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"Legal deposit, 4th quarter 2016"--Title page verso.
DIVDIVTwo ancient tribes on the verge of making peace become foes once more when a double murder jeopardizes a storyteller’s mission /divDIV Eighty centuries ago, in the frozen land that is now Alaska, a clubfooted male child had been left to die, when a woman named K’os rescued him. Twenty years later and no longer a child, Chakliux occupies the revered role as his tribe’s storyteller. In the neighboring village of the Near River people, where Chakliux will attempt to make peace by wedding the shaman’s daughter, a double murder occurs that sends him on a harsh, enthralling journey in search of the truth about the tragic losses his people have suffered, and into the arms of a woman he was never meant to love./divDIV /divDIVSong of the River is the first book of the Storyteller Trilogy, which also includes Cry of the Wind and Call Down the Stars./div/div
In this hilarious modern spoof of a favorite holiday song, the trip to Grandfather's house is no peaceful sleigh ride!
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
Singing on the River by Igor Chabrowski, based on Sichuan boatmen’s work songs (haozi), explores the little known world of mentality and self-representation of Chinese workers from the late 19th century until the outbreak of the Second Sino-Japanese War (1937). Chabrowski demonstrates how river workers constructed and interpreted their world, work, and gender in context of the dissolving social, cultural, and political orders. Boatmen asserted their own values, bemoaned exploitation, and imagined their sexuality largely in order to cope with their low social status. Through studying the Sichuan boatmen we gain an insight into the ways in which twentieth-century nonindustrial Chinese workers imagined their place in the society and appropriated, without challenging them, the traditional values.
Over the river Mama, Papa, and Baby Turkey embark for their vegetarian Thanksgiving Feast. But when a hungry boy and his dog start sniffing around, the turkeys have got to think fast before they become the main course! Acclaimed artist Derek Anderson's glorious autumn artwork adds heaps of holiday humor to Lydia Maria Child's classic Thanksgiving song. And readers of all ages will be wondering who gobbles up whom until the dessert finale.
World renowned performer and top-selling author and two-time National Slam Poetry Champion, Anis Mojgani has combed through out-of-print editions to put together Songs From Under the River, a best-of collection for his third Write Bloody release. Popular poems (Some with over 200,000 "Likes" on YouTube) such as "Direct Orders", "Shake the Dust", "Here Am I" and more, are collected here alongside lost poems, favorite poems and new unpublished works. The book showcases what audiences have come to expect from Anis—uplifting words, playful surrealism, and the journey through imagination. Songs From Under the River allows fans and new readers alike the chance to follow the trajectory of Anis' development, themes, and style of work over his 15 year career.
There had always been music along the banks of the Congo River-lutes and drums, the myriad instruments handed down from ancestors. But when Joseph Kabasele and his African Jazz went chop for chop with O.K. Jazz and Bantous de la Capitale, music in Africa would never be the same. A sultry rumba washed in relentless waves across new nations springing up below the Sahara. The Western press would dub the sound soukous or rumba rock; most of Africa called in Congo music. Born in Kinshasa and Brazzaville at the end of World War II, Congon music matured as Africans fought to consolidate their hard-won independence. In addition to great musicians-Franco, Essous, Abeti, Tabu Ley, and youth bands like Zaiko Langa Langa-the cast of characters includes the conniving King Leopold II, the martyred Patrice Lumumba, corrupt dictator Mobutu Sese Seko, military strongman Denis Sassou Nguesso, heavyweight boxing champs George Foreman and Muhammad Ali, along with a Belgian baron and a clutch of enterprising Greek expatriates who pioneered the Congolese recording industry. Rumba on the River presents a snapshot of an era when the currents of tradition and modernization collided along the banks of the Congo. It is the story of twin capitals engulfed in political struggle and the vibrant new music that flowered amidst the ferment. For more information on the book, visit its other online home at rumbaontheriver.com-an impressive resource.
Classic Thanksgiving story and song retold with vegetarian feast in mind.
A gorgeous compendium of Joni Mitchell's handwritten lyrics and drawings, originally handcrafted as a gift for a select group of friends in 1971 and now available to the public for the first time In 1971, as her album Blue topped charts around the world, Joni Mitchell crafted one hundred copies of Morning Glory on the Vine as a holiday gift for her closest friends. For this stunningly beautiful book, Joni hand-wrote an exquisite selection of her own lyrics and poems and illustrated them with more than thirty of her original pictures. Handcrafted, signed, and numbered in Los Angeles, the existing copies of this labor of love have rarely been seen in the past half-century. Now, during Joni's seventy-fifth birthday year, Morning Glory on the Vine: Early Songs and Drawings will be widely available for the first time. In this faithfully reproduced edition, Joni's best-loved lyrics and poems spill across the pages in her own elegant script. The lively, full-color drawings depict a superb array of landscapes, still lifes, portraits of friends, self-portraits, innovative abstractions, and more. All the artwork from the original book is included, along with several additional pictures that Joni drew of her friends from the same period. Finally, the refreshed volume features an original introduction written by Joni. Morning Glory on the Vine is a gorgeous and intimate keepsake and an invitation to explore anew the dazzling, visionary world of Joni Mitchell.