen and Doug Egan. What worries Willie even more is that somebody is threatening his pretty sister Melinda, by beating up her boyfriends. Denson volunteers to look into Melinda's problem, which at first seems a simple case of a jealous ex-husband, though Mike Stark doesn't really fit the part. But when the federal judge in the Cowlitz suit is reported missing, and when neatly butchered cuts of human flesh begin mysteriously to turn up in a downtown park, Denson realizes he's cast his net into deep and dangerous waters. The Seattle police hope that a sophisticated computerized scanner trained on the park vicinity will discover case-breaking evidence. Denson, his methods less fancy, pursues his own unconventional course, helped on his offbeat way by a motley ensemble: a beautiful and brainy lawyer; a renegade cop with a grudge, and the wacky owner of Juantar’s Doie Bar, Denson’s new home away from home. It is a case full of fish stories, and Denson’s job is to find out who the liars are. With a shocking climax set in a spooky labyrinth underneath Seattle's sidewalks, it is surely the grisliest and most bizarre case of John Denson’s eccentric career. "The Denson books...sophisticated, well-written and excellent examples of the genre."—The New York Times Book Review