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A brilliant retelling of an ancient myth, The Songs of the Kings offers up a different narrative of the Trojan War, one devoid of honor, wherein the mission to rescue Helen is a pretext for plundering Troy of its treasures. As the ships of the Greek fleet find themselves stalled in the straits at Aulis, waiting vainly for the gods to deliver more favorable winds, Odysseus cynically advances a call for the sacrifice of Agamemnon’s daughter, Calchas the diviner interprets events for the reader, and a Homer-like figure called the Singer is persuaded to proclaim a tale of a just war to hide the corrupt motivations of those in power. But couched within the Singer’s spin is a message at once timely and timeless: “There is always another story. But it is the stories told by the strong, the songs of kings, that are believed in the end.”
Three knights set out on a perilous journey to reach the king's castle, but the only one to reach his goal is the one who was wise enough to listen to the song of the king.
Can a twelfth-century Cambodian king's sense of compassion and justice translate to the present?
Second Edition of the beloved Song of the Summer King, with brand new cover art by illustrator Jennifer Miller!ONE WILL RISE HIGHER . . .Shard is a gryfon in danger. He and other young males of the Silver Isles are old enough to fly, hunt, and fight--old enough to be threats to their ruler, the red gryfon king. In the midst of the dangerous initiation hunt, Shard takes the unexpected advice of a strange she-wolf who seeks him out, and hints that Shard's past isn't all that it seems. To learn his past, Shard must abandon the future he wants and make allies of those the gryfons call enemies.When the gryfon king declares open war on the wolves, it throws Shard's past and uncertain future into the turmoil between. Now with battle lines drawn, Shard must decide whether to fight beside his king . . .or against him.
Excerpt from Songs of the King Beneath the cross there ' owed a stream 0i grace, enough for me. Could scarbe believe the sight I saw Of grace, enough for me. I Telt a ood go thro' my soul Oi grace, enough for To sing thro' all the years to come Oi grace, enough for me. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
A Wall Street Journal Best Book of 2018 In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.
King's short story is presented along with the filmmakers and artists involved in the adaptation of Battleground. Includes interviews, photographs, and story boards.
Huey Long (1893-1935) was one of the most extraordinary American politicians, simultaneously cursed as a dictator and applauded as a benefactor of the masses. A product of the poor north Louisiana hills, he was elected governor of Louisiana in 1928, and proceeded to subjugate the powerful state political hierarchy after narrowly defeating an impeachment attempt. The only Southern popular leader who truly delivered on his promises, he increased the miles of paved roads and number of bridges in Louisiana tenfold and established free night schools and state hospitals, meeting the huge costs by taxing corporations and issuing bonds. Soon Long had become the absolute ruler of the state, in the process lifting Louisiana from near feudalism into the modern world almost overnight, and inspiring poor whites of the South to a vision of a better life. As Louisiana Senator and one of Roosevelt's most vociferous critics, "The Kingfish," as he called himself, gained a nationwide following, forcing Roosevelt to turn his New Deal significantly to the left. But before he could progress farther, he was assassinated in Baton Rouge in 1935. Long's ultimate ambition, of course, was the presidency, and it was doubtless with this goal in mind that he wrote this spirited and fascinating account of his life, an autobiography every bit as daring and controversial as was The Kingfish himself.
Pulitzer Prize winner and New York Times bestseller: A “lush, tipsy, all-night mambo of a novel about Cuban musicians in strange places like New York City” (People). Brothers Nestor and Cesar Camillo arrive from Cuba in 1949 with dreams of becoming famous mambo musicians. This memorable novel traces the arc of the two brothers’ lives—one charismatic and macho, the other soulful and sensitive—from Havana to New York, from East Coast clubs and dance halls to the heights of musical fame. The basis for a popular film, The Mambo Kings Play Songs of Love “tells of the triumphs and tragedies that befall two men blessed with gigantic appetites and profoundly melancholic hearts. . . . Hijuelos has depicted a world as enchanting as that in Garcia Marquez’s Love in the Time of Cholera” (Publishers Weekly). “Rich and provocative . . . a moving portrait of a man, his family, a community and a time.” —Michiko Kakutani, The New York Times
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