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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Songs of Armageddon: And Other Poems Free from Great Britain's golden thrall, From guillotine an'd anarchy, From pogroms red and whips that fall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“The music was a battle cry heard around the world and throughout Heaven and Hell. It would summon Sethis and call out his dark legions to destroy all those who had light in their hearts...” Deep beneath the Egyptian sands, an ancient, evil song written in hieroglyphics is discovered in the long lost, buried pyramid of the demonic pharaoh, Aknaseth. It is written that if this song is performed for the world to hear, it will unleash the Apocalypse upon the world of man, and Sethis—known commonly as Satan—will reign and grant immortality to the chosen. Nihilistic multi-billionaire, Festus Baustone III—with the help of the malevolent Egyptologist, Helmut Hartkopff—will do whatever it takes to bring the song to life at any cost...even if his only daughter, Mona, is to be sacrificed. Kirk Vaisto, known as the “God of Guitar” by his millions of fans, soon finds himself caught between the forces of divine good and monumental evil. Oblivious to the powerful darkness lurking in his guitar strings, Kirk agrees to work for Baustone and Hartkopff to turn Aknaseth’s hieroglyphics into music. Kirk begins a musical journey that takes him from an unholy chapter in ancient Egyptian history to the remains of the true Holy Cross, to the concert stage and to the very edge of Hell itself. Kirk Vaisto will give the performance of a lifetime. Immortality, the end of the world, and the salvation of every mortal soul are the stakes in Jeremy Wagner’s, The Armageddon Chord,
- Long considered the last word on Hank Williams, this biography has remained continuously in print since its first publication in 1994.- This new edition has been completely updated and includes many previously unpublished photographs, as well as a complete catalog detailing all the songs Hank Williams ever wrote, even those he never recorded.- Colin Escott is codirector and cowriter of the forth-coming two-hour PBS/BBC television documentary on Hank Williams, set to broadcast in spring 2004, and coauthor of "Hank Williams: Snapshots from the Lost Highway.- HANK WILLIAMS was the third-prize winner of the prestigious Ralph J. Gleason Music Book Award.
The matching folio to this hit film's soundtrack features a stunning 8-page color section and 13 songs: Theme from Armageddon (Trevor Rabin) * Come Together (Aerosmith) * I Don't Want to Miss a Thing (Aerosmith) * La Grange (ZZ Top) * Leaving on a Jet Plane (Chantal Kreviazuk) * Mister Big Time (Jon Bon Jovi) * Remember Me (Journey) * Roll Me Away (Bob Seger and the Silver Bullet Band) * Starseed (Our Lady Peace) * Sweet Emotion (Aerosmith) * What Kind of Love Are You On (Aerosmith) * When the Rainbow Comes (Shawn Colvin) * Wish I Were You (Patty Smyth).