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The stunning conclusion to Sarah Glenn Marsh's Reign of the Fallen duology, now including an exclusive prequel to the series, Rise of the Sparrow. The Dead must stay buried. Karthia is nothing like it used to be. The kingdom's borders are open for the first time in nearly three hundred years, and raising the dead has been outlawed. Odessa is determined to explore the world beyond Karthia's waters, hoping to heal a heart broken in more ways than she can count. But with Meredy joining the ocean voyage, vanquishing her sorrow will be a difficult task. Despite the daily reminder of the history they share, Odessa and Meredy are fascinated when their journey takes them to a land where the Dead rule the night and dragons roam the streets. Odessa can't help being mesmerized by the new magic--and by the girl at her side. But just as she and Meredy are beginning to explore the new world, a terrifying development in Karthia summons them home at once. Growing political unrest on top of threats from foreign invaders means Odessa and Meredy are thrust back into the lives they tried to leave behind while specters from their past haunt their tenuous relationship. Gathering a force big enough to ward off enemies seems impossible, until one of Queen Valoria's mages creates a weapon that could make them invincible. As danger continues to mount inside the palace, Odessa fears that without the Dead, even the greatest invention won't be enough to save them. In this enthralling, heartrending sequel to Reign of the Fallen, Odessa faces the fight of her life as the boundaries between the Dead and the living are challenged in a way more gruesome than ever before.
WINNER OF THE INTERNATIONAL GRIFFIN PRIZE A NEW YORK TIMES BEST POETRY BOOK OF 2020 Music for the Dead and Resurrected captures the complexity of living in the shadows of imperial force, of the vulnerability of bodies, of seeing with more than the eyes. Valzhyna Mort's work is characterised by a memorial sensibility that honours those lost to the violences of nation states. In Music for the Dead and Resurrected the poet offers us a body of work which balances political import with serious play. There are few poets writing with such an intuitive sense of the balance between arcane and contemporary currents in poetry. Mort's lines are timeless, finely honed to last beyond a single lifetime.
Songs of the Dead is a collection of nineteen short stories with varying themes, ranging from creepy to the supernatural. In "The Dinner Guests," a man finds himself experiencing an unusual hunger. In "She Had a Good Heart," a young heart transplant survivor meets her donor's family for the first time. What could go wrong? In "Dobie's Last Ride," a man finds himself at odds with a seemingly harmless black Lab, who turns out to be a bit less harmless as he first thought. This book contains graphic sex and violence, and is not suitable for readers under the age of 18. "Andy Rausch's tough, hard-hitting prose is married to thought-provoking concepts that make you question your own opinions, your own moral stance, and your own preconceptions of right and wrong." -John A. Russo, author of Night of the Living Dead "The classic horror short story not only lives and breathes. In the imaginative brain of Andy Rausch, it's totally reanimated." - Herschell Gordon Lewis, director of Blood Feast
Dawn Colclasure’s dark poetry collection, Songs of the Dead (formerly named Topiary Dreams), is not only dark, but passionate. Anger, fear, hurt and betrayal run under the skin of this work and shine through especially bright in poems such as "No Turning Back," "Deep Within" and "I am Madness." Colclasure examines the dark side of human nature; murder, drug use, violence, insanity and isolation. But, beyond the tales of death and darkness there’s also a message of empowerment; the voice of someone who has taken too much, for too long and has finally had enough. Songs of the Dead is a re-release of the chapbook originally published in 2003 and with more than twenty-seven new poems; it has more than earned the title “expanded”. Colclasure has a flair for prose, with lines such as “walk on the moon and hear the stars breathe,” (from "Death Shows my Pain") and different poetry forms stop the reader from falling into a sing-song rhythm of sameness and help to keep the collection fresh and interesting, page after page.
