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Providing new analysis, anthropologists, ethnomusicologists, sociologists, and philologists have developed a concept of hybridization that has exceeded the boundaries of their established disciplines. The authors, experts in Argentinian and Italian tango, Algerian rai, Catalonian sardana, Andalusian flamenco and Greek rebetika, focus on transcultural hybridization particularly from an ethnographic perspective. Additional contributors offer important epistemological and methodological interrogations and discuss the macro-structures of the music industry in the global markets.
A present-day version of a classic Greek myth, THE MINOTAUR is a contemporary take on love, honor, and human connection. With refreshing originality and wit, it explores how we break out of history in order to shape new stories for ourselves.
Retelling of the myth of the Cretan Minotaur, this book considers the inner world of the Minotaur himself, and suggests a dark and compelling reason for Ariadne's intense relationship with Theseus.
The Barbarian Songs, is a short poem collection, in the Norse Saga Tradition, of the Poetical and Prose Eddas - The synergistic cultural role, of Northern European Barbarianism, in the modern development, of Western Civilization, Northern European Mythology, comparative Nordic Asgardian and Grecian Pantheon, religious similarities - Neo-classical, short form poetry, the pivotal role, of the hero, in ancient cultural development
Mr Benn always visits a costume shop, chooses a costume and goes through a special door. Then, as if by magic, he can travel to the era represented by the costume. This time he choosesa gladiator costume . . . and he is transported to Ancient Rome. But he has forgotten that gladiators fought one another. When the Emperor spots Mr Benn, he has him carried off to the arena. The worried gladiators there explain that they must fight, even though fighting is wrong. Will it be thumbs down for the alternative entertainment Mr Benn proposes?
This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times). In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love. With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world. #1 New York Times Bestseller -- named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.
Arguably the most important American composer of the century, Elliott Carter often has been more highly regarded in Europe than in his native land. Interest in his work has grown rapidly in recent years, however, and the celebration of his ninetieth birthday in December, 1998, accompanied by numerous performances and new recordings, undoubtedly will increase the attention of his fellow citizens to this remarkable figure.Authoritative and gracefully written, The Music of Elliott Carter engages composers, performers, and critics, and speaks to concert-goers, whether attuned to or alarmed by the formidable difficulty of Carter's music. David Schiff views the music from the perspective of the composer's development and relates his compositional techniques to those nonmusical arts—contemporary American poetry in particular—with which Carter has been deeply involved. The volume benefits from Schiff's extensive discussions of Carter's works with their most noted performers, including Heinz Holliger, Oliver Knussen, and Ursula Oppens, and from the generous cooperation of the composer himself.This new edition, a thoroughly reorganized, revised, and updated version of the book published in 1983, accounts for the many new works written by Carter since 1980 and accommodates the burgeoning critical literature on his music. Its features include many musical examples and a selected discography. In addition to the new foreword, the composer has provided his listing of three-to-six note chords and a note on "Voyage."
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A comprehensive overview of the musical career of Elton John provides the full story behind all of the musician's recordings, a complete chronicle of his concert tours, an assessment of his musical odyssey, and a study of his sometimes turbulent personal life, along with more than forty photographs and a complete discography.