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The University of Pennsylvania Band, among the first collegiate marching bands in the country, was founded in 1897. Ever since, it has been a cornerstone of student life on campus, serving as a guardian of musical traditions and all things red and blue. The University of Pennsylvania Band is a distinctive photographic collection tracing the evolution of the student-led organization from its start as the prototype for the modern collegiate marching band, through the dramatic social changes during the middle of the 20th century, to the comedic Ivy Leaguestyle "scramble" band it became towards the end of its first 100 years. By following the evolution of the band, this pictorial collection traces the changes that occurred within the student body over the decades, including times of war and social inequality.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Scattered in archives and historical societies across the United States are hundreds of volumes of manuscript music, copied by hand by eighteenth-century amateurs. Often overlooked, amateur music making played a key role in the construction of gender, class, race, and nation in the post-revolution years of the United States. These early Americans, seeking ways to present themselves as genteel, erudite, and pious, saw copying music by hand and performing it in intimate social groups as a way to make themselves--and their new nation-appear culturally sophisticated. Following a select group of amateur musicians, Cultivated by Hand makes the case that amateur music making was both consequential to American culture of the eighteenth century and aligned with other forms of self-fashioning. This interdisciplinary study explores the social and material practices of amateur music making, analyzing the materiality of manuscripts, tracing the lives of individual musicians, and uncovering their musical tastes and sensibilities. Author Glenda Goodman explores highly personal yet often denigrated experiences of musically "accomplished" female amateurs in particular, who grappled with finding a meaningful place in their lives for music. Revealing the presence of these unacknowledged subjects in music history, Cultivated by Hand reclaims the importance of such work and presents a class of musicians whose labors should be taken into account.
This book has poetry and songs in Yiddish with the side-by-side English translation.
"Ten chapters follow, each devoted to a single decade covering the major events in the band's development over the next hundred years, such as the adoption of the name "Blue Band" in 1923."--BOOK JACKET.