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An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.
Presents a collection of twenty-nine lullabies and rhymes that include lyrics reproduced in the original African language and translated into English.
An extraordinary repertoire featuring 28 Jewish nursery rhymes, lullabies, and songs originating from the Ashkenazic, Sephardic, and Yemenite communities are collected by Nathalie Sousanna and admirably illustrated by Béatrice Alemagna. The lyrics in Hebrew, Judeo-Spanish, Yiddish, and Arabic are first reproduced in the original alphabets, then transcribed into Roman characters and translated into English. Additional notes on the origin and cultural context of each song as well as on the Klezmer music are also included.
Tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge.
This is a story about love, but not the kind of love you think. You'll see... In the lush and magical Pacific Northwest live two best friends who grew up like sisters: charismatic, mercurial, and beautiful Aurora, and the devoted, watchful narrator. Each of them is incomplete without the other. But their unbreakable bond is challenged when a mysterious and gifted musician named Jack comes between them. His music is like nothing I have ever heard. It is like the ocean surging, the wind that blows across the open water, the far call of gulls. Suddenly, each girl must decide what matters most: friendship, or love. What both girls don't know is that the stakes are even higher than either of them could have imagined. They're not the only ones who have noticed Jack's gift; his music has awakened an ancient evil—and a world both above and below which may not be mythical at all. We have paved over the ancient world but that does not mean we have erased it. The real and the mystical; the romantic and the heartbreaking all begin to swirl together in All Our Pretty Songs, Sarah McCarry's brilliant debut, carrying the two on journey that is both enthralling and terrifying. And it's up to the narrator to protect the people she loves—if she can.
Songs about children playing in the schoolyard, sisters braiding each other's hair at the beach, and parents dancing late into the night mesh together thanks to the music. A wide array of styles--nursery rhymes from Gabon, lullabies from Cape Verde, and rumbas from the Congo--are performed in more than a dozen languages. Luminous artwork and homegrown instruments round off this wonderful celebration of history, language, and culture. Lyrics appear in their original language and in English, along with notes on culture, a world map, and a code for song downloads and print-outs.
Shange's lyrical poem is a tribute to the language of music and the magical, often mystical, rhythms that connect people. Music defines who we are as individuals, the places where we live, and how we exist within our communities. Music is life.Written in a syncopated style that has its own melody, the poem is perfectly married to twenty-one extraordinary and diverse works from Romare Bearden who once said, "I paint in the tradition of the blues."Here is a unique and visionary book that speaks, indeed sings, to both children and adults and is, at once, compelling, profond, and entertaining.
A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.