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An authoritative and entertaining exploration of Australia’s distinctive birds and their unheralded role in global evolution Renowned for its gallery of unusual mammals, Australia is also a land of extraordinary birds. But unlike the mammals, the birds of Australia flew beyond the continent’s boundaries and around the globe many millions of years ago. This eye-opening book tells the dynamic but little-known story of how Australia provided the world with songbirds and parrots, among other bird groups, why Australian birds wield surprising ecological power, how Australia became a major evolutionary center, and why scientific biases have hindered recognition of these discoveries. From violent, swooping magpies to tool-making cockatoos, Australia’s birds are strikingly different from birds of other lands—often more intelligent and aggressive, often larger and longer-lived. Tim Low, a renowned biologist with a rare storytelling gift, here presents the amazing evolutionary history of Australia’s birds. The story of the birds, it turns out, is inseparable from the story of the continent itself and also the people who inhabit it.
All societies have relied on music to transform the experience of work. Song accompanied the farmer's labors, calmed the herder's flock, and set in motion the spinner's wheel. Today this tradition continues. Music blares on the shop floor; song accompanies transactions in the retail store; the radio keeps the trucker going on the long-distance haul. Now Ted Gioia, author of several acclaimed books on the history of jazz, tells the story of work songs from prehistoric times to the present. Vocation by vocation, Gioia focuses attention on the rhythms and melodies that have attended tasks such as the cultivation of crops, the raising and lowering of sails, the swinging of hammers, the felling of trees. In an engaging, conversational writing style, he synthesizes a breathtaking amount of material, not only from songbooks and recordings but also from travel literature, historical accounts, slave narratives, folklore, labor union writings, and more. He draws on all of these to describe how workers in societies around the world have used music to increase efficiency, measure time, relay commands, maintain focus, and alleviate drudgery. At the same time, Gioia emphasizes how work songs often soar beyond utilitarian functions. The heart-wringing laments of the prison chain gang, the sailor’s shanties, the lumberjack’s ballads, the field hollers and corn-shucking songs of the American South, the pearl-diving songs of the Persian Gulf, the rich mbube a cappella singing of South African miners: Who can listen to these and other songs borne of toil and hard labor without feeling their sweep and power? Ultimately, Work Songs, like its companion volume Healing Songs, is an impassioned tribute to the extraordinary capacity of music to enter into day-to-day lives, to address humanity’s deepest concerns and most heartfelt needs.
As an ethnography of Central Australian singing traditions and ceremonial contexts, this book asks questions about the vitality of the cultural knowledge and practices highly valued by Warlpiri people and fundamental to their cultural heritage. Set against a discussion of the contemporary vitality of Aboriginal musical traditions in Australia and embedded in the historical background of this region, the book lays out the features of Warlpiri songs and ceremonies, and centers on a focal case study of the Warlpiri Kurdiji ceremony to illustrate the modes in which core cultural themes are being passed on through song to future generations.
The western and south-western suburbs of Sydney are the heart of Sydney's cultural diversity: where most of Sydney's immigrants live and which gives it a complex, changing character at odds with the often negative stereotypes that dominate the media. This set of papers looks behind the stereotype at the social reality.
Murphy Parker is going to be a songwriter – if she can ever find the courage to let anyone hear her music. When Murphy dares to play one of her songs in a music class, she’s shocked by how much her classmates love it. And her. That is, until the next day, when they hear a suspiciously similar tune and accuse Murphy of stealing.
An Anthology of Australian Albums offers an overview of Australian popular music through the lens of significant, yet sometimes overlooked, Australian albums. Chapters explore the unique qualities of each album within a broader history of Australian popular music. Artists covered range from the older and non-mainstream yet influential, such as the Missing Links, Wendy Saddington and the Coloured Balls, to those who have achieved very recent success (Courtney Barnett, Dami Im and Flume) and whose work contributes to international pop music (Sia), to the more exploratory or experimental (Curse ov Dialect and A.B. Original). Collectively the albums and artists covered contribute to a view of Australian popular music through the non-canonical, emphasizing albums by women, non-white artists and Indigenous artists, and expanding the focus to include genres outside of rock including hip hop, black metal and country.