A serial killer stalks the streets of Spokane, acting out a misogynist script from the dark heart of this culture. Across town, a writer named Derrick has spent his life tracking the reasons--political, psychological, spiritual--for the sadism of modern civilization. And through the grim nights, Nika, a trafficked woman, tries to survive the grinding violence of prostitution. Their lives, and the forces propelling them, are about to collide. Derrick’s current project is a book called Possession, which asks the ontological question of who is responsible for the culture of domination that’s destroying the earth. Who actually benefits from a dead planet, the endgame that’s fast approaching? What if the answer is something way bigger than humans? Meanwhile, with motivations opposite to Derrick’s, the serial killer is asking much the same question of the women he kidnaps as his final act of possession--and Nika is next. Derrick’s metaphysical explorations suddenly take on more urgency as visions both terrifying and sacred begin to intrude, and past and future collapse without warning. All Derrick knows is Nika’s name and her impending death. The only person who believes him is his partner Allison, a woman with both strengths and scars, whose past has led her to a commitment to justice no matter what the cost. As the visions intensify and the killer draws nearer, Derrick and Allison are compelled to act, making themselves the next targets. Derrick must learn to negotiate a world of spirits and demons, living and dead, before it’s too late. And what hangs in the balance is not just their lives, but also the fate of life on earth. With Songs of the Dead, Derrick Jensen has written more than a thriller. This is a story lush with rage and tenderness on its way to being a weapon.
When the ground beneath your feet is always shifting, how can you ever know where you belong? Jamilah has always believed she knows where her home is: in a house above a paint shop on the outskirts of Beirut, with her large, chaotic, loving family. But she soon learns that as Palestinian refugees, her family's life in Lebanon is precarious, and they must try to blend in even as they fight to retain their identity. When conflict comes to Beirut, Jamilah's world fractures, and the family is forced to flee to Cairo: another escape, and another slip further away from Palestine, the homeland to which they cannot return. In the end, Jamilah will have to choose between holding on to everything she knows and pursuing a life she can truly call her own. Songs for the Dead and the Living is a coming-of-age tale played out across generations and continents, from Palestine to Australia. Through stunning prose, acclaimed writer and human-rights activist Sara M Saleh offers a breathtaking portrait of the fragilities and flaws of family in the wake of war, and the love it takes to overcome great loss.
A community's rituals and practices surrounding death are one of its foremost ways of making sense of itself and its relationship to the passage of time. Historical time, in particular, with its attendant social and political shifts, is most directly experienced and reckoned with through those whom time leaves behind, the men and women whose lives come to form that community's past. In Songs for Dead Parents, distinguished anthropologist Erik Mueggler investigates death in a mountain community in Yunnan Province, which he studied over a period spanning two decades. Through evocative analyses of the community's rituals, exchanges, laments, and chants, Mueggler shows how their way of thinking and feeling the passage of time and the loss of life is rooted in the landscape surrounding them and the raw materials it provides. These materials give new substance to the dead, as they transform from body to effigy to stone to text in a cycle of degeneration and regeneration that gives shape to the ongoing life of the community. In the wake of the disappearance of the socialist rituals that once gave people narrative structures with which to understand historical change, death rituals have become ways of coming to terms with that socialist past as well as ways of moving forward from it and creating new forms of meaning. What emerges from Mueggler's book is a powerful analysis of a praxis and poetics of grief, one whose personal and historical dimensions are profoundly intertwined. Written in an accessible language for multiple audiences, Songs for Dead Parents will appeal to anthropologists, historians, scholars of modern China, and any reader interested in how a community grieves, mourns, and endures.
In this commentary Longman unpacks what this ancient love poem reveals about the male-female relationship and about God's love for His people. Beginning with an extensive introduction to the book and its background, the author discusses Song of Songs' authorship, date, literary style, language, structure, and theological content.
Old songs can bring new life. A beleaguered dryad in search of safe harbor in a land ravaged by an invasive fungus finds herself at odds with a young dryad who wields the blasphemous magic of men. The two of them must find a way to work together before a vicious sorcerer hunts them down and puts an end to them both.
All the evidence for daily, sabbath, and festival prayers in the Qumran scrolls is analysed in detail, document by document. On the basis of formal features and social-liturgical setting, these prayers are compared with each other to uncover divergent prayer traditions. Comparative material beyond the scrolls is used to reassess their place in the development of Jewish prayer. Evidence for prayers of different origin found at Qumran is important for reconsidering the nature of the scrolls, the community(s) which used them, and the history of Jewish liturgy. For several texts significant new reconstructions are offered.