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This is a new release of the original 1941 edition.
An advertisement in the sheet music of the song “Goodbye Broadway, Hello France” (1917) announces: “Music will help win the war!” This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Participants from Couch-Stone Symposium 2014 have contributed to this volume on three themes; reflecting a natural progression in scope of symbolic interactionist work in music: moving from observations of the individual to observation of organizations and interdisciplinary observations of music from scholars in related disciplines.
Warriors of the U.S. Marine Corps have evolved into American Icons. These American Samurai live in the province of legend. In this book the reader finds timeless words from these fighting men. Their legacy is here: Tun Tavern, the Marine mascot, the commandants, the creeds, the hallowed history. Politically In-Correct and proud of it. No profanity. NOTE: this "first edition" has been replaced with a "second edition," and later with a "third edition."
Music in all its forms was an indispensable part of everyday life in Britain's armed forces during the Great War.
"John C. McManus, one of our most highly-acclaimed historians of World War II, takes readers from Pearl Harbor--a rude awakening for a ragtag militia woefully unprepared for war--to Makin, a sliver of coral reef where the Army was tested against the increasingly-desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower."--Provided by publisher.
A lively social history of popular wartime songs and how they helped America's home front morale.